The Son’s Room 2001

影评 (90)

1. D

   Darren Carver-Balsiger 2026年8月24日

   The Son’s Room is a well-acted, respectable drama. It is quiet and understated, examining a family as it deals with grief. The lead feels unable to move forward in his life, which is ironic as he works as a psychiatrist, dealing with the problems of others. Nobody is immune from mental hardship. This story could have been melodramatic, but instead The Son’s Room plays things in a simple, natural way. Characters try to understand the person they’ve lost and what really happened, but it only tangles their feelings. As an examination of sudden tragedy and the effects that has, The Son’s Room is moving and relatable. Overall it’s a solid, workmanlike film, doing what one expects from middlebrow art cinema, even though it achieves little more. Palme d’Or Winners Ranked

   103 4
2. M

   marti ✨ 2026年8月24日

   «Forse per lui non era poi così importante, se non ce ne ha mai parlato, no?» «E di cosa ci ha mai parlato, Irene? Eh?» nella mia famiglia, “ti voglio bene” non viene detto mai. forse perché siamo timidi, perché ci piace tenerci i nostri segreti o perché pensiamo che sia come un’ammissione di debolezza, un piccolo sfoggio di una crepa che, come quelle che nota nanni nel film e che gli danno così fastidio, potrebbe mandarci tutti in frantumi. quante cose che non ci siamo detti e che non ci diciamo, e quante cose io ho dovuto tirare fuori di bocca alle persone che amo nei momenti di difficoltà, dove pensare di tenermi fuori dalle questioni sarebbe stata l’unica…

   106 3
3. C

   carlo p. 2026年8月24日

   Nanni, pagami la terapia.

   87
4. ˗

   ˗ˏˋ suspirliam ˊˎ˗ 2026年8月24日

   nothing like a good cry to start the day 🙂

   194 1
5. 🖤

   🖤NL🖤 2026年8月24日

   To lay all my cards on the table, I can’t evaluate this film impartially, knowing that it stole the 2001 Palme d’Or from Mulholland Drive. (Amazingly, Shrek was also in competition that year.) In some ways The Son’s Room almost feels like a reaction against Mulholland Drive, with its straightforward story, its immediate comprehensibility, and its characters whose near-total lack of idiosyncrasy inspires some doubt that I’ll remember much about this movie beyond whatever I note down in my diary today. As material for an emotionally devastating film, few topics have more potential than the unexpected loss of a child. Our protagonist, Italian John Krasinski, is a therapist, meaning his battle with grief will extend to the transference and countertransference…

   53
6. M

   Michika 2026年8月24日

   For the audience, the story ends where the film ends, but for the protagonists, their lives move forwards and our end is just the beginning for them. Like this, The Son’s Room portrays only the “process”and perhaps this is how a film should be; partly incomplete. Passing of time is cruel but at the same time, it is what heals our pain. I think this is now my favorite film of all time.

   156
7. D

   Daniele Zambelli 2026年8月24日

   Here we are Stuck by this river You and I Underneath a sky that’s ever falling down, down, down Ever falling down

   364 1
8. N

   nick 2026年8月24日

   The Son’s Room winning Palme d’Or over Mulholland Drive and Piano Teacher is one of the worst moments of the Cannes Film Festival, and after actually seeing it, I think the hate is even more justified. It’s a bloated, forgotten arthouse melodrama that features an atrocious performance from Mr. Moretti himself, and I’m glad he stopped acting in lead after this. The Son’s Room definitely shows potential in its first half, where naturalistic storytelling and gorgeous cinematography put one in the right mind space. It’s only when tragedy strikes, that the story suddenly spins out of control under Moretti’s reign. Almost not a single member of the ensemble has the acting chops to pull off the intricate emotions of grief,…

   91 2
9. C

   Carolina 2026年8月24日

   The Son’s Room turned out to be this really incredible emotional watch. I was left in a daze after finishing it, honestly. I can’t stop thinking of all the small moments, like writing a letter that you can’t write, the weight put into rewinding a tape, or that night drive, both epic and serene. The repetition of the same things, before and after everything changes. The obsession with turning back time, the obsession with a moment, the obsession with anything that makes you feel closer to that moment, even a specific kind of cheese or music. Ebert says it well: “The Son’s Room won the Palme d’Or, or top prize, at Cannes last year. It was a popular choice – too popular, sniffed some, who objected to its mainstream style and frank sentimentality. Yes, but not all movies can be stark, difficult and obscure. Sometimes in a quite ordinary way a director can reach out and touch us.”

   82
10. S

    shookone 2026年8月24日

    dark circles and inner unrest. the tremendousness and vastness in the moment of sudden tragedy. the unstoppable break into reality. authentic frames of daily life, then the collapse and disruption that leaves you with a queasy stomach and a big uneasiness. all of this tactfully staged. no pitiful cheap shot, no lazy study of dismay, but serious questions. what does the psychoanalyst do when the crisis hits from outside? pain and impuissance end in a appropriate 10 mins road movie, a drowsy all-nighter, a summer love that gives home, final gestures of tenderness.

    238
11. R

    russman 2026年8月24日

    An interesting question was raised early in this movie. “What is your favorite sport, soundwise?” I’d have to say mine is tennis.

    165 6
12. B

    Bigu 2026年8月24日

    Here we are, stuck by this river. You and I, underneath a sky that’s ever falling down… El enfoque en el duelo que vive cada uno de los personajes me parece precioso. Porque sí creo que existe una belleza en el sentir, incluso en el dolor más fuerte: en la compañía, la transformación, la evolución y la aceptación. Me gusta cómo esta película muestra una cara diferente pero realista. De verdad es bella.

    73
13. S

    shivsngh 2026年8月19日

    Mi è piaciuto il film, ma era troppo frettoloso e non ho capito il vero significato a parte il lutto.

14. P

    polverepolvere 2026年8月18日

    wack

15. S

    salô 2026年8月18日

    belo filme, bem comovente (fun fact acabei de descobrir que esse filme ganhou a palma de ouro em cima de mulholland drive e a professora de piano 😬)

    1
16. I

    Ikezar 2026年8月18日

    A pesar del duro golpe, vale mucho la pena compartir la experiencia con esta familia que desborda en esa naturalidad, que por ejemplo no encontré en “El Final de Oak Street”.

17. E

    Ethan 2026年8月17日

    Strangely serene, The Son’s Room follows recently bereaved father, Giovanni Sermonti, in an exploration into parental mourning. Morose tracking shots are interrupted with fragmented flashbacks where he tortures himself with regret over his quotidian yet mortal decisions on the day of his sons death. Brian Eno’s ‘By This River’ marches this film through its emotional peak to its close. Instrumentally, it reminds me distinctly of ‘Call it Fate, Call it Karma’ by The Strokes and leaks through a cyclical send…

18. L

    Loffruz_ 2026年8月16日

    Non è roba mia

19. *

    *ೃ༄diamond dew༊*·˚ 2026年8月16日

    Aparte de encantarme este tipo de dramas familiares, la escena final es perfecta; esa sensación de vacío que sientes cuando ves que todo el mundo sigue con su vida, aún cuando tú no has superado el duelo.

20. A

    Aditya Pant 2026年8月16日

    A gentle, understated film about a family coping with grief. The film doesn’t overtly resort to sentimentalism.

21. L

    lauracarbonii 2026年8月14日

    Straziata dall’accuratezza con cui viene raccontata una perdita cosi importante e da come viene affrontato il lutto

22. A

    Andrea Segala 2026年8月13日

    Moretti è pessimo sia a piangere che a mangiare le tette

    1
23. A

    alcatuttle 2026年8月13日

    Nani je t’aime

24. O

    Oteaste 2026年8月12日

    Sirāt sans la techno. Pas le même visionnage qu’avant l’arrivée de l’Héritier dans les pattes. Ça chiale chez le disquaire, ça chiale devant les photos, ça chiale au téléphone, un gros mélo qui tâche, ça fait chialer. Plein de fulgurances d’émotions donc mais aussi le Moretti qui ressemble le moins à un de ses films. C’est juste mais… (je ne citerai pas Godard, suis pas un boloss). L’impression d’avoir été embarqué dans sa propre séance psy et d’avoir imagé sa…

    1
25. G

    GothMuff 2026年8月11日

    Yo cuando soy psicoanalista y me pongo triste pq se murió mi hijo

    1 2
26. C

    cchiaraa 2026年8月10日

    typa film that leaves you staring at the credits with a empty head

27. _

    _juantoled0 2026年8月10日

    Creo que esta fue mi primera Moretti, y en su momento no supe apreciarla del todo. Es increíble que hayan pasado tres años ya. Maravillosa.

28. S

    Sara🧚‍♀️🌻 2026年8月9日

    vedere questo film dopo aver litigato con il proprio padre fa un altro effetto

29. A

    amonsdelmar 2026年8月9日

    Then suddenly all of them become psychologically distorted, but beside that this movie holds depths but not that deep to make someone shed a tear. More like a “sedih nya” Film instead of actually crying

30. F

    ferrki 2026年8月9日

    straziante

31. R

    roberto santillo 2026年8月8日

    shout out to Parrocchia Santa Maria dell’Arco per averlo proiettato

32. R

    Ranyos33 2026年8月8日

    יפה, אבל הייתה חסרה נשמה במקומות שהכי דרשו את זה. אי אפשר לעשות סרט על המרחב הדק שבין אקזיסטנציאליזם לניהיליזם, אלוהים ופסיכואנליזה מבלי להדגיש את האומנות דרך המדיום, וזה חטאו של הסרט.

33. M

    max 🦷 2026年8月8日

    i just really understood everything about this movie, every shot was intentional and purposeful and a way to show how each family member dealt with their emotions and their grief the character of Arianna and her letter to Andrea reminds me of a quote from Me and Earl and the Dying Girl where Mr. McCarthy (Jon Bernthal) talks about how even after someone dies you can keep learning about them and in a way the story of their life can continue to…

    2
34. A

    Adam 2026年8月7日

    Because of this movie, whenever I hear Brian Eno, all I think about is premature death and wanting to curl up in a ball on the floor sobbing and wanting to die

    1
35. B

    Berenice_rnx 2026年8月7日

    PALME D’OR 2001

36. G

    Giovxnnj 2026年8月7日

    La stanza del figlio di Nanni Moretti mette a nudo l’essere umano, le sue fragilità e esplora i modi diversi che ogni persona adotta nelľ affrontare una grave perdita. Tutto ciò lo fa con una delicatezza degna di uno dei più grandi maestri del nostro cinema e soprattutto senza cadere nei cliché malinconici messi giusto per far piangere lo spettatore. Il pre-finale di questo film andrebbe fatto vedere nelle scuole.

37. J

    Joe 2026年8月6日

    جيوفاني دكتور نفسي ناجح، عايش مع عائلته حياة مستقرة، يصير لهم حدث مفاجئ يقلب حياتهم كاملة، الفيلم واقعي وهادئ بشكل يعور ويحزن، يوضح كيف تتصرف العائلة بعد حدث صعب جدًا، وأغلب المشاهد تصرفاتهم فيها واقعية لأن بالحياة الواقعية الأشخاص بيتصرفون بنفس هاذي الطريقة بدون مبالغة.

    3
38. G

    Giovanna Quintana 2026年8月6日

    Muy bueno Entretenida, lo suficientemente dramática como para no llorar. Sin duda conmovedora. Me gustó la historia, simple, cálida y en partes cercana y hasta podía sentirse real, en función a esto las interpretaciones, buenos papeles y actuaciones acorde nada de otro mundo. Buen guión, y me gustó la música. El final con la Arianna medio raro, básico pero cumple con los típicos finales de peliculas que no te hacen llorar.

39. M

    MajorGnome 2026年8月6日

    It’s really nice. Exemplary, even. However, I feel like it’s too smooth to strike gold. The portrayal of an average family struck by tragedy is believable, empathetic, and all too predictable and familiar—not in the situations themselves, but in the cinematic language used to portray such heavy subjects. Thus, the movie reminds us that it’s just a piece of fiction, so we could remain all too comfortable.

    1
40. F

    Francisco2005 2026年8月6日

    muy buena pelicula me gusto le doy 3 y medio de 5

41. T

    tomasdeve 2026年8月6日

    El trabajo del duelo es un camino de descubrimiento de la luz de las estrellas muertas. Ese plano final!

42. J

    jackwoakes 2026年8月5日

    A film about grief that really stands out by not being either repugnant or especially staggering, but by detailing a grounded process of living with tragedy. There’s very effective sound design that pays attention to the harshness of certain textures like a ball against a court, the replaying of a song, waves crashing and the same with certain visual motifs, especially the theme park cage/coffin thrashing the dad figure around. Very nearly achieves quite a moving scene, after the family meet…

43. K

    kenny 2026年8月5日

    gran primera hora

44. A

    Achraf Elmarjani 2026年8月4日

    Even the psychoanalyst who helps others through their psychological struggles finds himself unable to.help himself when faced with his own grief…💔

    6 4
45. S

    sincerehater 2026年8月4日

    what’s there to say really… Now where he is, you, red light, do not say, and yet you shed light; and sighing about the inanimate countryside is the cricket; and my mother combs her hair in the mirror, as ancient a custom as your light, thinking about her lifeless son.

    1
46. M

    mel5544 2026年8月4日

    super triste et beau à voir

47. A

    antonibobo 2026年8月3日

    Ce film m’a bouleversé. La dernière scène du film semble si apaisé…

    1
48. L

    Lisalvi 2026年8月3日

    Mouais

49. A

    Alfonso La Manna 2026年8月3日

    Un film di Koreeda travestito da film di Moretti, che riesce in tutto quello che non riesce ad Hamnet

    1
50. P

    PeTe_rm 2026年8月3日

    Me alegro de haber visto “Caro Diario” (1993), porque a pesar de no haber conectado tanto con ella, refleja acertadamente las sensibilidades que luego se despliegan con maestría en el trabajo de Nanni Moretti. “The Son’s Room”, como ejemplo de ello, nos muestra a un Moretti delicado, tierno e intelectual—precisamente como se le veía en “Caro Diario”—, pero viéndose frente a una gran e inesperada tragedia. Duele verlo en este contexto, pero conmueve con una profunda cinta que procesa las…

51. R

    Rodolfo Luiz Vieira 2026年8月3日

    Visto no computador. 10.0

52. M

    MattiaChiara 2026年8月2日

    Guardo questo film pochi giorni dopo aver visto Odissea di Nolan e penso a quanto sia di gran lunga preferibile un film lento di novanta minuti che un trailer di tre ore. Questo film sa respirare assieme ai personaggi, che vivono come identità a se stanti, non come burattini a servizio della trama. L’unico difetto che ho trovato è che la pretesa di realismo visivo e narrativo viene talvolta smentita da dialoghi forzati o performance non impeccabili, soprattutto dagli attori più giovani. Ma va bene, a parte piccole sbavature, un film sincero che mi ha emozionato.

    1
53. M

    matimatto 2026年8月2日

    Nanni Moretti

    1
54. M

    michmou 2026年8月2日

    soz but the performances weren’t good enough to build the emotional connection the movie relies on

55. ☆

    ☆ sofia 2026年7月31日

    diverso dai suoi altri film

56. P

    pun92 2026年7月30日

    kind of falls short compared to his other works

57. S

    smmkolesnikov 2026年7月30日

    Couldn’t bring myself to watch this one for years because I expected it to be pretty lame. Just another little European family drama, I thought… I was already preparing myself to trash the jury at Cannes for giving it the Golden Palm. Wrong! Shame on me. Yes, it is a little European family drama, but a great one. Well written, touching and very on point. I really felt it.

    1
58. G

    GabrieleChiri 2026年7月29日

    Semplice, struggente. Un film che penso mi rimarrà in testa per un po’, ho trovato piacevole la goffaggine di Moretti nel recitare il suo ruolo, rende il tutto più reale. Molte scene mi hanno portato a pensare e ragionare, a come avrei reagito io in una situazione così.

59. R

    rita 2026年7月29日

    eles levaram os a frança

60. V

    vicentecorreia 2026年7月28日

    Como é que um filme pode ser contido e de uma ternura a explodir, a explodir? Elegante e sóbrio? Como é que pode ser trágico e de uma beleza sem fim, sem fim? Como é que pode ter tamanha sensibilidade? Como? É ver, ver e acabar com eles ao pé do mar (sono felice solo in mare) a despedirem-se Dele. Here we are stuck by this river you and i underneath a sky that’s ever falling down down waiting here always failing to remember why we came came I wonder why we came

61. A

    ale 2026年7月27日

    my first nanni moretti film; i thought he did a great job! i liked how it depicts grief as a process, and that, by the end of the film, the family is still kind of stuck at the starting point of said process. a bit melodramatic, but i think it does what it needed to do. shoutout menton…

62. M

    millaagln 2026年7月27日

    j’ai ressenti chaque instant leur peine et elle m’a emplie d’un océan de tristesse. le deuil c’est dur, c’est personnel, ça se traverse de mille et une façons et ce film le traduit à merveille.

    1
63. G

    Grag The Egg 2026年7月26日

    I can’t handle all the pain.

    1
64. L

    La_Cortelletti 2026年7月25日

    🫂

65. F

    FrankLevyVegh 2026年7月25日

    Not gripping but everything is in the air

66. M

    Mariana Vernochi 2026年7月25日

    É simples, quando você acha que não vai te atingir o choro vem. Desunião familiar mesmo numa mesma casa mesmo com a mesma dor. Bom filmes sempre terminam com uma boa trilha.

67. F

    Film Küratörü 2026年7月25日

    Some references that deepen the film’s intellectual, literary, aesthetic context #freudmourningandmelancholia #bollastheshadowoftheobject #leopardithecanti #bythisriver #antonionilavventura @filmkuratoru

68. S

    StaySafeEatCake 2026年7月23日

    The ending is truly beautiful !

    1
69. J

    jamadia 2026年7月23日

    Non so che pensare…

    1
70. C

    ConnerRWood 2026年7月23日

    Your Palme win doesn’t age particularly well when the other films in competition are Mulholland Dr. and The Piano Teacher. Moretti got away with it for sure, but this isn’t bad.

71. J

    Jucritica_tudo 2026年7月23日

    Todo mundo ri, ri, mas ninguém sabe como tá a mente do palhaço, o mesmo vale pro Giovanni, cuida de todo mundo, mas ninguém ajuda ele quando ele mais precisa, um filme cortante

72. E

    Eduardo 2026年7月22日

    Será que mínimas decisões ou mínimas ações mudariam nosso destino para sempre? Essa foi minha duvida assim q acabou e os créditos subindo.

    1
73. E

    Er Tuna 2026年7月22日

    Grazie Nanni, adesso si che devo andare in terapia.

74. M

    maramosk 2026年7月22日

    Avere un rapporto più rilassato con il mondo Sentire

75. L

    ludofagni 2026年7月22日

    “Tommaso, lei pensa di non meritarsi niente, perciò ogni volta che le capita qualcosa di bello o qualcosa che la emoziona lei si spaventa” SONO DEVASTATA, ho sentito tutto il loro dolore (laura torna a fare i film con nanni ti prego)

    2
76. E

    Edoardo 🐑 2026年7月21日

    🏃🏻‍♂️

77. A

    Aquilaba 2026年7月21日

    This movie is a sad but beautiful exploration of grief. With great acting and clever metaphors, I felt it truly captures the stages of loss. Even though the pacing is slow, it feels natural for the story. By the end, it feels like we’ve shared their grief, leaving us looking as lost and wandering as they do.

78. R

    rubyrub 2026年7月19日

    Me sobrepasa el duelo de estos personajes. Y cuando por fin encuentran una meta o algo con lo que sentirse realizados porque les acerca a eso que han perdido, recuerdo lo que era el acabar y volver a sentir ese vacío.

79. T

    Tanguy 2026年7月19日

    Ne faites pas de plongée

80. G

    gret_ 2026年7月19日

    emozionante senza mai scadere nella banalità. ogni mio commento sarebbe veramente superfluo.

    1
81. ˗

    ˗ˏˋ lisa ´ˎ˗ 2026年7月19日

    meritava di vincere la Palme D’Or al posto di muholland drive e piano teacher? Io non lo so, ma ridurlo ad un “cheesy art house movie” come ho letto spesso è quasi offensivo. Moretti può piacere o meno, come regista e attore, ma penso sinceramente che questo film sia una delle rappresentazioni più realistiche di lutto e che il tema viene trattato in maniera incredibilmente delicata e sofferente. Il film non è movimentato, ovviamente, ma in questi 100 minuti non…

    1 1
82. G

    Giulia 2026年7月17日

    Oggi è diverso, oggi ho solo voglia di piangere, piangerei tutta la vita

83. Z

    zack 2026年7月17日

    by this river needledrop(s) came in at the perfect time to wreck me

    5
84. D

    deerbeer 2026年7月16日

    静かな語り口で、誠実さを感じる作品だが、物足りないという感想を持った。「息子の死と遺された家族」というテーマは、少し荷が重過ぎたのではないだろうか？ 「家族の悲しみ」は描写されていたように思う。しかし、「喪失を抱えた人間」が描かれていたかと考えた場合、私の心には届かないものがあった。乱暴に言ってしまえば、悲しみを描いただけで終わっており、踏み込みが足りない。 「息子の死」という出来事を受けて、遺された家族がどう生きるのかが見たかった。

85. M

    Marya E. Gates 2026年7月8日

    This winning the Palme d’Or over Mulholland Drive and The Man Who Wasn’t There (or heck even Shrek!!!) is just wild. [Watched for the Screen Drafts podcast 21st Century Palme D’Or Winners with Robert Daniels and Eric Darling]

    1
86. C

    cinemathequeqc 2026年5月19日

    Cycle – Palmes d’or

87. P

    paoo 2026年5月14日

    understood everything but I wish I hadn’t

    1
88. A

    Axukii_ 2024年7月29日

    Là où le sujet pouvait apporter une attente de pathos convenu et plat, Moretti prend le parti de la sobriété absolue. Par sa mise en scène et surtout son montage, il confronte deux modes de vie séparés par l’événement le plus tragique qu’il soit, la mort d’un enfant. Mais cette sobriété ne cache pas sa magnificence : le faux cynisme de Moretti fait au contraire exploser toutes ses craintes et angoisses. Le point le plus important du film (et le plus…

89. T

    TJ 2021年12月7日

    for FCLT 340

90. R

    Roger Ebert Archives 2002年3月1日

    “The Son’s Room” follows an affluent Italian family through all the stages of grieving. When the teenage son dies in a diving accident, his parents and sister react with instinctive denial, followed by sorrow, anger, the disintegration of their own lives, the picking up of the pieces, and finally a form of acceptance. Because all of these stages are reflected in the clearly seen details of everyday life, the effect is very touching. The film has been written and directed…