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影评 (150)
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J
For anyone who felt safe and idealistic after changing the channel to something that wasn’t Vietnam or Manson.
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B
“No, we’re not stupid. We might be horny old pigs, but we ain’t stupid.” Wes Craven’s directorial debut is a cheap and poorly conceived exploitation thats aged like milk. Relying purely on shock value rather than building any sort of tension, The Last House on the Left offers very little as a horror; mostly just feeling gross despite not being especially graphic, with neither good ideas or technical strength to justify it’s excessively dark themes. At the very least it provided Craven with filmmaking experience, but beyond that it’s uninteresting and distasteful.
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P
A violent and gritty explosion onto the film scene for Wes Craven, it’s also possibly the most famous entry in the rape/revenge subgenre. Last House on the Left is a remake/retelling/reimagimanition of Bergman’s Virgin Spring. It tells the same story. Daughters who are raped and killed by pure evil. Through happenstance, the murderers stumble upon the parents, and then revenge takes place. In both films, the evil is the murderers, but the failure is from something higher. In Virgin Spring, the failure is God. In Last House of the Left, the failure is the government. 1972 was a weird time for America. An endless war in Vietnam with many kids being killed. Killer hippies from the Manson murders just a…
235 7 -
D
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I
Bleak, upsetting, and filled with zero hope… a notorious hard watch—the 70’s were underway. This feels like a checkpoint between Romero’s 1968 living deadmare and Tobe Hooper’s 1974 sun soaked Texas grizzle as the genre continues its forever mutation… that 68 to 74 era where the ‘modern’ horror film found its footing has always been a huge fascination for me, and The Last House on the Left is a big part of that. Back in the early 90’s, this and The Texas Chain Saw Massacre were the two films that, when I picked up the box at the video store, I felt like I was doing something wrong—those very distinct vhs artwork glistening in the plastic protective cases felt like these two titles were…
583 7 -
G
Not as great as The First House on the Right but it’s still really good.
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M
You must think we’re stupid right? No, we’re not stupid. We might be horny old pigs, but, we ain’t stupid. -Krug Stillo When I was a jaded teenager I dismissed this movie as cheap camp exploitation that wasn’t “scary”. It was a mixture of silliness and grittiness that didn’t mesh together and I could not for the life of me understand what the big deal about this film was. Over the years I’ve either become completely delusional about what this movie is really about or I’ve come to recognize it’s genius. I’m not sure which one it is anymore to be quite honest. The silliness I mentioned is still there, but I think it’s purpose is to represent the Brady…
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The Road To Halloween – Eliminating The Horror ‘Classics’ To keep from turning it off and putting on something that you like instead, keep repeating it’s only 80 minutes long…. it’s only 80 minutes long….it’s only 80 minutes long…. The Last House On The Left is a film that has an interesting back-story when it comes to its history of censorship and being banned, especially here in the UK. A back-story that is far more interesting than anything that actually happens in this film. This really is an incredibly tedious and laughably inept film from a director I don’t really care much for in the first place. I quite liked Red Eye until Cillian Murphy’s impression of Herr Flick in…
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A
“Hot damn, I wish I was something else sometimes.” History has an interesting way of codifying certain untruths as true. Whether by way of shortcut or faulty memory or utilitarian spin by the powers that be, things that didn’t happen—or, perhaps more often, didn’t exactly happen quite like that—worm their way into the official record and thus become established fact, the archaeological effort needed to contradict them either underfunded or underreported (or both). As but one minor example, take President Jimmy Carter’s famous “malaise” speech. Delivered in 1979, Carter’s speech about the energy crisis and the need for a “windfall profits” tax on the oil industry referred to a “crisis of confidence” among the American people but never used the…
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F
Crazy debut for craven lmfao probably the darkest shit hes ever made
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RRob O'Hara 2026年8月23日
Wes Craven’s cruel and brutal debut. Not the feel good hit of the summer.
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D
WES CRAVEN’S DEBUT FEATURE IS A GRITTY EXPLOITATION FILM & A CHORE TO GET THROUGH. I might get some hate for this one. I respect low-budget filmmaking. Everyone has to start somewhere, and exploitation films were huge in the ’70s for some reason. But this was not an enjoyable watch whatsoever. It’s watchable because of its gritty cinematography, and there are some moments of genius, like the nightmare scene toward the end of the film, but that’s pretty much where the…
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L
por que wes craven oq foi isso
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J
um filme de terror que acaba com suas esperanças, é um filme de terror que fez bem seu trabalho
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S
This was not as good as I remember it being. The soundtrack is distasteful, and there isn’t a very developed plot. However, as far as directorial debuts go, this wasn’t the worst I’ve seen 🤷♂️ You can definitely tell what Wes Craven was trying to achieve, but unfortunately wasn’t quite able to in a meaningful or particularly interesting way. He has definitely grown a lot since this!
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Still more of a movie than Friday the 13th
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C
Just nasty work.
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C
Pitoyable. Je sais déjà qu’un type est derrière ce scénario. C’était impossible avant de faire des films sans faire subir 1h d’agression s. à une femme? Personne ne me fera croire que les réalisateurs n’y prenaient aucun plaisir. Je le classe dans la même catégorie que I Spit on your Grave. Encore une fois, on assiste à 1h10 de torture sexu3lle et de violence commises sur des personnages féminins, contre 20minutes de revanche seulement. Je ne peux donc même pas commenter la 2eme partie. Heureusement, au moins maintenant il y a des coordinateurs d’intimité.
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P
Big fan of movies that are unintentionally funny. This movie has plenty of that, and then it actually tries to be funny at weird moments. Really adds to the experience.
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V
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E
I liked this movie a good amount and it’s crazy to see where Wes craven got his start!
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R
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E
F*ck rape exploitation
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S
Desagradable. Los actores malos. Creí que era un clasico, supongo que por la epoca, pero esta muy mal hecha.
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Z
I was expecting something nastier, but this is actually sillier, more satirical and surprisingly sympathetic
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nasty movie why does every horror movie gotta be full of rape, i just don’t see the purpose of making this a movie
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S
Una película de Wes Craven cruda y bastante incómoda, que busca provocar más desde el realismo y la sensación de suciedad que desde el terror tradicional. Tiene una atmósfera muy áspera y algunas ideas interesantes sobre la violencia y la venganza, aunque el ritmo es irregular y el tono puede sentirse bastante desordenado. Su importancia dentro del cine de explotación es innegable, pero personalmente me parece más interesante por su impacto e influencia que por su ejecución. 3/5.
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B
I feel like the score for this movie was not supposed to be for this movie. But then also the song has all the characters names, and the plot, so.
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J
I really, really loved this movie. As bleak, hopeless, and mean spirited as it is, it’s clear to me that there was a good deal of heart put into it. The 70’s were a time culturally where female victims were blamed for being victimized, especially after sexual violence. Many exploitation films of this period make a point of saying “Look at this for what it is, and try to say it’s their fault.” It’s unglamorous and brutal, with no ounce…
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So monumental in its importance to the home invasion horror but gratuitous beyond its need.
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IT RESTS ON 13 ACRES OF EARTH OVER THE VERY CENTER OF HELL..! “The Real Thing” for an American psyche still not over Night of the Living Dead. It’s obviously not as “good” as some of it’s contemporaries (The previously mentioned Night of the Living Dead, but also Targets, The Texas Chain Saw Massacre, etc.) but it does a fantastic job finding it’s own sense of Hell amidst Vietnam War-era anxieties, sensibilities and atrocities. There is no hope. The Roads…
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Absolument affreux
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J
It left me with a lump in my throat. Even though I’m used to these kinds of movies, it was a strong and clear message.
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A
Horrible.
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P
This flick has officially been demystified for me. I knew that this was gonna be a tough and disgusting watch, but I didn’t know that it was also actually so stupid and poorly done that it undermined this from being a fully effective unpleasant experience. Having seen movies from before and after this film’s release that did just as bad or worse things, but with a more consistently bleak and horrible tonal experience, this was actually a lot easier to…
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L
ich wollte ihn nur gucken, weil manche Leute sagen, es wäre mit der erste Rape and Revenge film gewesen. Ich fand ihn unterhaltsam. Natürlich merkt man ihm das Alter an, aber Overall, ein guter Film
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M
One of the most disturbing films I’ve ever seen
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B
While quite sleazy, Craven handles the material with humor as seen in his later franchises in his classic debut. The Rape and Revenge genre isn’t for everyone, but this is definitely one of the stand outs of the genre. The SA is implied and it’s the general nastiness of the villains over overt gratuitous violence. Speaking of violence, the last 15 minutes absolutely rule.
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W
On retrouve dans ce film tous les bons et mauvais côté du cinéma des années 70 dans son extrême. Mais je n’ai pas du tout accroché aux personnages des criminels, plutôt ridicules, et à l’humour injecté dans cette histoire qui est pourtant horrible.
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I
Filme imundo, muito bom. Vilões podres, crítica às instituições podres norte-americanas, o modelo da família ideal, os policiais imbecis sem ser inverossímil, o clima de humor em alguns momentos. Acho que esse é o melhor filme do wes craven. Tem uma estética ousada, lembrou o massacre da serra elétrica. A trilha sonora experimental pras cenas também é interessante. Algumas coisas são inverossímeis como o casal achar a filha no lago, mas gostei muito
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DDean 2026年8月21日
Unfortunately, this one was pretty underwhelming for me. I expected something much more shocking, especially considering its reputation, but the film didn’t really have the impact I was hoping for. Maybe it felt very different when it came out in the 70s, but compared to the amount of much more brutal films that exist today, I didn’t find it particularly disturbing. There are some interesting ideas here, but overall it just wasn’t for me.
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S
Did bro really have a shotgun above his head and went for a trash can lid and a wrench first?
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C
Better than expected! Tbh this makes so much sense that this was Craven’s first film, he’s really had his hand in all the sub genres of horror, AND does it well. I still feel like the 70s exploitation era was peak for disturbing horror. I love Wes Craven, what a horror icon truly!!!!
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P
technically good, but in the end just exploitative. would not recommend this to my worst enemies
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P
The music choices in this are terrifying
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J
IDK, maybe hetero male academics shouldn’t take acid and make rape-revenge movies. There’s slapstick comedy and a folk singer narrator in this, y’all.
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Y
It’s hot, it’s sweaty, it’s unbelievably loud, and despite having barely any actual onscreen gore, it feels entirely unhinged. A flawless, dirty piece of American horror art.
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C
RIP Wes Craven, David Hess, Fred J. Lincoln, Richard Towers Sits somewhere between a 3 and a 3.5. The tone here is really odd to say the least. I’m not sure if this was trying to be a jet-black comedy at points or not. If it was it’s rather goofy as all hell. Honestly this didn’t feel like the same guy who did Nightmare on Elm Street or the Scream films though Krug and his gang could have been ghost…
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J
a very midwest movie
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W
This movie was awful. I hated every second. It was grim and disgusting in the gore scenes and just boring the rest of the time. Also if a movie needs a rape scene in order to make it scary then it is just bad writing/ filmmaking. I was kind of expecting more considering this was the same guy who made scream!
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H
the last house on the left used to be my favourite exploitation film from the rape/revenge subgenre, but i hadn’t watched it in like 3 years so i decided to revisit. well i kinda didnt have the experience with it that i did when i was younger. now when i’ve seen lot more movies from this genre, for such a serious and gritty topic its way too amateurishly done. i don’t remember it being this humorous and dumb, was never…
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M
é um filme desconfortável de assistir, a parte do que acontece com as meninas é pesada e sem romantização. uma das coisas que mais me pegou, não foi nem a violência, mas a forma como tudo parece real, como se fosse um documentário. só achei desnecessário o “alívio cômico” dos policiais em um filme como esse.
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S
After watching I SPIT ON YOUR GRAVE the other day, I realised this was a long-term blindspot of mine from the early exploitation era, and boy does it not match that former (albeit 6 years later) classic. Whereas ISOYG features better artistic direction, acting and quiet thoughtfulness (and on a smaller budget!), this is delivered with whiplash tonal changes (the police are from an entirely different proto-Police Academy comedy, let alone the soundtrack choices), a sleazy opening (not just the…
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pretty acoustic guitar over rape scenes, because apparently trauma needed a cute little indie-folk soundtrack.
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E
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F
Even if it’s a rape-and-revenge film, we already see roots of comedy/satire Craven loves to put in his horror films. While some may find tonal shifts (and there are many of them) jarring, I think it adds much to the nightmare-ish grindhouse quality to this film. I need to rewatch remake soon.
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N
At the very least, it’s an accurate portrayal of the incompetence of police. It’s also very 70s and the acting is fine. The revenge climax is a little satisfying, but the dad really tried to Home Alone things while forgetting he’s an old man. The mom at least is smarter about it, though I think the script has her do things outside her character just for Craven’s attempt at being edgy. Overall, it’s a clumsy attempt at something like I…
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M
Bergman by Craven Mari Collingwood (Sandra Peabody) is on her way to a concert for her 17th birthday. The concert is held in a bad neighborhood where she and her friend Phyllis Stone (Lucy Grantham) become the victims of a group of criminals who recently escaped from prison. Written and directed by Wes Craven, The Last House on the Left is his directorial debut. It is a “rape and revenge” or “rape-revenge” horror film, a subgenre inspired by Jungfrukällan (1960),…
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I
quando eles tavam listando serial killers e a sadie disse sigmund frood
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C
Tonally repulsive and an exploitative mess. Other than a few shots here or there there are absolutely no redeeming qualities. Hard to believe this was made by the same guy as Scream, I never want to think about this ever again
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F
my mom’s answer to “scariest movie you’ve ever seen in your life” because it ingrained in her that there is Evil in this world
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AArturo_Baldini 2026年8月19日
Not a movie to enjoy, but I guess there are things out there not very enjoyable. Sticks with you, for better or worse. Also: almost feels like a dreamy nightmare satire about the perfect family in times of increasing violence – so it got 70s written all over it. And I guess it’s not a coincidence, that some parts or elements remind me of ‘Taxi Driver’, ‘The Texas Chainsaw Massacre’, ‘The Assault on Precinct 13’., and ‘A Clockwork Orange’ which this movie predates (except ‘Clockwork’). Anybody else clocked “Singing in the Rain”?
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Dunno what to say
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J
I have seldom felt so miserable after watching a movie. just despair. horrible.
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M
I like watching older films every once in a while, this movie really just reminded me how evil people can be but also the scariest part is how women can easily betray each other – because I don’t think I could even do anything like that to any woman I’ve ever had an issue with.
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M
I was so confused by the tone with this one. The music completely threw me off with its folk-like sound but then it’s juxtaposed with the subject matter and harsh score. This is easily some of the most uncomfortable violent sequences I’ve seen.
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A mean-spirited version of The Texas Chainsaw Massacre without the insight and meaning. Wes Craven really didn’t have his mojo yet.
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D
A representation of how crazy70s were
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T
telltale signs a man is the director : when a man’s penis is too taboo or will make the audience uncomfortable, so you leave that part out when you make a the mother of the victim.. bite their dick off? but you’ll show 40 minutes of underaged girls being raped and tortured estelle being the original final girl but nobody gaf about her..? wes craven is proof everyone starts somewhere !
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E
I find it hard to believe this is a Wes Craven film, total trash. The soundtrack is quite possibly the worst in the history of film.
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V
I didnt know Wes Craven use to direct low budget porn before Scream and Elm street, damn
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Y
Même si la photographie, le jeu et la réalisation en général ont pris un coup de vieux, il reste regardable par les amateurs du genre, notamment pour parfaire sa connaissance des oeuvres de Wes Craven. Il inspirera d’ailleurs plus tard Day of the woman ou encore Funny Games par l’intrusion de malades obsédés et avides de violences sadiques. Wes Craven a le mérite d’être le “premier” à proposer un thème comme celui-ci en y apposant des
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M
escenas de violaci*n espantosamente musicalizadas. La venganza anticlimática, salvo por la madre arrancandosela al canoso
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P
Some of the most perplexing musical choices in horror movie history? Wes & Hess were clowning us with the corny adult contemporary soft rock and mid-century suburban Muzak laid over straight up evil vile acts of sadism. This movie feels tapped in (perhaps a little too tapped in) to the dark currents of 70s serial killers, cults, and political violence— and foundational to the turn in the horror genre from spooky to slasher. Unlike nearly every other horror film, the villains…
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La conductora de la camioneta con los pollos soy yo
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C
Difficult watch, but I stuck around for the “catharsis” of the parents revenge. The first half was so sadistic and upsetting, I figured that the finale would turn the volume up even higher. But it doesn’t. It turns into a Home Alone-style booby trap fest and some lame fights. The whole thing is quite poorly constructed as well, which I could forgive in the first half because it added a sense of gritty realism. But the second half really pissed…
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T
I kinda like the super simplicity of this. But there were moments I found myself wishing there was more to it as well
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X
The era of video nasties will never return!! A form of cinema meant to disturb with its cheesy take on reality’s most traumatizing moments. The censorship of the time is still clearly seen too. I have a lot of thoughts but no brain power to explain anymore lol
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SSergio Sosa 2026年8月17日
Cuando el padre se pone en modo “Mi Pobre Angelito” es un top. Por todo lo demas, se me borró la sonrisa.
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C
Been putting this one off (understandably) for way too long. Type of shit that makes you want to take a shower. The inescapability of pure evil against the assumed protections of the modern world. The officials in charge end up almost comically useless. Huge fan of the jaunty soundtrack over some of the most disturbing violence ever put to screen.
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S
em fa molta gràcia que sigui el slasher de el manantial de la doncella
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Llaurenkmw 2026年8月17日
Going through old Wes Craven movies and started with this 🫠
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Rewatched 2026 Top 3 of video nasties. The nasties of all nasties. Just made me sick. Like Driller Killer…. Except- Wes was telling a story. Some say it was an anti violent message…. i dont buy it. Just Wes making money off sex amd violence. The one thing i never got…. How did a bunch of punks Catch a girl who knew those woods. Oh- and the obvious- The shitty 70’s music that made absolutely no sense. You “Cravens” will say “Wes wanted you to feel confused and awkward gicong the whole attack a more horrorify vibe” Well that’s horseshit.
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A Sombra de Bergman sob os Olhos de Craven: A Gênese da Gênese do Fenômeno Slasher 1. A Mentira do Marketing e a Verdade de Bergman Embora o marketing agressivo e abusivo da época tenha sugerido que Aniversário Macabro, de Wes Craven, fosse inspirado numa história verídica, na verdade o filme de 1972 nada mais é que uma releitura sádica e sombria do drama sueco A Fonte da Donzela, dirigido por Ingmar Bergman. É verdade também que, apesar dessa mentira…
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Brutalidade do outro lado da rua, assassino nos sonhos, pessoas dentro das paredes da casa, uma gangue num lugar inóspito e longe do lar… A filmografia de Craven está sempre perguntando: “e se esse modo de vida suburbano americano não for tão seguro assim?”. A brutalidade vem da barbárie ou da forçada “civilização”? Esse é o mais cru. É lindo no horror o quanto uma trama simples de rape revenge pode ser tão rica tematica e imageticamente.
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Un film particulièrement brutal qui s’intéresse moins au spectacle horrifique qu’à la manière dont la violence peut transformer complètement ses victimes. Wes Craven signe ici une œuvre profondément malsaine, avec une approche presque réaliste qui rend certaines scènes beaucoup plus difficiles à regarder. Le film repose sur une situation très simple : deux jeunes filles tombent entre les mains d’un groupe de criminels avant que leurs agresseurs ne se retrouvent confrontés aux parents de l’une d’elles. Ce qui fonctionne particulièrement…
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Mejor mierda
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J
Tan siquiera fue rápido
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The sound effects were giving me headaches because wtf was this
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RRafael Lucan 2026年8月15日
no começo os pais não entendem a filha consumir algo tão violento como a banda “bloodlust”, no final os mesmos saciam a deles e a nossa bloodlust. o filme tensiona justamente essa linha moral, de rejeitar a violência até o ponto que a decisão de quebrar o ciclo dela está nas nossas mãos.
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R
Why Wes? Why? Every decision made in the movie and for the production of the movie was just awful. Maybe I just don’t get it, but I don’t really care to find out
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perturbador, apesar de ter uma boa trilha sonora as musicas foram colocadas nas cenas mais absurdas possíveis, talvez para minimizar o fato das cenas serem bem pesadas, a história tem pouquíssimos momentos interessantes mas no geral é só sobre duas garotas sofrendo todo tipo de violência.
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Ngl this movie kinda pissed me off
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B
Yikes
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Yowch
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H
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MMacrobus 2026年8月15日
One of the most cynical film I have seen so far. The way those two girls are deprived of their humanity is purely horrifying. As such it encapsulates what horror is about, confronting us with that we do not want to see.
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M
I know this a benchmark of the early 70s turn to extremely bleak cinema, but yeahhh… Wes craven wtf. Y’all can skip this one unless you like gratuitous sexual violence and torture of young girls overlayed by a beautiful guitar soundtrack. And there’s not too much plot besides that.
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D
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W
Hilarious that the actor who played the peeping tom criminal (who looks identical to Christopher Moltisanti) was a porn director in real life. The last 20 minutes were obviously satisfying, but not worth the hour buildup of sadistic violence that, thankfully, has not aged well. The guys who played Krug and Weasel did a good job making you despise their characters, but some of the acting, especially from the parents, was noticeably rough. Also, the random tonal shifts, like the…
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S
There’s just so much wrong with this
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S
Its one of your usual 1970s with gore and the police doing nothing about it
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J
No-one: Absolutely no-one: Jus Oborn *pointing at the bad guys: “that’s Electric Wizard that”.
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F
Not nice, Wes. No.
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C
I only discovered this was a remake of The Virgin Spring recently, which handled the story with much more power and sensitivity. No idea why this achieved such a reputation. A truly awful, amateurish film. Totally inconsistent, bouncing from nasty horror to light hearted scenes and moments of ‘comedy’. It completely undermines its own ending with a ‘you have been watching’ style credit montage!
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Que porra foi essa?, LITERALMENTE um pornô de tortura. 1 estrela so porque retrata violências reais que as mulheres estão constantemente sujeitas a enfrentar.
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D
Wes Craven, I know we all have to start somewhere but what the fuck? (Nervous laugh) Who thought you know what every rape scene is missing? Some acoustic guitar.. The 70’s seemed like the most lawless time just nothing but serial killers and bush, i do appreciate Wes Craven for making something so raw, brutal and uncomfortable but the 2009 remake definitely does everything better for me. This might be the most accurate depiction of cops. Collingwood Family,⭐️⭐️⭐️⭐️ That’s how…
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No es para mi
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M
but like why have kazoo playing when she’s riding his shit in the back of the car?
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B
C’était pas très bien ….
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A
It’s amazing to me that Wes Craven ended up having a career after this film. I mean, I guess I can understand somewhat from a 1972 perspective. Restrictions were lightening up a bit on films, and the horror genre had been redefining itself. This film (which is a very loose retelling of Ingmar Bergman’s The Virgin Spring) happened to hit at a particular point in time where the shock value likely is what pushed audiences to check it out. It…
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Me encantaria saber quien fue el responsable de la música, de todas y cada una de las escenas de los dos policías, y de romper el tono de la película cada vez que tienen una escena incómoda. Me ponen música de Farming Simulator mientras una chavala está corriendo por su vida. Podría ser mucho más incómoda y desagradable sino fuera por todo eso.
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nothing disgusts me more than knowing that the actress who plays mari actually struggled with the sa scenes and was genuinely afraid that she even left the production and they had to literally convince her to return.. worst of all, she was actually harassed in the making of this by her male co-star’s “i was very mean to the girls, so when it came to the rape scene, [sandra cassell] didn’t have to act,” he says, referring to a co-star who…
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H
There are weird contrasts in this movie. Its violent and brutal yet there is some sort of benny hill comedy police duo. There is beautiful images and Cravens ambition and skill is brewing on the other hand it looks and is acted like an awful b-movie. The finale image makes you think is it some sort of middle class sinking to a criminals level comment.
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V
Que filme lixo. Fotografia horrorosa, atuações lixo (uma pior que a outra), texto horrível e cenas trash sem sentido algum e que tentam desafiar nosso intelecto.
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B
Woah. The Last House on the Left was brutal. I had heard the stories, but this was a heavy watch. Oh, how I would’ve loved to have been a fly on the wall during the initial screenings of Wes Craven’s feature debut, back in 1972. The shock factor must have been utterly wild. The slapstick comedy and soundtrack were both so jarring and took me out of it at times. The sitcom-style end credits were an added punch to the gut after this bleak as fuck story. I love how much people hate cops in this film, though.
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Wwill 2026年8月13日
bro’s name is krug
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T
jarring, evil, nasty, and very satisfying gosh…and theres a man who lowk looks like peter cushing in the beginning lol
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what
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S
To everybody’s surprise, David Hess had the random ability to compose the greatest original soundtrack in sexploitation history in addition to one of the most malevolent screen presences ever. Wes Craven’s controversial directorial debut is a grindhouse horror effort that not only held a major hand in pioneering the modern rape revenge canon, but also the output of the wider genre during the 1970s in a period of disillusionment across America. It’s a soul-crushing and explicit breakdown of the teen…
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me río?
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M
I have a vengeful spirit on this mindful Wednesday… Original review here… If me from Aug 2021 only knew the horrors that Patrick Bateman t shirt would see in the next 5 years 🥵🐺✌️😅🗣️💗🥹😂🐆🤑🛎️⏰😩😳🤯🇦🇺🐽😭💘🙃☺️🥲😱🦍😃🥳💝🐐😸🌏🥂 I blame Sean S Cunningham and KRUG tbh lmao – half a star bc i do think Wes > Sean imo
4 -
E
um dos raros casos em que o remake eh melhor
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CCaramela 2026年8月12日
“I spit on your grave” prepared me for this
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C
Holy shit! The most intense, disturbing movie but what the hell its horror, fucking make it outrageously horrific
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J
A really weird movie, a slow introduction, not sure what i was looking, then it became rape fest and torture porn… All with a very strange music background. Wes Craven filmed these horrific réaliste rape, torture and murders scenes like a light comedy. We even have a goofy cops duo with their car down and comedy moments where they try to stop drivers… All this on the middle of very graphic / realistic sick show. To be honest the movie…
1 -
S
A bizarre and ugly film filled with loads of bad acting and a musical score that’s wildly mismatched. And which house are they referring to anyway?
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A
esse é um daqueles filmes difícil de avaliar como eu me senti sobre. tem muita coisa na produção que envelheceu mal, esse humor negro que funciona muito bem até certo momento, brincando com o contraste das situações,mas que acaba ficando só meio de mal gosto depois de um ponto ou o uso esquisitissimo da trilha sonora em alguns momentos. mas, de certa forma tudo isso dá um certo charme pro filme. e ele é nojento, desconfortável e até perturbador em…
1 -
S
If I was given the opportunity to unwatch one movie I’ve seen in my life, I would choose this one without hesitation.
2 2 -
2
Tasteless beyond degree. Unwatchable torture and revenge porn set to the stupidest hee haw music this side of the 70’s backwoods proto-slasher. Utterly tone deaf. Love ya Wes but come on.
1 -
N
¿Era comedia? ¿Era thriller? ¿Q rollo con la señora de las gallinas? ❓️❓️❓️ Me la pasé bien raro
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S
Decent for a low budget debut but I think I would have found the horror more effective if there wasn’t silly cartoon music playing in the background.
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M
Pel·lícula que va marcar un abans i un després en el cinema d’horror, trencant de cop el somni hippy dels primers minuts per convertir-se en una angoixant i brutal radiografia de l’Amèrica post-60s, i també, evidentment, en una exploitation movie en tota regla. La història parteix clarament de The Virgin Spring d’Ingmar Bergman, traslladant-ne la premissa medieval a l’Amèrica contemporània i substituint la tragèdia religiosa per una història de venjança. El contrast és probablement un dels seus grans encerts: d’una…
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M
there are zero redeeming qualities to this movie and despite the short runtime it felt like it was five hours long. fucking disgusting stuff.
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S
there are zero redeeming qualities to this movie and despite the short runtime it felt like it was five hours long. fucking disgusting stuff.
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P
Ninguém faz nada como o Wes Kraven fazia. Um mestre do terror mostrando mais uma vez como subverter o gênero
- 剧情简介
- On the eve of her 17th birthday, Mari and friend Phyllis set off from her family home to attend a rock concert in the city. Attempting to score some drugs on the way, the pair run afoul of a group of vicious crooks, headed up by the sadistic Krug.
- 导演
- Wes Craven
- 编剧
- Wes Craven
- 制片公司
- Lobster Enterprises, Sean S. Cunningham Films, The Night Co.
- 国家/地区
- USA
- 语言
- English
- 年份
- 1972
- 片长
- 84 分钟
- USA30 Aug 1972
- Italy20 Jun 1973
- Germany19 Oct 1973
- Denmark30 Aug 1972
- France01 Oct 2000
- UK17 May 2003
- Australia04 Nov 2004
- UK17 Mar 2008
- Netherlands17 Oct 2008
- Netherlands14 Aug 2013
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