剧情简介
预告片
影评 (93)
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M
“You’ve lived too long. Your kind of days are over.” “My days? What about yours, gunfighter?” “Difference is I know it.” A man has to be what he is.
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A
So this was Shane, huh? The movie that pops up on virtually every “The 10 Greatest Westerns of all Time” list. All I can say to that is: You have got to be kidding me! No wonder some people think Westerns are kinda silly if they go after lists like that. This is so very sentimental and corny, it’s basically Nicholas Sparks with guns. Emotionally as flat as the desert, it desperately tries to make up for it via a super obtrusive score that’s clearly supposed to tug at your heart strings. I mean, the music does not stop. And it’s all so play-pretend. So Alan Ladd is “a weary gunfighter”, huh? Don’t look weary to me. In fact he…
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S
i. Preface. I’ve written here before about watching old movies with my dad when I was a kid. About how he’d rent a VCR for a weekend, and bring home movies on VHS to show me. Stuff like Bridge on the River Kwai, and Yankee Doodle Dandy; like Bad Day at Black Rock, and Guys and Dolls. I loved them all, but only a few of them buried their ways into my soul; Shane was one of those. I had probably seen it a dozen times before I was 18, and Alan Ladd was my favorite actor before I really knew what actors were. ii. Joe. Joe Starrett is a man not fit for the west. He’s soft and gentle and…
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T
“a man has to be what he is” Sam Peckinpah once said Shane was the greatest Western ever made – and honestly, I kind of see why. George Stevens directs it with a patient, melodramatic rhythm that sinks deep. I love the emotional swells and subtle character shifts in A Place in the Sun – and you feel that same delicate tonal movement here. Listening to the commentary, I learned that Stevens really wanted to take his audience seriously – to trust they could handle moral ambiguity and a more layered kind of storytelling. And that’s what we get: there’s a sensitivity and sophistication in it all – through minimal changes of expression, mood, light. The cinematography is absolutely phenomenal,…
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J
A lone gunfighter looking to escape his past finds work in a seemingly peaceful valley, but for some reason violence always seems to follow Shane wherever he goes. “Tell him I’m a reasonable man. Tell him things have gone far enough. Tell him I’m beaten. Tell him anything but, by Jupiter, get him here!” You may be thinking that you have heard that premise used countless times in westerns, so I suppose it is that influence which has caused Shane to be so acclaimed. In many ways, it felt like an anti-western with how it does not glorify violence, and instead focuses on the character drama. “You’re both out of your senses. This isn’t worth a life, anybody’s life. What…
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SSally Jane Black 2026年8月26日
There are four major stories I want to talk about here. First, there is the community against the corporation. This is a conflict dear to me, one that resonates in any setting. Be it a powerful lord, an evil empire, or a rancher, some potent force of greed and corruption seeks to take what is rightfully the people’s, be they represented by peasants, a weaker nation, or farmers. The narrative point is to set up an underdog, because all humans are, alone, weak. We cannot hope to stand up to the forces of the universe or society that prey on us, and underdogs and their improbable victories sing to us. The theme can vary. Sometimes, it is collective strength, sometimes…
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S
the (annoying) boy gets a superhero to look up to (a weird fetish object he’s seeking out there), dad gets a fist fighting partner for the bar and then for himself and mom gets a new cock to ride on. one fucking happy american family. Shane as metaphor for the darkness and death drive being essential parts of the virility of man.
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X
“Shane” is a solid western with two great supporting performances from Jack Palance and Brandon De Wilde. Best supporting actor ranked
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T
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M
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L
‘Then we’ll never see you again?’ ‘Never is a long time, Marian.’ My heart was broken by this masterpiece in the most heart-warming way ever. Shane is the ultimate parable of selfless goodness counterpoised by the coarse grittiness usually associated with the genre. The unconventional way the movie resolved this seemingly irresolvable anomaly and used the regular characteristics of westerns as a ladder to reach the true allegorical heights it aimed for, paved the way for its eternal message: no matter the impossible odds, goodness always triumphs in the end. The act of righteousness might involve taking just retribution on the wrongdoers and might therefore hurt the conscience of the selfless benefactor most, but one thing it can never do.…
226 13 -
H
The whole film is good but that ending is fucking dynamite man. In terms of films about reckoning with violence and legacy in the west, it’s no Unforgiven but then again what is? It’s still a great time and Alan Ladd is brilliant.
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W
Ye mountains
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J
So basically the main guy is a sad sack and he’s a really good guy but can’t quite hack it and Shane comes along out of nowhere and literally everyone else likes him better than the main guy, including the main guy’s wife and son. Shane kicks his ass (for his own good), goes and kills the bad guys, and saves the day. Strange plot and odd disdain for the good guy in this movie.
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A
Many westerns today function as mile posts that show a partial trajectory of American social politics and Shane is a notable example. We have a story about love of one’s country and history combined with the power of community and solidarity. It is a story that insists only a good guy with a gun can stop a bad guy with a gun but concludes with the victory of the elimination of all guns. One wonders if it’s really the Overton…
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M
Boring. Shane be like “Yeah I’m a drifter what about it. Oh also I don’t like guns” then the kids like “teach me to shoot something please.” ”Maybe later” “oh no! They bad guy is trying to run us off out claim” said the farmer that Shane was staying at. Shane “I guess I’ll have to shoot him” yay Shane wins. That what I would have guessed what happens and it literally does. It has nice blocking and camera angles…
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R
Solid western with some beautiful cinematography and good performances, found it quite boring though. Joey was annoying.
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K
The tale of the reluctant gunslinger, told with the right amount of mystery and awareness of times past. The animal blocking in this will be my biggest memory – Stonewall’s forlorn dog was heartbreaking. The kid and his mom were both dorks, though.
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C
“A gun is a tool, Marian. No better no worse than any other tool, an axe, a shovel or anything. A gun is as good or bad as the man using it. Remember that.”
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M
I knew I recognized that kid from Hud. Instantly rises to the top half of Westerns I’ve seen, a genre that I think I’ll always struggle to acquire my taste for.
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H
If only Shane had come back… They could have lived polyamourosly ever after…
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T
My Grandad’s favourite film and now I can say he knew what was kino. I absolutely love “Lone Hero” movies and few are better than this. One that arguably is Yojmbo was inspired by this movie which only makes it better. The landscape is beautiful and desolate – the tiny town dwarfed by the Wyoming mountains is a memorable visual. As the progenitor of so much of the Western tradition from handsome hero, white hats and black hats, the quiet…
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I
We read the book at school. Maybe 50 years ago.
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MMax Power 2026年8月20日
A picture about American property rights. Government law is too far away to compel the Ryker brothers to follow it, so they take the role in this lone valley instead; their might makes right in the question of ownership of the land. So Starrett and the others’ argument turns to the issue of: who works the land? Against legal violence they turn to morality, to which the head Ryker counters that the Ryker brothers ‘cleaned up’ the valley of wildlife…
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D
The American West is itself a character in the movie, with incredibly scenic backdrops throughout. The general story beats feel a bit rehashed, but they are delivered well.
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G
nao
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M
A man has to be what he is Joey 😭😭😭😭😭
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M
AugWest #7
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T
Best Western I’ve seen since Giant; coincidentally, same director. Nothing ground breaking but checks all the boxes of a classic western. Beautifully shot. Alan Ladd played the role of moral cowboy as well as anyone. Felt like the lead actress carried. My only critique is that it was too dark too often.
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M
I’ve been meaning to watch this since 2017 and finally got around to it (thank you Paramount+.) For the most part, Shane is your typical Western: some ne’er-do-well crooks terrorize a group of hard-working, honest people just trying to live a life of peace and prosperity. However, George Stevens skews off the beaten path with a different framing of the classic hero tale. While so many westerns of the time didn’t hesitate to justify violence as a means of righteous…
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A
Such a beautiful film. A simple story, vivid colors, strong characters, and a perfect music score.
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M
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D
I had heard a lot about this movie and have been meaning to watch it for years. Like other reviews stated, the kid was pretty unbearable and they could have chopped 80% of his limes without Missing a beat. Alan Ladd as Shane was pretty boring too, but I understand the allure. I thought the final confrontation and talk with Joey finally seemed to bring out the real character. The scenery was pretty great in this, including the town. There…
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G
The cinematography was very much deserving of its praise, but aside from that, this is another forgettable Western. I think I really just need to watch the John Ford and Clint Eastwood Westerns before I watch anymore boring Westerns to give me hope for this genre
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E
(Spoiler alert) Four stars if he died in the end.
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K
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H
87/100 “I’ve been thinkin’ a lot and I know I’m kinda slow sometimes, Marian, but I see things. And I know that if… if anything happened to me that you’d be took care of, took care of better than I could do it myself. I never thought I’d live to hear myself say that, but I guess now’s a pretty good time to lay things bare.” – Joe Starrett If I could live that close to the Tetons, I’d fight hard for that fucking land.
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E
Better than its time. Feels like a modern movie trapped by the past. The fact that they get all bloodied up during the bar fight in a realistic way is kind of incredible for the time. The fact that the villain, while wrong, has a legitimate understandable grievance is almost unheard of for the time. The fact that the main character is a fairly average looking guy is so refreshing. Just a great film, wish it had a better score.
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G
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P
Kind of sappy and corny, but enjoyable.
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H
It’s rare to find a highly acclaimed movie about a drifter cucking a guy out of his family, so this was exciting. Not quite as exciting as that wife immediately found Shane.
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B
A pretty unique western in the way that it doesn’t focus on action as much as a traditional western would, instead focusing more on the human aspects and emotions of the characters. A good tale of family, loyalty, and perseverance. A pretty great ending as well.
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S
I’m ashamed to say I didn’t watch the movie I was named after until I was in high school. My defense: Shane is one of those movies that’s famous even among people who haven’t see it. In other words, I wish I had a fistful of dollars for every time some jack-wagon hit me with the much-parodied “Come back Shane!” line. For the record, it’s “Shane! Come back!” When I finally overcame “Come back Shane” fatigue, I learned that my…
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R
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A
my first ever western film watched. honestly not too bad. joey was pissing me off though. the final showdown is a masterpiece of cinema.
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S
It’s really violent and I almost felt like certain parts of the movie could’ve been horror really easily (the child actor, the isolation/silence). I felt like it got lost in the violence though. Probably an artistic choice but I feelt like it got to a certain point where it got reallyy uncomfortable for me. Kind of refreshing in terms of breaking tropes, I’m guessing part of this movie was maybe about veterans returning from the war and having to reconcile their violent past with the present?
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I
Moram da vas razočaram ali Haustorova pesma nema skoro nikakve veze sa pričom filma
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R
This is one of those films I admire considerably more than I actually like, which is frustrating because there’s an enormous amount here to admire. On the surface, “Shane” is built out of such elemental western material that it almost feels like an ur-western, the basic template from which countless later films were constructed. A mysterious gunfighter arrives in an isolated community, becomes attached to a family, defends ordinary settlers against a powerful rancher and discovers that the violent skills…
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L
The end of the gunfighter, in a version less pessimistic than some others. The scenery of Jackson Hole, Wyoming, is especially beautiful, with striking mountains over a wide valley floor, but the overall atmosphere strikes me as a bit too old-timey and polished.
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A
Probably the psychologically weirdest western I’ve ever seen. Not enjoyable or charismatic but perfectly made, pulls you into very disturbing and very sharp family romance without ever betraying the sheen of postwar repression and white nationalism building, and unlike many 50s movies which seem to explode and choke on the things they can’t say, this seems almost cruelly aware of what it’s doing and undoing. Grow up to be straight is one of the last things Shane tells Joey, but…
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Zzara 2026年8月12日
men and their odd rules
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S
So good from front to back. Alan Ladd delivers flawlessly, and every single dynamic in this movie is great. Lots of life lessons packed in here. Super dated, and the kid can be a total pain in the ass at times. I would change the kid out and slightly increase the pacing, particularly at the beginning, but other than that, I would not change anything about this.
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T
SO many layers in this wonderfully made film.
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J
“Come back, Shane!” “My name’s not Shane, kid” Sorry I had to 🤣 I mean, its an alright film. I can see why people call this western a classic but the characters are pretty one-noted. Either super good or super evil. Not much complexity going on here. That said, I found the fight scenes to be well made so thats something. And the enviroments feel more gritty then most american westerns made at the time. But then they double down…
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Z
1001 Films to See Before You Die #257 Rancher Joe Starett (Van Heflin) lives with his wife Marian (Jean Arthur) their young son Joey (Brandon deWilde)in Wyoming. Despite owning their land legally under the Homestead Acts ruthless cattle baron Rufus Ryker (Emile Meyer) is trying everything he can to get Joe and other local homesteaders out of the valley. Drifter Shane (Alan Ladd) arrives at Joe’s homestead and agrees to work for Joe but as the conflict escalates, Shane becomes…
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J
love the lines in this movie and the final scene almost got me
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J
Road to Centennial: 26th Academy Awards Dude this is exactly a half hour to long.
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A
Weird kid.
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Mmfisher4 2026年8月11日
Jerry liked it
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D
A classic Western tale, set with the cinematic landscape of the Grand Teton mountains, as the backdrop. Alan Ladd is laid back and stoic, while Jack Palance is at his dastardly best. “A man has to be what he is, Joey. Can’t break the mould. I tried it and it didn’t work for me.”
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M
Shane had been pretty high up on my watchlist for a while, and I have to say, I’m a bit disappointed. On a technical standpoint, the editing is choppy, and while the scenery and on-location shooting are beautiful, the sets leave a lot to be desired. When it comes to the characters, they can either be hit or miss. Elisha Cook Jr.’s accent is abysmal. Joey is far less charming than the movie required him to be. He reminded me…
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D
Alan Ladd is phenomenal. Shane is one of the best westerns of the genre.
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T
Absolute Western classic and a template for postmodern westerns. I don’t mind Joey either, despite several others that complain about him being annoying. Hell most inquisitive boys that age are annoying. The casting curiosity here is Jean Arthur. She was in her early 50s and looks pretty rough in the pancake makeup. Interesting that this was the last feature she made. I would think someone like Oliva de Havilland or Jane Wyman or Ida Lupino would have been better. There…
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J
This film is so visually beautiful. I definitely felt transported to the little home in the valley. This film just feels heartwarming and the embodiment of the good guy against bullies. I loved Shane and how the film and the double gunslinger looked.
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A
One of the best westerns.
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J
斯蒂文斯看来不是个掌握空间距离的大师，他忽视了住房和杂货店的距离，在某一瞬间的叙事中，它们之间似乎成为同一个实体，以致于跨区域的正反打为了服务于正邪的对立，而这种距离又在结尾实在地放大了。枪的效用在本片仅是一个工具，国庆日和葬礼的场面调度轻易多了。
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A
Only time where I can say with 100% accuracy that the book was so much better 😭
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J
I understand that this is a seminal movie for a certain older generation of filmmakers. It just doesn’t do anything for me.
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T
One of the prettiest films I’ve seen, the backdrop of the beautiful mountains in so many shots is breathtaking, they set that tone in the opening credits and keep it up throughout. Some night scenes were a little dark. Love the dynamic Shane has with the family, he’s great with little Joey, him and Marion share a few glances but they both stay loyal to Joe in the end and Shane is even willing to risk his own life to…
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S
It’s really beautiful and picturesque. The story is simple but still resonates. It’s the western version of individual resistance against a larger business (or corporate entity) as it deals with familiar themes of taming the Wild West.
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P
Liked the movie, but oh my god was Brandon deWilde as Joey annoying. Overall fine Western. Really liked them shooting on site for most of this.
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Y
Really annoyed by how half this film seems like it was done in ADR, and the kid is kind of annoyingly stiff (not necessarily unrealistic). But Stevens’ compositions are on point, especially during the powerful funeral scene. Some interesting metacommentary on the cinematic and radio incarnations of the cowboy, resulting in a situation where the child acts almost like Shane’s superego (not id! since the kid is forcing Shane into the very specific role of gunslinger). And the ending, is…
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L
I’m gonna get back on my Kawasaki and I’m gonna go back to Jackson Hole and see the people I love out there cause I don’t love the people here, I don’t love em. They don’t make them like this anymore
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G
男孩 Joey 介於可愛和煩人之間 (10年後出演 Hud 保羅紐曼姪子角色)。看不出 Alan Ladd 只有168公分。
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T
“So you’re Jack Wilson. I’ve heard of you.” “What have you heard, Shane?” “I’ve heard you’re a lowdown Yankee liar.” “Prove it.” Jack Palance just aura-farms the shit out of the character of Jack Wilson. I never see him brought up in discussions of the greatest cinema villains of all time, and he absolutely should be. He’s easily in at least my top ten. An unassailable classic, adapted from a phenomenal book. Probably the best movie made based on Wyoming’s…
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R
What a beautiful film! Stunning cinematography with an incredible backdrop! The characters in this film were amazing. The way Shane represented Christ was amazing. He came to help a community when he owed them nothing. He was denied and doubted by his biggest admirer. And then there was the beautiful contrast between him and Marian on their understanding of human nature. Marian thought guns were evil, did not solve problems, and were actually the problem. Whereas Shane understood guns are…
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J
A mostly solid western that though has a few too many cliches and the antagonists aren’t the most interesting, Shane still does so much right. The film is beautifully filmed with gorgeous landscapes shots. Alan Ladd, Van Heflin and Jean Arthur deliver excellent performances with Helfin and Ladd having a really emotional brawl at one point which was the highlight of the film. The story is fairly straightforward but I do enjoy how the writing and Ladd’s performance only hints…
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J
Insufferable kid in this but also some great fight choreo I didn’t think was possible in the 50s
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I
Better then I remember
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R
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L
This was like a comic book movie made in the 1950’s but a Western gunslinger instead. Considering the time it was made, this is evolutionary to later Westerns you’d hear about from Clint Eastwood and later John Wayne movies. Reminded me why Nic Cage attempted a Western of similar ilk with less success decades later. Must-see for Western fans.
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H
Look, I try not to be too hard on child actors… but that kid was really testing me
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H
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K
rolled 5 museum-worthy Js during this. started nodding off a couple times but thankfully Joey’s shrill voice was like an alarm clock without a snooze button
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L
Beautiful cinematography but a bit cheesy. That bar owner had ZERO control.
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R
this movie sucks…the kid is annoying as hell, everyone is obsessed with a 5’6” homeless man, and alan ladd can’t shoot a gun in under 119 takes. Spiritually a flop.
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D
Wild that the opening cues for this and TAMMY AND THE BACHELOR (1957) start almost the same way. Anyway, yes it is a classic! Prettyboy extraordinaire Allan Lad as a peaceful former gunslinger gives a great performance. It’s a film that understands both the value of nonviolence, and that there’s only so far you can maintain nonviolence against a violent oppressor. Violence should be a last resort, but is a last resort. Gorgeous color and also a wonderful performance from Jean Arthur. Community and resistance!!!
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B
TCM Film Festival. Restored in 2025 from the 3-strip Technicolor 35mm original negative, which was scanned at 4K. The restoration was approved by George Stevens Jr. Egyptian Theatre. George Steven’s Jr spoke at the beginning abut reading the book as a teen and suggesting it to his dad and working on the film with him. Western is not my go to genre but I did really enjoy this despite it being my 5th and last film of the night.
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W
He’s just too pretty to be a badass cowboy. It never fits.
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E
คาวบอยหนุ่มชื่อ Shane ได้โอกาสเริ่มต้นชีวิตใหม่ ณ ชนบนห่างไกล แต่ไม่วายต้องพบเรื่องวุ่นๆ ให้ต้องกลับมาจับปืนอีกครั้ง, เข้าชิง Oscar 6 สาขา ได้มา 1 รางวัล “ต้องดูให้ได้ก่อนตาย” raremeat.blog/shane-1953/
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R
Looked at a certain way, the entire story of “Shane” is simply a backdrop against which the hero can play out his own personal repression and remorse. The movie is conventionally seen as the story of farmers standing up to the brutal law of the gun in the Old West, with a lone rider helping a settler hold onto his land in the face of hired thugs. Look a little more carefully and you find that the rider and the…
- 剧情简介
- A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
- 导演
- George Stevens
- 编剧
- A.B. Guthrie Jr., Jack Sher
- 制片公司
- Paramount Pictures
- 国家/地区
- USA
- 语言
- English
- 年份
- 1953
- 片长
- 118 分钟
- Belgium23 Apr 1953
- USA23 Apr 1953
- UK04 Sep 1953
- France30 Sep 1953
- Japan01 Oct 1953
- Germany22 Oct 1953
- Italy24 Oct 1953
- Ireland30 Oct 1953
- Austria18 Dec 1953
- Brazil25 Dec 1953
- Portugal01 Jan 1954
- South Korea02 Nov 1956
- USA01 Jan 1980
- USA01 Jan 1989
- UK10 Jun 2003
- Netherlands09 Oct 2003
- Netherlands11 Sep 2013
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