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Reviews (118)
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G
Flies under the radar as a Tom Hanks joint and gets overshadowed by Catch Me If You Can, which came out in the same year. Yet, this is a legit Top 3-5 21st century Hanks film of the 21st century. Loaded cast. Beautifully directed. Hanks is in the pocket. All the goods are there.
273 4 -
MMike Flanagan 8 月 22, 2026
We watched this tonight to take it off the “Kate’s Never Seen It” list. I always really loved this movie. Hanks and Newman are excellent, and Mendes’ approach to the material is pretty terrific. As morality plays go, this one is little simpler than I remember, but handsomely mounted and elegant. A fine sophomore effort from Mendes Kate’s take: “Beautiful movie, loved Jude Law as a villain. 6 out of 7 butts. Paul Newman was still hot. Also, Mike listened to the score a lot long before I saw this movie so I already felt like I’d seen this movie”
1,035 23 -
M
What if JOHN WICK (or hey, Lone Wolf and Cub, since that was the original inspiration) was still drop-dead gorgeous but also a morose prestige slog straining for class and seriousness at every opportunity?
206 2 -
F
“I’m glad it’s you.” I didn’t expect to enjoy this movie. Great cast in the right place. What a great performances . I’d like to thank Thomas Newman for his remarkable work. One of the best soundtracks that I ever heard . Also , The cinematographer Conrad L Hall who fascinated my eyes with his work .
175 3 -
D
Road to Perdition showcases the worst and best traits of Sam Mendes. A contrived, manipulative and eye-rolling film with some brilliant moments. There are many scenes that brilliantly show the strengths of Sam Mendes and his knowledge of good directing, but there are so many tone-deaf moments for example the bank robbery montage or the garbage voice-over scenes at the beginning and the end (“This is our story” bleh) that just don’t belong in this film. The worst part about this though, Thomas Newman’s score. Incredibly overbearing, misplaced and repetitive. I love Thomas Newman (and his perfect work for American Beauty), but his way of conveying emotions for the story really bothered me throughout. The emotions feel fake and forget…
281 3 -
📀
Tom Hanks-A-Thon: Film #30 ”A man of honor always pays his debts and keeps his word” Sadfellas Tom Hanks goes to work with Sam Mendes to create one of the most somber gangster movies ever. Top 5 Roadside Attractions: #5 It’s probably Tom’s most withdrawn role as he portrays a dead serious workman, even when at home with his family. and yet you see these subtle glimpses of warmth that shine through at all the right moments. #4: Outside of perhaps Gigolo Joe this is one of Jude Law’s creepiest roles ever as he demonstrates exactly why crystal decanters should be banned in all fifty states. #3: Daniel Craig’s once in a lifetime role as a snot-nosed weaselly bastard. His…
254 16 -
C
An emotional journey of betrayal and revenge. Subtle expressions of Tom Hanks are just magic. Gets slow at times, still a decent watch.
199 2 -
E
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C
The most serene of all mob films, Road to Perdition is a beautifully crafted, finely composed & calmly narrated tale that not only succeeds as an effective crime thriller but also paints a touching portrait of father-son relationship over the course of its runtime and is equally notable for marking the final on-screen appearance of the legendary Paul Newman. Set in the early 1930s during the Great Depression, the story concerns Michael Sullivan Sr., an enforcer for the Irish mobster John Rooney who together share a father-son like relationship. But these bonds of loyalty are soon put to test when Rooney’s son murders Sullivan’s family after Sullivan Jr. ends up witnessing what his father does for a living. Directed by Sam…
610 7 -
P
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H
A motion picture of unique softness in a genre habitually packed with unyielding brutality, Road to Perdition subverts the gangster mould with its prodigious heart and motifs of retribution and bondage firmly inscribed in the nucleus of the film. The picture glows with intimacy, a focal point in the works of Sam Mendes, whose grip on families confronting desolation is second to none and is the vanguard of the canvas here. All characters apart of the mob know and believe their only true destination is perdition; they’re born, they work, they have a family, they perish. Road to Perdition speaks of a story where one man decides to contravene this unanimous law and break away from the system for the…
305 16 -
F
I must have said out loud “that’s a cool shot” more times than I can count.
702 1 -
G
No me acordaba de lo buena que es la BSO y ahora descubro que el chaval acabaria siendo Superman
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F
ya abi kafasına sikicaktin o ocun oteldeyken. ne güzel mutlu sonlu biticekti son 10 dk olana bak.
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S
MEGA UNDERVURDERET FILM!!! michael gik fra sir til pa
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J
I don’t know why, but i thought the beach house was gonna Explode at the end scene.
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O
Such a great film with great cast and a phenomenal score by Thomas Newman. Go hug your Dad after watching this
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Q
The silent revenge scene in the rain is what made this movie worth while
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N
Muy buena película, con un reparto excelente actuando todos a la altura, del primero al último. Una película de venganza y de vínculo padre e hijo muy bien hecha, con una fotografía muy digna y una música que acompaña bien la película. Desconocía está película, ha sido entrar en Disney +, encontrármela en el inicio, ver a Tom Hanks y decir: pues ya tengo película para ver. He estado a punto de ponerle más nota por el final, que aunque…
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M
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O
Such a sad story. I don’t think anyone but Tom Hanks, with his range, could have played Michael Sullivan this well. Movie life lesson: Maybe hide behind something when you’re being shot at.
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B
Movie moves slow but is done so well. Hanks gives a stand out performance. Newman is great as old time gangster.
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A
The fact that I only realised I have already seen this movie halfway through shows how un-ambitious and unremarkable it is. The first half is better but the second half of the movie is plain boring. Tom Hanks persists in being one of Hollywood’s tackiest actors although his character didn’t give him much opportunity to actually make anything interesting. The other actors’ performances are all very good though. The review on the dvd claimed this was the next best thing after The Godfather, which really is just another great reminder to not trust those.
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C
I can’t help but be a little disappointed with Road to Perdition. With the talent involved, this should really be an under appreciated classic, and whilst there is the odd time where some creativity shines through, I’d say overall this film feels pretty uninspired. If there is one thing that is absolutely deadlifting this entire film, it’s the central theme about fatherhood. The main story is really a bait and switch. You initially think that it’s just another run of…
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F
Tolle erste Hälfte, verläuft sich dann ein bisschen zu sehr in bekanntes Terrain
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T
Not sure how I’m just watching this for the first time in 2026 but here we are. Such an underrated gem of a mobster movie that isn’t spoken about enough. Stacked cast is an understatement. Hanks, Law, Craig and so many others. My biggest takeaway from this movie is that everything comes back to you. Whether you want it or not. A movie about revenge and how it can be an endless cycle of violence and damage to everyone involved. Highly recommend it!
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E
jude law and daniel craig trying to out-psycho each other for 2 hours
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E
Extra half star for the cinematography
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B
80/100
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M
This was an interesting approach to the gangster genre. However, the mellow tone and pacing of the film didn’t really impress me. This aspect of the film is especially disappointing when The Godfather proved that it was possible to make a gangster film with soulfulness without sacrificing the gritty edge that the genre is known for. Additionally, I didn’t like how the two primary antagonists of the film disappear for long stretches of the runtime. That decision killed a lot…
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K
a couple weeks before i left for college—this time of year, something like 24 years ago—my girlfriend broke up with me. i was infatuated with her; she was bored of me. even though i saw it coming from miles away, the relationship ending destroyed me and i first realized how truly ugly heartbreak can be. my mom never warmed to the girlfriend and was likely secretly happy it was over. but she didn’t gloat. she took me to see this…
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F
Wasn’t a good movie and the plot was poor. I really like the actor choice in it thus it has its starts. If there wasn’t hanks, law, craig etc in it I doubt anyone would be aware of the film.
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E
Solid movie. I love a good dose of suspense. The pacing was perfect. Amazing performances all round.
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D
Forrest Gump and Superman
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B
A heartwarming father-son tale involving a road trip and a spree of mass murder. Great cast. Was not expecting that ending
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J
Road to Perdition is a gripping, emotionally grounded crime drama about a hitman and his son forced to flee after the brutal murder of their family. At its core, the film explores the consequences of the life that Michael Sullivan , portrayed with quiet intensity by Tom Hanks , has chosen and how that violence inevitably spills over into the lives of those he loves. As Sullivan and his son (played by Tyler Hoechlin) hit the road, the film transforms…
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L
“are ya winnin Dad?”
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F
Jude Law should have had it all. The Talented Mr Ripley AI: Artificial Intelligence Road to Perdition All back to back is kind of insane. Really cool seeing Hanks in this type of role.
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D
Road to Penisdition
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N
مو مثل أفلام العصابات المعتادة، الجريمة هنا مجرد خلفية لقصة أهدأ وأثقل عن أب وولده، وعن أب عاش عمره في هذا الطريق وصار كل همه إن ولده ما يصير زيه ولا يعيش نفس الحياة اللي عاشها. وهذا الشيء بالنسبة لي هو اللي أعطى الفيلم معناه الحقيقي. توم هانكس من النوع اللي ما يحتاج يتكلم عشان يمثل، تعابير وجهه ونظراته لحالها تخليك تعرف وش يدور داخل الشخصية. أداء بسيط من برا، لكن تحس وراه مشاعر كثيرة، وهذا أكثر شيء عجبني فيه. والإخراج كمل جمال الفيلم، خصوصًا أجواء المطر والظلام والإضاءة. كل لقطة هادية ومحسوبة وتعطي الفيلم إحساسه الخاص. فلم مظلوم جدا وانصح بمشاهدته
4 1 -
V
Le quitó media porq el final me parece súper predecible.
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H
John Wick in 2002
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Z
Nell’America della Grande Depressione, il giovane figlio del sicario Michael Sullivan assiste a un omicidio che non avrebbe dovuto vedere. Costretto a fuggire, Michael intraprende con il ragazzo un viaggio attraverso un mondo criminale dominato da vendette e tradimenti, mentre cerca disperatamente di proteggerlo dal destino che lui stesso ha scelto per sé. Adattamento di una graphic novel ambientata negli anni ’30, nonché ultima grande prova cinematografica di Paul Newman 💔 Forse l’unico vero punto debole dell’opera è proprio la…
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E
Great movie, really great. Watched it numerous times. Pretty sure it was Paul Newmans final movie. Pretty much the same story as ‘Lone wolf and Cub’…which is not a bad thing!
1 -
C
The ending monologue is trash! Sorry Tyler. Followed the comic pretty well Tom Playing Micheal was definitely miscast however it was as faithful as it needed to be to get a decent rating. But there are also some strange movie making errors in this. Like Micheal got a bullet in his arm from a buckshot? Whaa?!?! 🤷♂️
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F
It’s so weird watching Tom Hanks play a mob enforcer. A loveable guy and actor best known for goofy comedies, good guys in tragic dramas and his whimsical Spielberg collaborations, is cast completely against type in Sam Mendes’s prohibition crime drama. Part of me wishes this film was a bit more gritty. It sure does feel quite Hollywood at times. Another part of me is thankful it even got made at all, let alone with an aging Paul Newman and…
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L
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R
Paul Newman absolutely steals the show with his final performance, “I’m glad it’s you”. What more can be said?
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Z
Mendes gęsto polał sosem. Są elementy słabsze, czasami sceny niepotrzebnie przeciągnięte, ale te kadry, ten deszczowy klimat i ten wybitny soundtrack – to wszystko, czego potrzebuje od kina, by dobrze się bawić. Aha, no i obsada złożona z samych pięknych mężczyzn w przemoczonych garniturach i fedorach też z pewnością pomaga podnieść ocenę…
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A
A film I knew I’d love but never got around to seeing. Thanks, T.Hanks.
1 -
L
Paul Newman could have played every role in this and each performance would have possessed a measured sexy Everyman pathos
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H
Noirs can be so special An insanely good looking film, world class cinematography
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J
It’s all so f*cking hysterical
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I
Hating Jude Law for now. Love the cast
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M
tyler hoechlin looks like he was cgi’d onto a child’s body and that freaked me out the whole film. the fatherhood bits were lovely, but can’t say much more beyond that. revenge plot with some annoying ass kid in the background ain’t it for me.
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T
When you take that Sam Mendes desaturated world style and add it to a film Noir story it is just like absolute straight drugs into all my feels. My only reason to knock it even a half a star is because I still felt there was some loose threads at the end of the film. It seemed a little shaggy near the end of the movie and I’m not sure if it needed to be shorter or longer. But that is small potatoes as they say. And honestly we need more heel Daniel Craig in our lives.
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S
«Я рад, что это ты» Как же мне нравятся подобные фильмы. Все эти пушки, пальто и шляпы – вообщем, вся романтика гангстеров XX века. Здесь эта атмосфера однозначно есть. «Проклятый путь» – это не просто кино про бандитов, а целая история про взаимоотношения отца и сына. Этот фильм позволил взглянуть на Тома Хэнкса по-новому. Тут он не просто добрый парень или чей-то наставник (как это обычно бывает), а хладнокровный наёмник мафии, но в тоже время любящий отец. Да и в целом, актерский каст здесь знаменитый. Чего только стоят Пол Ньюман и Дэниел Крейг. Так что, я совсем не зря потратил время.
1 -
M
Not one I’ve revisited often but an extremely compelling film with Tom Hanks in a role you wouldn’t expect him to be in. Great cast, it looks beautiful, and the score is powerful.
4 -
E
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M
call me immature but that ending made me take back a lot of stars
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G
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A
Do I think it’s the best mob movie? Hell No Is it my favourite mob movie? Hell Yes
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P
Every single thing about this movie is perfect
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A
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L
Incredible film Beautiful shots Stunning score
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F
Tom Hanks, comme toujours, le charisme et le talent d’une patate douce.
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KKatherine 8 月 17, 2026
Instructively bad. Only Daniel Craig innocent. Score possibly the most guilty. Hanks and Law miscast, I cannot find either of them scary. Paul Newman is… here? Absolute waste of JJL but she’s a major Zionist now so ig no huge loss there. Also can’t believe this is where Superman and the kid who tried to force Sally Draper got their start.
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Dobre
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M
Styliste 1 : Comment rendre Tom Hanks plus menaçant? Styliste 2 : How about…une moustache molle? Shoutout Oli Dionne-Ouellet pour le pull 🙏
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C
Não vou ficar falando da cinematografia (que é excelente), de Paul Newman (que está excelente) e da montagem das cenas de assalto aos bancos (que é ridícula). Mas quero mencionar rapidamente de 2 aspectos que inscrevem o filme num tipo de cinema desencantado (no sentido religioso atribuível ao termo) típico dos últimos 40 anos: Há uma ênfase na predestinação e na ausência de livre-arbítrio de seus personagens: o protagonista Michael Sullivan é uma vítima passiva de tragédias que ele próprio…
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M
they really tried to make jude law ugly… quite successfully
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H
Cinematography gets top marks. Great cast too. Can appreciate the complexity of the grief / revenge storyline but ultimately the story itself didn’t fully pull me in.
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A
Is Sullivan a tragic hero, an anti-hero or a plain villain in a world of villains?
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S
Tom Hanks in a mobster film!? and it’s FIRE
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TTom Hawkey-Soar 8 月 16, 2026
Was on on the hotel TV and when I say I rejoiced… Baby Daniel Craig, toddler Jude Law (w/bald patch), middle aged Tom Hanks and granddaddy Paul Newman. Adore the cinematography and score and director and noire and Sam Mendes the theatre director you ARE to have made this film.
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S
I think I’ve had it in my collection for quite a few years, but I’d probably only watched it once; today, I picked it up and decided to watch it again! I had absolutely no memory of it being so extraordinary and nostalgic! Set in 1930s America, the story follows Michael Sullivan, a man who out of loyalty works as a hitman for Irish mob boss John Rooney who he considers as a father. After his wife and one of…
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L
As handsomely made as it is tedious despite awesome turns by the supporting cast and a couple bravura pieces – thanks in no small part to last-time dop Conrad Hall (R.I.P.). This is mostly interesting as a post-9/11 call back to the values of small town Americana, with the Depression as a clear stand-in for the present crisis, in the same vein as next year’s Seabiscuit (2003). Compared to that film’s rise-up-and-fight narrative tho, this tackles much darker territory, with…
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S
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K
not impure
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T
I absolutely loved this. I knew Road to Perdition was supposed to be good, but I was not expecting it to hit me quite this hard. It is obviously a gangster film, but it never really felt like the gangsters were the most important thing. This is a film about fathers and sons. About what we inherit from people. About whether you can protect somebody you love from becoming like you. About families that love each other and still destroy…
4 -
L
Prohibition era is cool af. Michael could not catch a break bro holy shit
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A
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T
I can’t tell if I actually enjoy this movie or not. Also why does Tom Hanks always have some sort of accent in all his movies since 2000
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S
Definitely not my cup of tea but I can see the appeal. Another one to put on my list of “Dad movies that probably really hit if you had a dad.” I like the way this movie looks and sounds, really good on that end. None of the characters really worked for me except Paul Newman. Jude Law was playing a character that I think Michael Shannon would’ve killed as.
1 1 -
M
didn’t cry but i should have
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K
I liked it, I kinda hated the casting for the main roles though. It’s hard to separate Tom Hanks and his filmography from the role and that’s on me. But Hanks as villain is just hard to buy. 72/100
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F
Paul Newman 👍
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S
Ok
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W
Pretty good!
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N
Pretty dumb lol. Some actors were definitely better than others… Only a handful of good shots. Dialogue was laughably bad.
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F
painho
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H
So sad
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D
Decent prohibition watch… but it’s got problems maybe the problem. I enjoyed it. I had to cross it off the list. I’m not a tom hanks fan and he was kinda doing his usual thing. Craig and Jude law are fine but not amazing. Paul Newman is Paul Newman. The thing is, this film had the potential to notch itself up there with millers crossing, in terms of the best tricky gangland crime sagas (and one of my favorite films). …
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W
Maybe the best title in film. Pacing was a bit slow at points and it’s hard to really cheer for a murderer, but technically it was phenomenal and the story is great. Devistating ending.
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R
Spellbound. What a film. Sam Mendes is really something else. His approach to different projects is so unique. Each frame looks like magic. Tom Hanks and Tyler killed it.
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N
“I’m glad it’s you.” Paul Newman, brilliant on screen til the very end. Most of the work I’ve seen him in, at lease recently, was when he was younger, and I was very moved by this elder version of him. Ugh, we’re so lucky he existed. I know it’s been 20+ years, but I’d love to see Tom Hanks take on more roles/films like this. I’ve never not enjoyed a performance of his, but this was refreshing.
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D
An unknown feeling I get every time I see a “Sam Mendes” film. It was no different. What a beautiful movie! Lovely cinematography and background music, took the whole experience to another level.
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R
The comic book sensibilities placed over this genre is brilliant. This was reminding me of Deep Cover with its gonzo character designs, and the class they both bring to the stylization. I loved the textured, rainy environments and the shot composition is unreal. I also appreciate how it’s a pretty straightforward revenge story that still ends up in a thoughtful place. It’s confident enough not over deconstruct the tropes while having something to say about not letting the next generation…
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J
Assisti aos primeiros 2O minutos com a cor em preto e branco. E por alguns minutos, eu estava no céu.
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G
Had to cleanse my eyes with this b e a utiful looking film. The cast is incredible and honestly just was an overall banger from Sam Mendes
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A
sleeper mob movie. tom hanks and young daniel craig have a great pro/antagonist dynamic and i loved to see the evolution of their respective characters. can’t beat a father/son duo too, and this one was entertaining and emotional for sure
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P
“I’m glad it’s you.” Road to Perdition should be talked about more. Great film, wonderfully shot and with a beautiful soundtrack.
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E
I’m glad It’s you 😭😭😭😭
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N
I didn’t know this was a mafia movie going into it because I didn’t think Tom Hanks ever played in a mob movie. But this was a good watch, great revenge type of story and I loved seeing Paul Newman 226/365
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X
⬇️english below⬇️ Ob du’s glaubst oder nicht: Zuerst wird James Bond von Forest Gump erschossen und danach erschießt Dr. Watson Forest Gump! ——————— Believe it or not: First, James Bond is shot by Forrest Gump, and then Dr. Watson shoots Forrest Gump!
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H
tom hanks tu viens manger à la maison qd tu veux
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M
Art Road to Perdition is very well made. Every level of filmmaking operates at a high level. Directing, cinematography, producting design, acting, editing, music, atmosphere, costume design, sound, visual composition, and everything you can think of makes this movie so good. The craftsmanship is to be adored. The cinematography is masterful. There’s a good collection of darkness, reflections, silhouettes, reflections, fog, rain, shadows, backlighting, negative space, and muted colors. The visuals aren’t just merely pretty as well. They communicate characters…
1 2 -
G
I’ve always loved this movie. On its’ surface, the casting of Tom Hanks as a 1930s mob hitman may seem risky, but in context it’s inspired and it works. Paul Newman, Daniel Craig, Jude Law, Stanley Tucci, are all wonderful. At the center of the plot, Tyler Hoechlin, playing 12 year old Michael Sullivan Jr., more than holds his own in his first movie (no pressure Tyler). However, what impresses me the most, is that with every rewatch, I am more convinced that it is one of the most beautifully shot films I’ve ever seen.
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H
https://www.looper.com/972415/best-drama-movies-all-time-ranked/ Number 95 First off, not a huge fan of mob movies. This one had an emotional hit along with a powerful storyline. Tom hanks played a serious driven man determined to protect and deliver justice when needed. This also has amazing visual scenes that are beautifully shot. Truly enjoyed this movie.
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W
Daniel Craig opposite Paul Newman is work so crazy I can almost forget Jude Law’s insanely long fingernails
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Q
Jacory Barney vs Akron 2025 Movie pretty much describes how Jacory 2026 season will go #Dat Get Back Gon Be A MF
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T
Tom hanks was good
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J
Everything is just a llllittle too thinly drawn and as a result the movie feels empty. Only the most surface-level brooding here.
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C
Wildly hot take: Thomas Newman’s score for this is the wrong one. It’s a good score, but its whimsical sentimentality feels out of place with what is basically a hyper-sensitive noir. Also, Shelby pointed out that the actor who played the son went on to play both Superman and Sephiroth. The boy managed to grow into the angel and devil on our shoulders.
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J
Thomas Newman en la banda sonora se roba la peli y la hace mucho mejor de lo que realmente es, sin él creo que le daría media estrella menos. Es en general buena peli, tiene buenos momentos y trama interesante, pero hay algunas decisiones que toman con los personajes que son incoherentes.
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N
An interesting gangster thriller. Michael Sullivan’s (Tom Hanks) son witnesses a mob hit, and the two of them decide to leave town. A superb cast along with Daniel Craig, Jennifer Jason Leigh, and Paul Newman.
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E
baba oğul hikayesini gangster filmiyle birleştirmesi baya güçlü
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F
Sam Mendes’ zweiter Film, die Adaption einer DC-Graphic-Novel, ähnelt im Hinblick auf seine Qualitäten und Nachlässigkeiten dem Vorgängerwerk “American Beauty”. Wiederum sind Zurückhaltung und Reserviertheit des Briten deutlich zu spüren, der sich förmlich zu mühen scheint, allzu emotionale Elemente aus seiner Arbeit auszuklammern und das Hauptaugenmerk stattdessen auf die formale Kraft des Werkes zu legen. In diesem Punkt sind sich der Film und Max Allan Collins’ Comic nicht einmal unähnlich. Den Bruch stellt erwartungsgemäß Tom Hanks dar. Der Michael Sullivan…
- Synopsis
- Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
- Director
- Sam Mendes
- Writer
- David Self
- Studio
- DreamWorks Pictures, 20th Century Fox, The Zanuck Company
- Country
- USA
- Language
- English
- Year
- 2002
- Runtime
- 117 mins
- USA09 Jul 2002
- Italy31 Aug 2002
- Finland23 Sep 2002
- Japan28 Sep 2002
- Poland04 Oct 2002
- Philippines05 Sep 2002
- UK20 Sep 2002
- USA12 Jul 2002
- Colombia26 Jul 2002
- Argentina29 Aug 2002
- Mexico30 Aug 2002
- Germany05 Sep 2002
- Austria06 Sep 2002
- Belgium11 Sep 2002
- Portugal13 Sep 2002
- Philippines18 Sep 2002
- Denmark20 Sep 2002
- Hong Kong26 Sep 2002
- UK27 Sep 2002
- Philippines02 Oct 2002
- Israel03 Oct 2002
- Finland04 Oct 2002
- Malaysia10 Oct 2002
- Brazil11 Oct 2002
- Poland18 Oct 2002
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