剧情简介
预告片
影评 (71)
-
M
“An Indian sheriff? The only ones elected in this country are Americans.” Corbucci had obviously hit his stride with Django, because this is some damn fine spaghetti cinema. Navajo Joe is exactly as violent and unforgiving as we expect Sergio’s westerns to be, spinning a gripping yarn of frontier carnage and revenge against the worst kind of evildoers. The film also gains significant bonus points for its sympathetic depiction of Native Americans, and the bold decision to make one of them our hero – granted, Burt Reynolds is about as “Indian” as I am, but he’s still an extremely watchable lead, and handles the physical action very capably. One of Corbucci’s best.
48 3 -
B
Junesploitation 2025 Day 20: EXPLOITATION AUTEURS! Burt Reynolds really throws himself into the role of Joe, literally. Throwing himself around like a crazy man, climbing up structures and sliding down cliff faces! You can’t help but be impressed with the physicality he shows throughout this spaghetti western. After Clint Eastwood praised his experience working with an Italian director named Sergio,” I can only assume that Rick Dalton declined the role, which led Burt to sign on for *Navajo Joe*. Unfortunately for him, it wasn’t Sergio Leone directing; it was the “other” Sergio. By the time he realized this, it was too late for him to back out, leaving him to endure what he would later describe as the “worst professional…
80 6 -
S
Inside the first half hour of Sergio Corbucci’s Navajo Joe, we’re treated to: scalping, the use of bows and arrows, and what American westerns have trained us to hear as the war whoops of Native Americans. The twist, however, is that all of these things are either wielded by white people, or in service of their causes. From the start, then, Corbucci makes his position clear: the hypocrisy of an American west that vilifies indigineous people even as it uses them and appropriates their culture is on full display. The film foregrounds two mixed race characters. The first, Navajo Joe (Burt Reynolds, who long claimed to have Cherokee ancestry but never offered any evidence of it), is a man who…
51 4 -
S
Sergio Corbucci, hereby known as the second best Western director in Italy, delivers another thoroughly entertaining film! The film is notable mainly for the fact that the central hero is a Red Indian, which hasn’t been done in too many other Spaghetti Westerns. The plot is a basic revenge tale and focuses on the titular hero as he sets out for revenge against the gang that killed his woman. The plot is made good mainly thanks to a freewheeling nature and a variety of side characters; most of which are simple but well defined. Burt Reynolds takes the starring role and he’s in great shape, though not exactly convincing as an Indian! His heritage is entwined within the plot, culminating…
74 3 -
J
I need more Corbucci in my life. Hard to shake the score NOT being in a Tarantino film but this spaghetti westerns w/ 60’s Burt was pretty great, appropriation aside. Some delicious zooms in here for sure (research).
58 -
T
Sergio Corbucci‘s “Navajo Joe” is an enticingly chaotic and attractively messy start to the peak era of the Spaghetti Western. It’s a dish of a film — cooked up from the scraps of misconceptions. Star Burt Reynolds signed on because he believed the project would be directed by Sergio Leone… only finding out later that he got “the wrong Sergio.” Corbucci thought that he was going to helm the project with Marlon Brando in the lead. What resulted… is maybe most hilariously put into context by Reynolds himself, who said “Joe” was: “….so awful, it was shown only in prisons and airplanes because nobody could leave. I killed 10,000 guys, wore a Japanese slingshot and a fright wig.” Maybe a…
122 32 -
I
The opening Silhouette of Doom scene is absolute fire and some of the finest macaroni mayhem there is—tense, violent, and wonderfully soundwaved by Morricone’s colossal score. As for the rest of this spaghetti revenge dish, it’s pure Corbucci—extra violent revenge with plenty of marinara to spare… not a masterpiece per say… it’s no Django, The Great Silence, or Compañeros but it’s a fine addition to the bloodshed filled filmography of ‘the other Sergio’. Burt Reynolds handles the physicality of his performance extremely well… tossing himself all over the place like a madman and he kills a ton of people in the process… It’s lurid linguini and I love it.
96 -
R
Action! – Spaghetti alla Sergio: Il West violentemente divertente di Corbucci Given his track record, it should come as no surprise that Corbucci frequently recycles the same formulas and templates from his earlier films with minor adjustments. And in many ways, this film could be seen as a remake of “Django,” except that instead of a white man, we have a Native American (apparently Reynolds’ has some Cherokee’s roots by his dad’s lineage) who seeks revenge against a particular man who, as we will later learn, has taken something important from him. Another of the driving forces behind our hero’s decision to defend an entire town from the terror of ruthless bandits is his budding relationship with the town’s most…
128 6 -
B
“Navajo Joe” is a 1966 Spaghetti Western featured directed by Sergio Corbucci. Starring a younger Burt Reynolds in the central role, Joe takes on a group of train robbers and illegal scalp hunters with no remorse whatsoever. This all comes about as a town seeks his aid from the group of bandits, but not before the townsfolk themselves have to get over their preconceived bigotries to work with a Native American. It is with this theme that the film holds closely, as Joe aid challenges the element that many of the townsfolk seek to avoid in their established prejudices but quite frankly Joe is the only one who can save them at the same time. An interesting film on the…
67 2 -
S
It’s amazing how the Indian squaw in the opening scene is dressed exactly how drunk sorority sisters on frat row dress on Halloween. Ok maybe there’s a bit more skin coverage, but it’s still so interesting to see how Italians saw Native Americans in 1966. Had to be entirely based on cheesy cowboy movies they watched in the 40s and 50s right? Nevertheless, this one comes charging out the gates with a banger score and a hardcore reverse scalping to open the proceedings. Yeah this is Dino De Laurentiis approved alright. It also has positively gorgeous scenery and rip snorting color pops. I love how color film in this era looked. Honestly, I would just watch it for that alone.…
92 11 -
P
Easily this is a film full of issues with white people in too much bronzer portraying native Americans and also some poorly shot scenes with it’s standard ill use of dubbing but I must say I had fun with this Corbucci film. Plain and simple this is a revenge flick but it also takes on a smart cultural critique on the standard western having Navajo Joe(Burt Reynolds(Eeesh)) take on a gang making money for scalping “Indians” regardless of age or gender in which finally is realized by the people as being a heinous act(remind you of anything currant?) calling for there arrest but the town can’t handle it so they ask for the help of Navajo Joe. I’m going to…
213 18 -
A
Sergio Corbucci’s legacy has been genuinely enhanced by the various modern directors who’ve been both influenced and inspired by him. Tarantino’s glowing references to him in both film and literature introduced him to new generations of film fans looking to expand their horizons by exploring deeper into the Spaghetti Western subgenre. Most have seen Leone’s Spaghetti Westerns, but Corbucci’s, with the possible exception of Django, aren’t quite as well known outside of the real Western fans. Even as a huge Western fan, almost all of these Spaghetti Westerns are new to me, I’m learning as I go, and I’m experiencing plenty of interesting films, but why did Corbucci call his films Zapata Westerns? Navajo Joe stars Burt Reynolds, with a…
45 23 -
B
kinda boring lowkey
-
S
8.4
-
S
What an opening! Brutal, tragic and accompanied by Ennio Morricone’s incredible score it’s also kinda epic. From that point, the film never loses momentum. It moves at a steady pace and throws in a spectacular train robbery along the way. I also love the ambiguous ending. This is definitely one film I’ll revisit, will probably end up buying it on disc. That said, it’s impossible to ignore the fact that Burt Reynolds playing a Native American throughout the entire film…
2 -
U
This was GREAT!!!! I was not expecting this to be this good! Sergio never disappoints!! I truly believe he was misunderstood and never really got the credit he deserved.
1 -
J
Burt Reynolds wears a black wig and bronzer as the last survivor of a brutal massacre. It’s pretty damn distracting, but if you can look past the brownface, Burt is still a star, his charisma shining through. The guy just had it. Throw in Morricone’s score, which you’ll recognize immediately, as well as some really vicious violence, and I liked this lean, mean revenge tale a lot. Burt thought this was one of his worst movies, probably because he had such a bad time making it. But still, his taste was lousy right?
1 -
E
Justo lo que necesitaba, una italianada canalla y sinvergüenza con lógica de dibujos animados. Una trama mínima que culmina en un clímax ultra-violento y melodramático. Muy a favor. P.D: Otro ejemplo de que Tarantino es incapaz de hacer algo original.
-
𝐜
-
C
es muy charro ver a blancos con demasiado bronceado interpretar a nativos americanos, pero me gustó la frase de Joe que decía algo como que su padre, y el padre de su padre y etc etc, eran de america, mientras los blancos eran hijos de colonos europeos y por lo tanto era más americano que ellos.
-
B
Burt goes to Italy, works with the other Sergio and things get bloody.
-
A
The story behind the movie is the stuff of legend. Burt Reynolds signed on because he thought he was getting Leone, not Corbucci. By the time he realized his director was “the wrong Sergio”, it was too late and he was commited. Reportedly, Reynolds and Corbucci butted heads so much that the director drove his star out into the Spanish desert and left him there. Reynolds would then spend the rest of his life absolutely trashing the movie. It may…
-
C
Like any spaghetti Western, this movie juggles a lot of good aspects and bad aspects. There’s an intriguing duplicitous doctor scheming with the antagonists (good), but he’s killed off halfway through (bad). There’s a fairly cathartic and tragic ending (good), but it’s delivered after seeing a lot of white people in brown face (bad). And there’s the usual above-par character work (good) with the below-par editing and cheesy acting (bad).
-
S
Very propulsive flick that looks great and sounds even better, but you’ve also got a totally disengaged Burt Reynolds covered in bronzer at the center of it.
-
DDr_Birgerstein 2026年7月18日
Yes, it is racist to bronze up Burt Reynolds, slap a ridiculous wig on him, and put him in your film about Native American revenge. But also, Navajo Joe kicks so much ass.
-
A
Burt Reynolds stars as a Navajo Joe, a Native American badass on a mission for business, honor and revenge. This spaghetti western is surprisingly modern in it’s perspective for 1966. I love the gritty, violent and vicious feel, combined with a straight ahead plot and somewhat conventional characters. In a Hollywood western, these ingredients would lead to predictability and cliche. But from a veteran Italian director with a low-budget this movie becomes a one-of-a-kind piece of invention. I hope to revisit it soon as a better transfer and in it’s original aspect ratio.
-
P
Without Morricone and the final battle, this one would kinda be a stinker.
-
B
-
J
História típica de westerns spaghetti. Um pistoleiro implacável defendendo um cidadezinha contra um exército de bandidos, tem a boa direção estilizada do Sergio Corbucci é a empolgante trilha sonora do Ennio Morricone, alem de um subtexto racial interessante, apesar do Joe ser feito por um ator que não é um nativo americano. • RANKING FAROESTE •
5 -
E
lowkey if this film was made 10 years later and with no brownface it could have gone down as one of the great anti-westerns of all time
-
N
No hay piedad posible para los malhechores despreciables en “Navajo Joe”. Seco y violento spaghetti-western tan simple como efectivo y expeditivo, apoyada enteramente en la fuerza colosal de una banda sonora alucinante que Tarantino rescató décadas después para “Kill Bill”. A la que se declaman más de tres frases seguidas o se intenta hacer la más mínima construcción de personajes la propuesta se sostiene con dificultades, pero su lenguaje visual acerado de zooms, la utilización de los paisajes para dar vistosidad a la acción o la agresividad de las miradas y primeros planos de rostros vociferantes redondean el carisma y disfrute cinemático.
-
D
Directed by Sergio Corbucci, Navajo Joe (1966) is a solid, highly entertaining spaghetti western that gracefully overcomes its narrative flaws through sheer visual style and a legendary soundtrack. While the film has a standard revenge plot and suffers from a lack of deeply fleshed-out characters, its fluid pacing and dynamic direction ensure it never stalls. Corbucci fully embraces an “over-the-top” filmmaking style, delivering a fun B-movie experience that Quentin Tarantino openly idolizes. The film subverts classic western tropes by casting…
-
🔪
I went in looking for badass stunts, intricate costuming, and a sexy Burt Reynolds, so yeah I’m pretty satisfied. Disclaimer: If you’re looking for passable dialogue, a plot, or a deep understanding of native American culture I say turn back now; you’re not likely to find those here partner. I’m not well versed in spaghetti western but I am in Reynold’s filmography; I gotta be getting near the bottom of the barrel ( I say this as a viewer who genuinely…
-
L
Sucked doodoo through a straw
-
S
Junesploitation Day #26 – Heroes & Villains! Would be lying if I said I didn’t let out a little “oomph” when Burt first shows up in full red face*, but the film makes up for it by making him an absolute badass who rips through a pack of sadistic scalp hunters with both his Winchester rifle, which he has essentially turned into an automatic, and his bowie knife that he uses when literally pouncing on motherfuckers. Its a mean as all…
1 -
H
Interesting concept, settler townsfolk who previously employed a gang of thugs to ethnically cleanse the area by killing and scalping natives now need one of the few natives left to protect them from said gang, but it never really gets it’s teeth into that core hypocrisy enough for me. Good surface level fun, nothing more. Any western setpiece involving a train and an Ennio Morricone score will never fail to stir something within me.
-
I
Burt Reynolds is… Navajo Joe. I don’t really care for 75% of this movie, but… Ennio Morricone just happened to compose one of the all-time great Western themes. My God, has such a mediocre film ever been gifted such an amazing piece of music?
-
E
Worth a watch just for Burt’s incredible hair.
-
P
THEME SONG BETTER THAN FILM.
-
N
Morriconne could make any home video seem like a tense standoff where anything is about to happen. And it will!
-
M
Only in 1966 could Burt Reynolds be cast as a Native American. That aside, it was way more violent than I expected, including the last fight scene which makes this movie worth watching.
1 -
M
Corbucci might have been the wrong Sergio, but he certainly put his mark on the Italian Western as a man who made incredibly violent movies. Aldo Sambrell plays a villain completely without mercy and Burt Reynolds is the only one who can stop him. It’s easy to see how Navajo Joe tried to capitalize on the success of A Fistful of Dollars, because the plot is quite similar. This Joe is just a bit more Indian. Ennio Morricone’s score is the best thing about this movie, and some of the crescendos deserve to be utilized in a better way. Thankfully, Tarantino made sure they were.
2 -
C
Real good stuff. But if only the theme song was more on the level of Keoma’s, and Burt could pull off Franco Nero sad eyes…
-
D
-
Q
Ennio Morricone is perfect. I don’t know if I buy Burt Reynolds in this role. Though 1st hour was decent, last bit was eh, but still fun movie overall.
-
A
-
E
-
R
Burt Reynolds play the titular Joe, who is (half) Navajo. Burt Reynolds is not (half) Navajo. Lots of people die, but the violence isn’t as graphic (except for the end) as other films on the list. The film lacks much character development, and unlike other spaghetti westerns, there isn’t a aura of mystery around the main character.
-
S
I would definitely say this is one of the weaker Sergio Corbucci spaghetti Westerns.
-
A
There’s like one hard shot of Navajo Joe every 20 minutes and the rest is just the most insane italian spaghetti western shootouts you’ve ever seen and the worst ADR known to man. The ending is kinda peak though
-
J
I wish the movie logic was better in this film because Morricone was in his bag with the score
-
Y
good movie but i knocked points off cuz its burt reynolds painted brown and his wig ass
1 -
C
tarantino took so much from this movie wow
-
I
The music is incredibly outstanding!!! The story is way toooo generic but you can see early iterations of the action movie protagonist like Rambo for example. The Jo character is a darker version of the German Winnetou films.
-
C
I’m ready to say it: Corbucci Morricone > Leone Morricone
-
M
Burt only joined this movie because he thought it was being made by Sergio Leone, but Sergio Corbucci wasn’t too bad either. (Also knowing this score from already hearing it in Kill Bill was bizarre .)
1 -
B
🎼Navajo Joe! Navajo Joe! Navajo Joe! Navajo Joe🎶 Wow. Sergio Corbucci had a great 1966! He was the king of the spaghetti westerns making fucking Django and this in the same year 🤯 He had a lot of backing for this one. Dino DeLaurentis producing; Ruggero Deodato as AD; Ennio Morricone doing the score; Fernando Di Leo wrote this! He also manages to get a great cast of freaks and weirdos to be the rooting-est tooting-est banditos this side of…
4 -
R
When the score hits that shit hits hard. I can see why Tarantino used so much of it.
-
K
-
I
-
R
The Django comparisons are inevitable, same year, same director, title is the name of the main character (With a theme song that heavily emphasises the name..) the soundtrack is really fantastic, sometime the “Navajo” chant can get a little overused. Quite a lot of it is really good, the train stuff is really fun and the landscapes are really beautiful. It all sort of works, but I’m really not big on Burt here. I think he’s doing his best and…
-
D
-
M
Cuando Burt Reynolds era un flaco desbigotado, hizo un western excelente dónde interpreta un indio llamado Joe, este es ese western Hace días atrás ví un documental de Sergio Corbucci q me pareció muy llamativo e interesante. Creo q he visto solo dos pelis de él -tres con esta posiblemente- y ese documental me hizo querer ver todos los westerns q ha hecho este loquillo, además de q para mí, el mejor western del mundo lo hizo este maestro, The…
1 -
J
Your enjoyment of “Navajo Joe” will likely hedge on whether or not you buy a young Burt Reynolds (wearing a terrible wig) as a Navajo Native American. I personally struggled mightily with that assignment simply because Reynolds’ grinning, southern good old boy persona is so deeply ingrained with the actor that it’s virtually impossible to separate that from this character. It doesn’t help that the character he plays is essentially a no-nonsense badass either. It’s not necessarily the film nor…
-
C
The good: – That theme song gets stuck in your head forever: “Navajo, Navajo Joooooe!!” – The soundtrack by Leo Nichols is just as excellent (Ennio Morricone hiding behind a pseudonym, of course), shamelessly reused later in Kill Bill Vol. 2. – Like always with spaghetti westerns, the movie delivers brutal, uncompromising violence, even toward women and children. – Sergio Corbucci (Django) once again proves he still knows exactly what he’s doing behind the camera. – Casting Burt Reynolds as…
1 -
D
Not sure if this holds up but given that Spaghetti western, at least the early ones, for the most part sidestepped native American themes, the Burt Lancaster character to me feels like an attempt to create an Italian version of Winnetou. Certainly a much tougher and sexier version, yet the rather clean-cut pretty boy looks and especially the otherworldy air do fit. Anyway, compared to other Corbucci westerns this does lack a certain eccentric edge, yet it does feature a number of beautiful saloon scenes and a wonderful role for Nicoletta Machiavelli.
4 -
K
Now that is unfortunate
-
M
There are too many westerns in this world that drag on with slow, soap-opera-like dialogue. Then there are those westerns that represent exactly what little boys’ gunfights are all about. There’s action and chaos, and things move forward like in a comic strip. No tired Dino and Ricky Nelson singing interludes. Navajo Joe kicks off with a fiercely restless and hard-hitting approach. The villains are evil and shoot at anything that moves. A riotous brawl rages throughout the entire extended…
1 -
C
I need to stop watching these 60s cowboys American movies
-
S
One of the italians westerns were see a diferent protagonist than the ussuals ones also Corbucci westerns have always diferent protagonist they are change and that’s really good same for filming locations.My favorite Burt Reynolds film.
-
E
MGM and Twentieth Century Fox are releasing a passel of Westerns this week, everything from Raoul Walsh’s huge, hokey 1930 John Wayne epic The Big Trail to the fascinatingly claustrophobic Mexican-set psycho-Western Garden of Evil (1954). The latter stars Gary Cooper and the recently departed Richard Widmark as fortune hunters whose lust for gold is complicated by a dame — a steely Susan Hayward. Resist the temptation of Navajo Joe (1967), a dubbed Italian botch starring a lithe Burt Reynolds…
- 剧情简介
- The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
- 导演
- Sergio Corbucci
- 编剧
- Fernando Di Leo, Piero Regnoli
- 制片公司
- C. B. Films, DDL Cinematografica, United Artists
- 国家/地区
- Spain, Italy
- 语言
- Italian
- 年份
- 1966
- 片长
- 93 分钟
- Italy25 Nov 1966
- Japan26 Aug 1967
- USA06 Dec 1967
- Denmark08 Dec 1967
- UK06 Nov 2017
撰写影评