Synopsis
Trailers
Reviews (153)
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100 Whenever I revisit Miami Vice, my love for cinema is rekindled, ignited like a cool-blue flame. It’s so enrapturing, you just want to throw your arms forward and jump head-first into the screen. Michael Mann is a poet of impressions. In the director’s cut, he begins the film with a boat race torn between layers of water and air. Then, a nightclub rooftop illuminated by a magenta sky. And the smear of blood on the asphalt after a suicide on a stretch of highway. These are but a few of Michael Mann’s calculated images given a feverish intensity in the first fifteen minutes – a hyper-real display of life on the edge, with the environment as immediate as the…
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Nnickusen 8 月 22, 2026
colin farrell is a sentient pile of cocaine with a handle bar mustache and it is easily one of my favorite performances ever
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The change happen at some point midway through Ali, but video certain bring it upfront: the rich detailed oriented world of Mann’s 80s and 90s films mutate from the high novelistic accumulation of detail to one in which all that research becomes background, a clutch for world that remains always in the verge of dissolve. What matter in late Mann is just the permanence of the romantic/mythic gesture in the middle of such world. Mann remains the most Hawksian filmmaker of his generation, much more than self professed Hawks disciples like Hill or Carpenter, not because of his emphasis in professionalism as a stick to measure its characters so much as because his world is so heavily stylized: much like…
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“Fabricated identity and what’s really up collapses into one frame.” Literally the best movie ever made. In which Mann takes this amazing, beautiful thing he helped make/define two decades ago and looks back at it with a sort of matured sense of weariness and despair but also formal rigor that experimentally deglamorizes it. Retaining the doomed romance neon nighttime drive vibes of the original show but updating the specifics from the 1980s cocaine music video era to something closer to Mann’s existential character pieces and hyper-researched milieus of professional criminals and their tools/tactics; especially Heat’s focus on the obsessive, destructive psychology of men like this and Collateral’s foray into urban digital landscape impressionism. Resulting in some technological/geopolitical updates on the…
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You’ve all heard this before….*ahem* – Once I had a fortune. It said “leave now, life is short, time is luck.” Anyways, this is like – still the peak of digital photography in movies? NOTHING else looks like this. This is one of the most lyrical, abstract and oblique films to come out of Hollywood. German expressionism gone digital – of course this puzzled many when it first came out, Mann is like a silent filmmaker here – pictures tell us a story before actors do. Moods are denoted by shades of colours in neon. And whole pools, waves of emotions revealed by the near-abstraction in the formations of a cloud. The last time we see Farrell prior to the…
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oh my god oh my god i didn’t think i was enjoying the film that much until half way through when colin farrell and gong li are riding on the speedboat, and then i just started crying uncontrollably there’s moments in this that make me feel like i’m hallucinating, like i’m getting sand shoved into my eyes, like i’m in love, like i’m running my hands across the ocean and grasping the contours of the earth, like i’m falling upwards into an endless sky, like all the air has been sucked out of my lungs utterly bewitching
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“Somebody’s something’s got to go somewhere, some when. Not too distant in the future.” Congrats to Colin Farrell for being one of maybe five people alive who can say that and not sound like a moron
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A lot of you probably assume I’m always on the right side of history, but this is not the case. For example: I used to think this movie looked bad and was boring. In my defense, a lot of people didn’t like the impressionist painters when they first saw them. There’s an incredible sense of ache here. Hard to follow exactly what’s happening. Doesn’t matter.
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A very good dark crime thriller from Michael Mann. With Miami Vice, the director delivers an incredibly immersive film, elevated by remarkable lighting and cinematography that give it a truly distinctive visual identity. The Colin Farrell / Jamie Foxx duo is excellent, not to mention Gong Li and Naomie Harris, who are both very convincing in their roles. An intense, stylish and thoroughly entertaining crime thriller. One Of These Mornings 💿 Blu-ray number #790 in My Blu-ray disc collection
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I watched this over three nights, which is either a comment on me or the movie. Anyway it was super stylish and minimalist, but I think I admired it more than I liked it.
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Isabella had everyone going crazy 😭
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Really wanted to love this film, but I just don’t get the hype. Greatest action film of the 21st century really?
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Peak buddy cop movie.
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wow
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Wish I could give out a 2.75. Too many unmotivated cuts in the scenes between Sonny and Ingrid, makes your head hurt. But it picks up towards the end
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Colin Farrell’s true accent is fucking DYING to be let off the leash here. He weirdly has so little chemistry with Isabella that it comes all the way around to him having chemistry again. Go fast boats mojito indeed.
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Bye bye vacation plans to Bali. Hello Miami, Florida!
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colin farell delicious colin farell snack 🤤
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gta 6 leaks
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yesss mojitosss
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Yeah those gunfights were sublime, classic Mann. It’s the coolest I’ve seen Colin, the cool bastard.
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a truly strange movie, where something is off the entire time. Its feels like the dream of someone in a coma. there are some very interesting aesthetic choices and a freedom in it that is to be admired, but after listening harmony korine saying miami vice was spring breakers biggest inspiration – it makes sense. but that movie is the logical and heighten conclusion – where the dream is indulged.
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Michael Mann has a way of making every scene feel tense. Even during the quiet moments, it feels like something is about to go wrong, and that constant sense of pressure kept me hooked the entire time. Another stylish, atmospheric Michael Mann film that knows how to build tension.
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Felt there was an excess of unnecessary sex and I hate when that’s the case
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Olay örgüsü çok zayıf, hikaye de boşluklar var. Eğlenceli sahneler yok, etkileyici, değil. İzlerken çok sıkmadı ama meh işte. Üstüne konuşabileceğim bir hikayesi, tasarımı, esprisi yok
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this film is a visual manifestation of how the early 2000 felt…. a beautiful colorful world with so many possibilities and a feeling of true yearning for the future mixxed with a feeling of romantic nostalgia…. but in the background there is a constant feeling of impending doom.. there is dread and a hidden world of violence and saddeness or mourning of the world that couldve been…… i find the movie very dream-like and romantic which i love
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the vibes are immaculate but did it have to be so incomprehensible? 🤡 joseph kosinski’s version can be better (probably will) can be worse (equally likely) but it can never be this 🙂↕️
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Micheal the mann
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Colin Farrell really dropped it all when the heat was round the corner.
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Hell yeah
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Cool shootout scene
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Yea bitch, great vibes all round. That sniper shootout scene at the start with the shot inside the car was crazy. Mann just keeps on doing it and doing it
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Aark214 8 月 22, 2026
cool movie
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I get the cinematography hype but the plot I do not
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A lot of love scenes for a action movie like this
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Michael Mann proves again he can direct an extremely stylish movie, with the most beautiful audio editing. But my goodness is this writing weak on this movie. The fact Collateral came out 2 years before Miami Vice is nuts, imo Mann’s second best work behind Heat.
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Even micheal mann can not make heat again
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Buon remake dell’omonima serie, uno dei pochi riusciti di questa operazione nostalgica.
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I really don’t know how to describe or review this movie bc I think it’s kinda all over the place but like I still think it’s an enjoyable watch with a lot of its story telling coming in subtext and what the characters don’t say .Definitely a Vibes over story type of film with really grungy cinematography and a peak soundtrack
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Voelde dees niet zo
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Is the butt rock cover of In the Air Tonight awful? Yes. Is the fist bump between Tubbs and Crockett as it peaks the coolest thing ever? Also yes. That pretty much sums up my feelings on Miami Vice. Cool as hell. Prophetic in its formal choices. Incredibly of its time. One of Michael Mann’s highlights, even if, and maybe because, its script is stupid as hell. Also weird that my two favorite Mann pictures end in gorgeous Floridian houses.
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I couldn’t believe his accent. Enjoyable movie.
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Expected to like this more. Some cool shots
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Absolutely loved it. The opening scene dropping you straight into the 2006 Miami club scene is brilliant. The cinematography is amazing a usual case for Mann’s movies. As an Irish man I know Farrell is good to play American roles but he really threw me off at first but started to grow to like him. Jamie Foxx was kinda there his character was only really shining when Trudy is on screen. The action pieces were amazing one of my favourites…
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People in 2006 thought this movie was bad?! This is some of the coolest shit I’ve seen in a movie all year.
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hell yeah brother
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temazo al inicio 🔥
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Michael Mann loves Asian women it seems
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I couldn’t tell you what the plot was but the movie looks amazing – vibrant, ominous, electrical. I loved the scenes that took place in the hours before sunrise. The shdes of blues, reflections of water, multi-colored sky lights refracting in the distance. Just really made me nostalgic for a city I’ve never been to, but always have been fascinated by. But cinematography aside, this movie is schizophrenic as fuck. And not like a played-out annoyingly nonlinear Christopher Nolan yawnfest…
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There are some odd choices made here – weird handheld cameras are used in more scenes then you think – whether it’s true or false that Isabella learned all her lines phonetically, she is just flat out not good in this But this movie bangs. Too bad no one can use gofastboatsmojitos as a password anymore
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“It’s that time” ”Yeah” ”Badges get flashed, guns come out, arrests get made. That’s what we do.” ”So?” ”So, fabricated identity and what’s really up collapses into one frame. You ready for that on this one?” ”I absolutely am not” a great feat of digital filmmaking with some really cool tools and tricks done. this movie is so cool and sexy and awesome, so many hype moments and cool lines. plot felt a bit jumbled at times but through it…
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Mmatthewjt 8 月 21, 2026
Shit was buns
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Artisticamente muy buena, cámara, sonido y detalles como el grano en toda la películas la hacen increíble, la historia está bien si volvernos loco ni sobrevalorar. DURA.
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Med mamma og pappa!
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Gosto de muitas coisas no filme, mas ao mesmo tempo não gosto de muitas. Gosto das musicas (passa um vibe foda e lembra o gta), porem as vezes foi colocada em momentos sem nenhum sentido. Gosto do casal do SONNY (Colin Farrell, achei esse ator brabo) e da chinesa (essa aqui se garante), mas nao gosto do casal do Jamie Fox e a mulher dele. As cenas de negociação sao do caralho, todas sao muito boas, mas tem cenas sem…
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şöyle mantık hatalarıyla dolu gerçeklikten uzak full aksiyon filmlerini ve colin farrelli özlemisiz
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Sonny Crockett, I’m also a fiend for mojitos. If I can learn to dance flamenco I can learn to dance salsa, it’s on the list for next vacation. “Life is short. Time is luck.”
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OK VAMOS LÁ: MICHAEL MANN DEVERIA SER O HERDEIRO DO IMAX, NÃO NOLAN. Meu coração é dividido entre Fogo contra Fogo e Miami Vice. Além, claro, da minha esposa. E como é de conhecimento popular e ancestral, todo bom filme de ação tem que ter paixão envolvida. Assisti A Odisséia do Nolan em IMAX com os meus irmãos de 14 anos, foi uma experiência foda. Cinema é bom demais, experiências familiares tornam isso mais especial ainda. Mas o ponto aqui…
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Not great. Wasn’t really interested in anything that was happening or the characters. Had 3 films to choose from and this was my last choice. This was Josh’s first choice so we watched it and he fell asleep in 25 mins 😐
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Trashy watch but aged like fine wine in my head. So much fun and Colin Farrels acting is absolutely hilarious
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yes be catholic take your asian wife to cuba to dance and then come back and kill some dominicans… what a dream
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I love when a movie you once thought was 3 stars finds you again at exactly the right time and somehow becomes a 4-star film. Who knows where the next viewing will take it.
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I knew this was going to be a fun watch when the movie started with numb by linkin park. Unfortunately it was the version with the gremlin… I can’t wait to see how Austin & Michael fare as this duo.
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Die Geschichte und Charaktere sind leider nicht so spannend, um hier eine große Fallhöhe zu erzeugen. Hinzu kommt noch eine sehr halbgare Liebesgeschichte. Ich hätte mir mehr Tiefe und komplexere Charaktere und vor allem gefährlichere Antagonisten gewünscht. Allerdings zeigt Michael Mann hier eine starke Inszenierung, die einerseits dokumentarisch und handgeführt wirkt, gleichzeitig dadurch auch manchmal roher und echter wirkt, was den Film wieder etwas belebt hat. Außerdem sind Jamie Foxx und Collin Farrell super in den Rollen.
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Rrosesantal61 8 月 21, 2026
i feel the same about mojitos
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Cool
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Hard to follow at times but I was still able to piece it together and enjoyed it immensely, especially once they take the trip to Havana the film really locks in. At least I have an excuse to rewatch.
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On the surface, Miami Vice is basic 2000s buddy cop drama. It is the same story of undercover operation and its risk, while portraying the aftermath where shit usually went wrong. But somehow, in the hand of Michael Mann, a story this simple can turns into something quite magical. There is something exceptional about how Mann shoots his film, where every scene is shot in a documentary style close-up, making every scene feels personal. Some may argue that Collin Ferrel…
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Wayyyy too much handheld camera action. Fire aesthetic though
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3,5
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Once I got my head around what was going on, I was having a great time! Also, the opening needle drop is wild and I love it!
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lowkey confusing ashl where the whole love plot come from
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Watching this before moving to Miami tomorrow Has a ton of potential and great atmosphere it’s just too fucking corny and awkward at points
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Me encanta Michael Mann, su forma de dirigir es impecable pero Miami Vice es una película que en lo personal es bastante decepcionante, demasiado larga, el montaje, la fotografía y la puesta en escena son clásicos de Mann pero realmente nunca conecté con esta película, una pena realmente
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TToninho 8 月 21, 2026
Os problema que tinha em relação a este filme desapareceram… Que filmaço. Eu não consigo identificar o quê mas há algo neste filme que o torna simplesmente um dos melhores de sempre. O Sonny e a Isabella devem ser o meu casal favorito do cinema, lá com a Celine e Jesse e o Anakin e a Padmé… Eles são os incríveis simplesmente, adoro todas as cenas com eles. E, melhor ainda, quando têm uma fucking música dos Audioslave de fundo. Quando toca “Wide Awake” – WOWWWWW
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Watched this because of the Mann discourse on twitter surrounding Indie Navarette choosing X-Men over heat 2. But to get to the film, this has the materials to be a run of the mill FBI thriller that unearths nothing new to the genre. But Mann is different from the dialogue to the camera work to the sets, different class. Also by far the best Jamie Foxx has ever been.
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Lol the “i’m not in too deep 😤” line a week into their undercover mission is just cliche butt cheeks Also she set the criminally-inclined women back like a millenium
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Really enjoyable movie
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what a dream. The equivalent of binge watching one of those terrible CSI shows at night, with the best parts of them all packed together in epic fashion in one very weird art house movie. I don’t know how a police thriller can be so beautiful. It may not be Heat but it’s so cool it’s often the case with cult classics that I go from “it’s good, it’s alright” to “damn”. I’m one step ahead of nobody
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Matt Johnson was right about this movie.
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This movie looks so low budget lol I thought foxx would play a bigger role too sigh
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Watched this mostly becuase of Bill Simmons’ and the Rewatchables crew, but this was all style an dvery little subjstance.
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Can I get an encore, what do you want more?
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Vibe baya iyi film mid maalesef
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Llawrence 8 月 21, 2026
the pieces were there the plot was there the cast was there GONG LI WAS THERE idk fell a bit flat for me.
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Really cool movie. Jamie Fox was cool. Colin Farrell, cool. Scenes and directing: cool.
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Probability is like gravity. You do not negotiate with gravity.
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C
Needed more smoking then it would be better
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Cinematography
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i would like to reassess miami vice. i was too harsh originally. and i didn’t appreciate how much time they spent talking about loads
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Os primeiros minutos da trama são alguns dos mais arrebatadores que já assisti em um filme. Esteticamente e narrativamente instigantes, eles te jogam facilmente no clima da história. E o clima é tudo aqui. A atmosfera que Michael Mann cria é sem igual. Ela transforma a narrativa e dá peso a tudo que acontece ao longo do desenvolvimento. Gosto muito do romance entre Sonny e Isabella. É muito bem construído, dá densidade a esses personagens e trabalha muito bem a…
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Michael Mann loves Asian women it seems
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Plot – 6/10 Vibes – 10/10 Volledig op digitale camera geschoten. Best dik. Wel lastig in te komen, want het is iets minder action-packed, makkelijke blockbuster dan ik dacht. Michael Mann, koning van de actie. Ik raad Billie af deze film te kijken ivm zijn gele koorts. Shoutou Gong Li.
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Still fucking R-R-R-RIIIIIIIIIIIIPPSS. Extra half star for a full theater experience at the Arkadin.
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Boats boats boats
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No other movie has looked like this before or since. Astonishing.
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Cool and sexy as hell. It’s not Mann’s best but still terrific. Farrell’s look and vibe walk such a fine line between badass and goofy but his sincerity nails it. Foxx is effortlessly cool, also. Loved the doomed romance, but I know I’d blow it all up for Gong Li, she’s amazing.
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MOJO BOAT. The sky and sea 🔥🔥👌🏼👌🏼 Looks great and in typical Mann fashion has real form/content ingenuity. 20 years in and the digital stuff mostly holds up.
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Stylish as hell but that’s kind of all it has going for it, its all over the place but not in an entertaining way. Also has not one, not two, but THREE Audioslave needle drops!!
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le mec s’appelle Sonny Croquette 😹😹
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It’s so rare to just be thrown into a movie without any back story, just vibes. Such a breath of fresh air. Great acting too, even for someone as plastered as Colin Farrell was during production. Severely underrated movie.
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Insane to take a speed boat to Havana from Miami just for a mojito
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un des derniers film de Mann que j’avais pas vu et wow la claque, le domaine est maîtrisé de A à Z. Une histoire de flic et de drogue finalement assez simple mais tout est dans les détails ce sentiment d’enfermement de danger permanent ressenti tout le long du film avec ces plans de caméra embarqué presque on voit tt le vice de cette ville et à quel point les deux personnages y sont au final habitué presque insensible. les…
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Idk i want to rate it 4,5 and 3 at the same time. I feel like 4 is too low and too high at the same time. The visuals, sound and everything that has something to do with cinematography is beautiful and innovative. It couldnt convey the atmosphere better. But the story just doesnt hit me. It was kinda boring and predictable. Idk it might just be me.
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The vulgar auteurists weren’t right about everything, but they were cooking when they were championing this.
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Vibes a million baby
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20 Year Anniversary @ Arkadin – incredibly special would be an understatement. People laughed profusely, people cheered and clapped loudly at the credits and some people also cried a little (only me for sure). Indelible vibes machine, like someone layered digital textures endlessly over each other and then poured Bacardi mojitos all over the files. Created the most beautiful symphony of Michael Mann karaoke – “for me, the style is the substance” Unforgettable experience and film.
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It’s not the best, but the VIBES????
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tries to be a serious film with below average script and editing
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why was this movie soo good idk Collin and fox were examples of perfect as fuck casting loved both in the movie idk what is with micheal mann and happy endings
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Foxx and Farrell seem slightly out of place both as undercover drug runners and as police officers.
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Schaubefehl Nr. 14 und @Silas Lambrecht kannst du mir mal bitte erklären, warum du mir Miami Vice nicht früher zeigen konntest ? Was Michael Mann hier inszeniert, ist einfach purer Actiongenuss. Roh, kompromisslos, unglaublich stylish und mit einer Ästhetik, die mich von der ersten Minute an komplett gepackt hat. Allein diese Kameraführung und die Art, wie Mann die Action inszeniert – verdammt intensiv. Ist die Story das brillanteste Stück Filmgeschichte? Nein. Muss sie aber auch überhaupt nicht sein. Denn dieser…
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Frantic, sexy, stylish. I never realised this movie went so hard. Whatever you call this aesthetic I want to make it my entire personality now.
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the soundtrack in this movie is 🔥
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Oozzystudios22 8 月 21, 2026
great comedy
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J’avais jamais vu la série avant mais j’avais été le voir au cinéma à sa sortie il y a 20 ans, charmé par la DA du film qui imprégnait la bande annonce. Je me souviens de la sensation que j’avais eue à l’époque en sortant de la salle et je n’avais évidemment plus jamais revu ce film. Ici je l’ai vu passer sur Netflix et vu que j’aime bien Michael Mann, je me suis dit qu’à l’époque j’avais peut-être pas…
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Okay, lets disect this. Nothing really works in the movie, when you obviously have to compare it to the MUCH better series. I didnt fw any of the performances from any actor, but MAYBE JAMIE FOXX or maybe Ciaran Hinds. Colin Farrell doesnt work as Sonny,some characters are just missing and overall this just doesnt work. Bringing the movie to present time also wasnt a good idea, and I fucking HATE the shaking camera style, and im gonna refuse to…
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M
Really no direction at all with this movie. Boring characters, boring romance. Sounds like a badass movie but just ends up being lame. The style and filmmaking was a plus for me tho, it looked cool that’s for sure
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R
Still thinking about the trailer park raid scene….
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Really, really good. Mann has such an obsession with men protecting their women and professionals being so fucking good at their jobs. His style is hyper-masculine and absolutely panders to men just oohing and aahing at how cool everything looks. And honestly, I can’t even say it’s undeserved, the man delivers banger after banger. This is one of the more confusingly divisive films I’ve seen. I went in expecting something polarizing, but I can barely even understand the argument that…
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R
I know this movie has benefitted from a massive critical reassessment recently, but, yeah, sorry … I’m just not buying it. Certainly, Miami Vice has vibes that work in its favor. It’s got a gritty, sweaty feel that gives the viewer instant access into its corrupt and distinct world. If the movie works at all, that’s why. (This is no more apparent than in the film’s first and best scene: the sting operation at the nightclub.) But Miami Vice is…
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B
Rock solid movie. Miami drug lords, undercover detectives, Chris Cornell blasting in the background while you’re sleeping with the enemy. What’s not to like
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C
aura and needledrops
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K
pure vibes with a boring ass plot
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R
My guy says, “I know what I’m doing” and he says, “We’re making moves on each other,” and he’s dead sincere both times even though he knows it’s a doomed dream, you can see it in his eyes. That’s love.
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D
Michael Mann makes movies for men. This one is more of an audio-visual trip than a coherent story. All his movies are just romance films disguised as action thrillers. He’s his own version of french cinema.
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W
Got to see this on a really nice 35mm print, and the mix of a VERY digital movie on film was, at times, disorienting. There’s that great digital noise, in part because it was shot at night, but then sometimes, especially around the ends of each reel, we’d get some nice pops and small scratches, which was fun. I only saw this one once, on a bootleg in China, when a friend was visiting (2008). He got what was labelled…
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P
This movie is a vibe. I have zero complaints, but also this movie doesn’t really have anything that sets it apart as truly great. The gunfire sound effect have a unique booming quality to them, similar to Collateral. Colin Farrell is easily the best part of this.
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M
Not a huge fan of the sporadic filming and editing honestly. Love Colin Farrell and Jamie Foxx and trailer park scene was intense but overall just a solid watch
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C
“tf u even do at a miami vice screening. slow dance?” “grind on the other dudes there”
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L
On a regardé ce film avec mon frère et mon père parce qu’on cherchait un film avec une vraie vibe Miami : des lumières roses, la plage, une ambiance bar et un peu de soleil. Au final, pas du tout… On s’est retrouvés devant un film sur la drogue, et franchement, c’était nul. J’ai quasiment rien compris à l’histoire et je n’ai vraiment pas accroché.
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mumble core madness
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I knew I was gonna like this movie when it started with Linkin Park.
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J
I enjoyed the vibe of this. It is a totally different beast than the TV show. The experimental digital cinematography was groundbreaking at the time, and it works better for the tone than anything filmed digitally today. The sound design is incredible. ****Theatrical Cut
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T
Night clubbing Miami. ‘Numb / Encore’ by Jay Z & LinkedIn Park rippling through your speakers. Colin Farrell with a majestic 90s mane. Claustrophobic, hand held close-ups for every shot; grit, grime, grunge, in shades baby — Miami Vice is bringing Mood! What an editing menace. The rhythm and intent behind how they stitch together shots is discombobulating. Even when choices with the camera movement (also framerate) feel deliberate and convey unmistakable personality, it’s so hard to invest my full attention…
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F
Man just good vibes. You kinda have to figure out what’s going on but it’s not too hard to follow along. Love the cenimatography. Heavy vibrations. 81/100
- Synopsis
- A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
- Director
- Michael Mann
- Writer
- Michael Mann
- Studio
- Universal Pictures, Forward Pass, Motion Picture ETA Produktionsgesellschaft
- Country
- Germany, USA
- Language
- English, Spanish
- Year
- 2006
- Runtime
- 132 mins
- USA20 Jul 2006
- USA25 Jul 2006
- UK27 Jul 2006
- Switzerland02 Aug 2006
- China30 Oct 2006
- Puerto Rico27 Jul 2006
- USA28 Jul 2006
- Philippines02 Aug 2006
- Israel03 Aug 2006
- UK04 Aug 2006
- Kuwait09 Aug 2006
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