Synopsis
Trailers
Reviews (168)
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S
The resurrection of Judy Garland should be celebrated more than once a year tbh
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S
I’m not saying that they don’t make ’em like this anymore; only saying that they don’t make movies that provide this variety of pleasure anymore. It’s true: that’s entertainment. Garland. Jesus. Grounds every movie she’s in and simultaneously sends it soaring. It would have been a pleasure seeing her as a healthy older woman. Sacrilege to say, but I found myself imaging her in a part like Maude in Harold and Maude – in an alternate universe where we still get Ruth Gordon’s take of course. Garland is so funny, so present so emotional. Also: Jules Munshin. And some great tunes.
151 4 -
T
The ‘White Christmas’ of Easter films. A plot thinner than tissue paper somewhat involving a holiday ties some glorious musical numbers together. But when Ann Miller stares down that camera and taps 500 steps a minute… when Judy Garland effortlessly belts Irving Berlin’s classic ‘I Love a Piano’ …. when Fred Astaire basically carries off a sequence that’s the ‘Matrix’ of tap dancing…… that’s absolutely effervescent cinema.
213 -
J
I gotta stop eating mac and cheese and chicken tendies with fries so I can move like Fred Astaire at 50
121 -
C
Very few actors have the charm of Fred Astaire that they could start a film off by stealing a toy from a child and still be the romantic lead.
259 -
P
That one sequence with Astaire in slow-mo while the backup dancers are moving at normal speed is some god damn transcendent cinema
818 10 -
S
If you’re not celebrating Easter with Judy Garland’s fish face, you’re doing it all wrong.
179 -
E
judy in that green velvet dress…judy not being able to tell left from right…judy judy judy
435 2 -
C
I’m not familiar with the oscar winners of 1948 but I assumed the guy who played the waiter won best supporting actor
518 3 -
C
cinema really did peak with these sweet, soft 1940’s musicals, didn’t it? there’s no plot here at all just extravagant dance numbers and pretty dresses 🙂 and i just think that’s neat!
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M
why are half of astaire’s films about girls decades younger than him falling in love even when he treats them kind of like trash just because… idk… he can dance? like i’m SO tired. i was rooting for her and peter lawford 🧘♀️🧘♀️
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S
I’m not generally an Irving Berlin fan, but Oh, I could write a sonnet About your Easter bonnet remains one of my favorite couplets in all of 20th Century popular music. Don’t know why. I love these post-war years of the Hollywood musical. While Gene Kelly, along with his collaborators Vincente Minnelli and Stanley Donen is busy redefining the parameters of physical and emotional space in the genre, Fred Astaire is busy obliterating the laws of physics. In film after film, objects, simply by their proximity to Astaire, become imbued with some kind of magical essence: they become living props, they dance. In Royal Wedding he transcends gravity and in Easter Parade time itself submits to Astaire’s whims.
164 4 -
D
toss toss, mix mix every time i watch this i forget (again) that judy doesn’t end up with peter lawford go watch the mr. monotony outtakes on youtube; the exasperation on judy’s face when the director cuts in the middle of a great take, the little stank face she makes to get a laugh from the crew, the way she’s totally perfect but totally new in each take
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Z
Johnny was right thereeeee 🗣️
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B
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M
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C
I just gotta show off my tap dance and drumming skills, let’s apprehend this five year old boy I’ve never met before for five agonizingly long minutes, I’m sure he has nowhere important to be. Never realized Easter Parade is just another misogynistic Pygmalion story pasted over a standard revue musical. Unfortunate that it doesn’t have nearly the characterization and nuance of a My Fair Lady, nor the showstopping spectacle of a White Christmas, nor the fashion sense of either.…
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A
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C
It’s a damn shame Garland and Astaire didn’t get to work on more films together, but hey, at least we got this one!
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T
For as fantastic as the musical sequences are, how it is as a movie is pretty… okay? I mean, it’s not bad, but it’s also not great either, it’s very middle of the road tbh. Astaire is not really the most likable guy throughout and I couldn’t really get around to liking him by the end. Garland is quite good though, slapstick at times and delivered when she needed to. She was one of the better parts of the film.…
1 -
W
“Bem, a culpa não é minha, sabe. Quando eu era garotinha, eu era canhota, mas o médico disse pra minha mãe que quando eu crescesse poderia ser uma criminosa perigosa. Por isso, eles me forçaram a fazer tudo com a mão direita e agora eu estou confusa” Ri tanto quanto me identifiquei. Judy, você é lendária. Adoro seu jeito espontâneo e exagerado de atuar. E quão cômica é Hannah Brown!!! Obs: E no fundo estava torcendo pra ela ficar com seu Best Friend.
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D
It was okay, sure he can dance but Judy can do better
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L
idk what to say besides yessss
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M
Judy Garland is sublime. Barbra Streisand would have also been sublime in a remake…Passover Parade? In profile, Peter Lawford looks exactly like Richard Gere. You can understand why MGM planned it for Gene Kelly. And you can understand all the people who would have preferred that romance. But I find the Astaire/Garland dynamic channels a Pygmalion quality that adds an interesting layer of humanity. “Why didn’t you tell me I was in love with you?”
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S
Only five minutes into the movie and I was already smiling watching Fred’s dance number in the toy shop.
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R
Don Hewes: A girl dancer has to be exotic; she has to be – a peach. Hannah Brown: I suppose I’m a lemon! This movie! My god! Writing this after watching it for the first time and I must admit I was tearing up right from the very beginning of it. It’s just what cinema nowadays could never be or even try—it’s colorful, bright, witty and just magical. Even if the story seems simple at first, it manages to catch…
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M
مع إنه يعتبر تاني فيلم يجمع بين فريد وجودي لكنه برضه كان آخر فيلم ليهم مع بعض.. خسارة إن ماكنش ليهم أفلام كتير ويبقى كل اللي جمعهم فيلمين بس.
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L
I was born in Michigan 💃🕺🏼👯♀️🎶🎤
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N
Charles Walters is clearly not Donen or Minnelli but Astaire’s slow motion shot is peak cinema. Easter parade is Band Wagon’s less talented cousin, not because of the players but because there’s little plot and some uninspired dance scenes. However you got two of the most talented stars of the era and they have great chemistry together. Both at their prime. I bought the love story and enjoyed the ride. Clearly it’s no masterpiece.
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M
It’s always a pleasure to watch any movie with Judy Garland, and perfomances in Fred Astaire’s movies are pretty good too.
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M
This took me about an hour to be won over, and by that point the damage was kinda already done. But this film has so much heart and whimsy, it just doesn’t execute it the best at points. I always felt just barely entertained, just barely engaged. But that still counts for something, you know? The costume work and the dancing is some of the best parts, but the set just doesn’t feel real to me. It looks like a stage most the time. So it works the best, ironically, when it is a stageplay. Like when Judy Garland crossdresses. Also they have bunnies in this!
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G
Le potentiel de fou de ces films si on enlève le racisme et la mysoginie omniprésente. Le cinéma manque de comédies musicales comme celles d’Astair, Garland ou Kelly
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K
Loved the unnecessary salad monologue thrown in the middle there
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E
Miss Brown, what idiot ever told you you were a dancer? You did. Judy Garland my beloved!
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C
why was it a thing for old musicals to have a number where they show a bunch of women in nice outfits posing like they’re in a photo/magazine with singing off camera
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K
Judy is so special 💕 Technicolor pageantry and weird Fred vibes Johnny is the truest gem
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D
It’s kinda Silly, when Hannah starts in love with Don. What the hell, girl! You’re so nice, cute, and beuatiful. But, I’m still wondering why did you cought some feeling of him. Even Don looks older than Hannah. Doesn’t make sense, didn’t made me so happy with that. Namun, Di luar konteks yang bikin gue menertawakan karakter Hannah, gue cukup terpukau sama musiknya. Tariannya menghipnotis banget, mereka menari dengan sangat anggun, elegan, dan tanpa beban dan lepas. Gue juga ngerasa tidak ada masalah sama ceritanya yang dibuat seperti itu, hanya bingung aja sama penulis naskahnya awokawok.
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Eelliegravitte 7 月 18, 2026
I’m just a fella, a fella with an umbrella
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G
A bang of an opening song. Fantastical colors suck you into plausible story of a young Judy Garland falling for Fred Astaire over Peter Lawrence. Plenty of camp and wild musical numbers. At times the singing becomes a bit distracting, but a delightful film nonetheless.
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Aardillas a las nueces 7 月 16, 2026
Lástima que el Astaire de dudosa higiene dure tan poco… con lo que me preeende.
6 -
M
When Astaire is dancing, Garland is singing and Irene does the costume design – it adds up to fantastic
1 -
M
the waiter had me laughing “mix, toss toss, mix mix, toss toss” love the music, wardrobe, makeup but the ending still lacked growth from both mc like guys can we communicate better pleaseeee
1 -
N
não posso ver um relacionamento tóxico que já quero gostar
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M
Loved the colors, the choreography and Judy Garland, but the plot didn’t convince me
1 -
J
cuuute
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L
judy garland + fred astaire = combinação perfeita, parabéns pra quem pensou nesse elenco.
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Mmadeline 7 月 12, 2026
why’d she end up with the older man that was an asshole the whole damn movie 💔 free her and why are we pitting the women against each other over this asshole??
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E
judy garland, you are amazing
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Y
Feels like a test-run for some elements Singin’ in the Rain and The Band Wagon, but it’s not nearly on the level of any of those. Not without its charms (“Steppin’ out with my Baby” is one of the best musical numbers I’ve seen), but the plot is so utterly banal that it kinda drags this down.
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MMajuscule 7 月 9, 2026
Commentary from Ava Astaire McKenzie and John Fricke
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K
Judy Garland and Fred Astaire will always be a favorite duo. So yes, I will watch this every year while eating jellybeans.
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R
Biggest challenge of this movie is it’s first half trying to convince you that Judy Garland sucks at musical theatre.
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S
Música top, coreografía top. El resto meh
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D
judy garland carried bc there was quite literally little to no plot in this
1 -
B
When people say they wish things were like “the good old days”, I wish they meant that they wish men would dance intricate dance routines and tap dance to win a girls heart. Instead, those men get called slurs, lmao.
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L
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K
This was pretty fun! It was a little jarring to have Judy Garland and Fred Astaire paired up as a couple in this, but I think it overall worked. Lots of fun music and dance numbers. Always a delight to see Astaire do his thing. July 2026 Ranked 1949 Oscars – All Nominated Films
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H
a little “my fair lady”ish – nothin wrong with this
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L
That waiter was serving (literally) What a diva! One of my favourite supporting characters ever. Carrying the whole restaurant one salad at a time.
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R
the salad scene the fucking salad scene
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A
charming charming charming
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P
No one will watch this for the plot. Rather, it’s the music and the performances that carry it through. Convincingly re-creates 1910s New York in a 1940s soundstage.
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S
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S
Fred Astaire is always the most captivating person on screen, but this time he lost to Judy Garland. What a dear! Age gap was icky to me, but ik the role was intended to Gene Kelly (it’s so obviously written for him when you think about it) There’s just no talent like these nowadays. Bring back tap dancing!!!!
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A
what even is jonathan’s deal anyway.. hannah brown you deserve better! you shining star
1 -
L
El número del chabón que es tipo cabaret Dios mío ya no hacen cosas así vivan los musicaleeees. Es increíble el talento que tenía Judy para la comedia, sigo pensando en la escena de ella poniendo cara de pescado para que todos los tipos vuelvan a mirarla y hacerle creer al otro que era pq es una sex symbol
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J
Fred Astaire plays an asshole. The script is terrible and the movie is overlong. If only they just did the really fun and iconic dance and song numbers. Judy Garland is amazing.
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L
Don Hewes loses his dancing partner and romantic interest Nadine Hale when she decides to pursue her own career. In a huff, Don decides that he can train a dancer in a restaurant floor show to be his new partner, selecting Hannah Brown. With Hannah’s inexperience and trouble distinguishing left from right things don’t go well at first. But ultimately Don redoes the choreography to emphasize Hannah’s talents and they become a hit on Broadway. The plot is very much…
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J
Que lindo que es ver a gente bailando
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T
Um retrato de quando o amor ainda não havia se tornado sinônimo do sórdido e do imoral, entregue às mãos de pessoas vis, para quem até os sentimentos servem aos próprios interesses.
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P
Came to watch Judy Garland, stayed to watch the waiter. Love the costumes, love the sets, love the singing and dancing. It’s a lot of fun, very over top and extravagant
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M
43rd musical. Doesn’t have much of a story, just good dancing. I think more pictures should have love squares instead of triangles. Number of songs I already have / added to my music – 0
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S
I gotta be honest. I preferred Nadine’s show! But what I really wanted to see was the rest of that dog act that followed them at the first performance. When they all lined up and sat down! I need to know what they did next. 🐕🐩🐕🐩🐕🐩🐕🐩 I would rate this one a little higher on the plot compared to most Astaire I’ve seen, but a little lower on the dancing. With the notable exception of the drum song. That was amazing. Another fun movie overall. I wish there were a million of these. The Hills are Alive 🎵
7 -
C
How does Fred Astaire look lighter than air any time he’s dancing? It’s such a joy to watch. The slow-mo shot was soooo cool. Also, the headwaiter making the salad is peak comedy, I was laughing so hard.
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S
Okay but how do I get my hands on that salad
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I
i’ll always get down for an mgm dancing routine
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G
Here for Judy, as always. Loved her in this, and her in that emerald green dress she wears towards the end is too gorgeous to be real. The hobo “Couple of Swells” stage scene was especially great and cracked me up, and love that she performed it later on stage by herself. Really enjoyed it, but also happy to fast forward lots of drawn out dance sequences.
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K
That was ….a lot
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J
those times when we could have COLORS in movies. Old time. Nice movie also but I don’t understand what she sees on him (i guess i shouldn’t watch this movie with 2026 eyes but sometimes it’s difficult-) he seems so old for heeeer. The two girs were so pretty she could have dance together it would beat everything. The story is a bit weak also
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E
Funny hats, funny dances, not so funny waiter
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J
The plot and characters are thin as anything – there’s the makings of a compelling character drama here essentially about insecurity, jealousy and differences in communication styles but just so many missed opportunities, particularly with the Nadine and Johnny characters who all but disappear from the film unless they’re interacting with Don or Hannah, leaving that portion of the story to feel unresolved – but there are some truly impressive and mesmerising production numbers (Drum Crazy, Shakin’ the Blues Away,…
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SStephen Alves 6 月 20, 2026
“A musical that excels in every department: story, Technicolor, music, dancing, and all-round good taste. Judy Garland gives the finest performance of her career, and Fred Astaire appears better than ever.” -COUNTRY GENTLEMAN “MGM executive, L. K. Sidney, got me on the phone and asked me if I’d care to come ‘home’ again. With Irving Berlin’s score and the wonderful Judy Garland to play opposite, I was lucky. The part could be made to suit me. I called Gene to…
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I
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I
A Popsie Favorite. Judy Garland and Fred Astaire are excellent, the movie’s plot and story are a bit weak but I love the musical numbers in the movie and the dancing is second to none. Fred Astaire moves so fluidly in all his dancing and makes it look so natural. Easter parade is an earworm.
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K
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Y
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L
completely understandable that Fred Astaire came out of retirement just to work with Judy Garland. They fit so well together ! Though I do wonder how different this would have been if Gene Kelly stayed in the role Also that scene with the waiter and his miming was so random?? Not complaining though!!
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M
We’re a couple of swells We stop at the best hotels But we prefer the country far away from the city smells We’re a couple of sports The pride of the tennis courts In June, July and August we look cute when we’re dressed in shorts The Vanderbilts have asked us up for tea We don’t know how to get there, no sirree No, sirree
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R
1948 Ranked “Easter Parade” is one of those films that reminds me why I love classic Hollywood musicals. The story itself is fairly simple, but it serves its purpose perfectly, carrying you from one wonderful musical number to the next with a smile on your face. Irving Berlin’s songs are fantastic from start to finish. There isn’t a weak number in the bunch. Fred Astaire has always been One of my favorite musical stars, and this film is another reminder…
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M
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K
O filme é bonito esteticamente. Achei ela até bem engraçadinho e gostei do roteiro dele, só que esse ator não me desceu. Pra mim parece um velho de 50 anos com uma mulher de 20 e poucos.
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M
Just a pure delight of a film. Every dance number is just pure spectacle and it’s amazing.
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H
21st Academy Awards 1 nomination 1 win Best Original Score (Musical) 🏆 Great Judy Garland and Fred Astaire performance.
1 -
L
All I could think of was Ann Miller doing all this not long after her back was broken.
3 -
S
Una película que parece sacada directamente de un sueño de primavera. Todo es precioso: los vestidos, los sombreros, los escenarios, las canciones y esa estética tan old Hollywood que ya no se hace igual. Me encanta cómo la música forma parte de la historia y no está simplemente de fondo. Cada número musical tiene algo de espectáculo, de romance y de pura magia. Y Judy Garland… simplemente una estrella. Es de esas películas que se sienten antiguas en el mejor…
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S
Awards: OSCARS-Best Scoring of a Musical Picture (Johnny Green & Roger Edens) PHOTOPLAY AWARDS-Best Pictures of the Month; Best Performances of the Month (Fred Astaire & Judy Garland) WGA-Best Written American Musical (Sidney Sheldon, Frances Goodrich, & Albert Hackett)
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M
Easter, gorgeous outfits, pretty people singing and dancing, I mean it really is that simple sometimes like I loveeeed it!
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A
fun vibes but didn’t really work. judy got outshined!!!
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K
Ann Miller stole the show from Judy Garland. They only gave Judy one good musical number and it was the last one. Whole movie should have been Ann Miller dancing.
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C
Oooooo lovely shit
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T
cadê os musicais de hoje em dia tão bons quanto esses de antigamente
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K
Almost nonexistent plot line but the comedic efforts of Judy during “A Couple of Swells” and some of the absolutely stunning costumes (the magazine girls anyone?!) made this a worthwhile watch.
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V
I typically enjoy Fred Astaire movies but, this one not as much. Story was good but familiar. I guess I’m not a Judy Garland fan.
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R
Obsessed with Judy’s pink dress near the end.
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A
judy en papeles cómicos es algo tan especial para mí
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S
Charles Walters may be largely forgotten, relegated to studio hack status, but he struck gold with Judy Garland in Easter Parade and Summer Stock. Their plots are slighter and their high points less grand than the best of Minnelli and Donen, but I love these two movies almost as much as Meet Me in St. Louis or Singin’ in the Rain. They capture that same spirit of purity, Technicolor, and uplift. I could throw them on at any time.
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M
New Easter movie unlocked
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R
” I think these dresses are beautiful but ” “But what” “Well, do you think they look like me, like Hannah Brown?” “There is no more Hannah Brown. From now on you’re Juanita” “Well if you wanted a Juanita, why did ya pick me?!” Judy in that velvet green dress was the best part
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A
Really did not fuck w the act they did for the opening night of their show. Literal what was that. Pero aparte de eso dms linda, me recordó a Pygmalion.
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K
fred astaire songs go hard ngl
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S
There are some good dance numbers. The title song is from Holiday Inn, right? With this & White Christmas, now I’m curious how many other holiday’s songs got expanded into their own movie
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📽
Outros tempos…
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A
This was a lighthearted and fun musical romance that doesn’t really have all that much to do with Easter sadly! It was easy to watch and had beautiful technicolor. This stars Fred Astaire and Judy Garland. They were both delightful and fun to watch dance. Love Judy’s voice as well. I do have to say though that they had negative chemistry. I think the film should have gone with alternate love interests that were suggested. The story isn’t complex. Basically…
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G
I do love Garland and Astaire together and I love a good musical. And it is good, although I was expecting more oomph I guess.
4 -
G
Love the music and dancing such a classic
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D
A wonderfully entertaining musical full of great song & dance routines but hampered by a weak plot and an unlikely romance between Fred Astaire and the much younger Judy Garland. Astaire and Garland put in excellent performances, as does co-star Ann Miller, but there is little chemistry between them and the romance feels strained and unconvincing. However, if you focus on the dance and music, there are some real corkers that help distract from the movie’s weak points. Worth watching for Astaire’s toy store sequence alone.
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Ssailingtotroy 5 月 24, 2026
i liked that all the women got what they wanted
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F
Kept thinking about racism x. Not rlly to do with the film I’m just woke asfff
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J
I was charmed, but i hate fred astaire so i wanted her to end up with the hotter, younger, “fella with the umbrella”
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K
There is something about old musical songs, I just love. But the plot was kinda boring for me so that was sad but the music slapped
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C
is it bad that i found it really attractive when fred astaire performed an entire dramatic musical routine in order to steal a toy from a child?
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C
Finally another movie I can save for Easter.
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S
A charming entry into the ‘theater people problems’ genre of movie musical.
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U
🎵 Put onnnnnnn your Easter Bonnetttttttt… 🎵 (Just campy enough)
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L
Very cute!
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M
um dos musicais mais bonitos visualmente que eu já vi, é aliás um dos filmes mais injustiçados que eu já vi.. porque tinha que ser um hit mesmo, pois com judy e fred nos papéis principais é sem dúvidas um exemplo de talento. consegui aproveitar muito mais das cores e das coreografias e números musicais do que o roteiro, que aliás achei bem fraco em comparação com os outros filmes de ambos os atores, mas tirando isso, filme MUITO lindo!!!
7 -
V
happy easter 🐣
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K
this story is fine, very pygmalion and nothing to write home about. what is incredible in this is the musical performances from judy garland and fred astaire. i think bc judy is such an incredible singer we forget that she can dance! she is keeping up with fred astaire in this!! i love watching movies where you can tell that the studios just had cash to fucking burn. it’s also apparently set in 1912 which like sure, but it’s fine…
1 -
K
similar to the sound of music ig i could say
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T
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I
hat, hat, and more hats. judy and fred okayyyy
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K
I admit to having a bias toward this film, as it’s a family favourite of mine passed through a few generations, but I genuinely believe that the film’s impact on audience expectations is just as significant as its influence on filmmakers. It helped normalise the idea that musical storytelling could be both light entertainment and emotionally sincere without contradiction. That dual expectation continues to shape how audiences respond to musicals today. The Astaire—Garland pairing is one of those casting decisions…
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C
Better green screen than nowadays
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S
My mind absolutely melts down when he is dancing in slow motion and the ensemble behind him is dancing in real time. 78 years later and that still feels inventive.
2 -
R
i have LOTS of critiques but we got judy garland and ann miller in the same movie so i’ll hold off for now
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H
It didn’t dawn on me until the first few minutes into this that I should have timed it to watch during the Easter weekend. Ah well… Garland and Astaire has great chemistry, but Miller really stands out when she shows off her dancing skills. Overall delightful songs (some vaguely familiar to me), a charming cast and fun dance moves … but when the singing and dancing stops your mind wanders off until the next musical number. 🔙 #1160: The Music Man (1962)
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Q
Parce qu’il faut voir au moins un film avec Fred Astaire pour comprendre ce qu’il incarnait dans son temps.
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R
邦題「イースター・パレード」。 ジーン・ケリーが撮影期間中に負傷したため、引退を撤回してアステアが復帰。ガーランドと夢の共演。 お土産にパグを渡してくる知人。手塩にかけたパートナーが独立してしまったアステアが次の相手に選んだのは酒場でダンサーをやっていたガーランド。 絶対にオーダーしてくれないレストランのギャルソンが先祖代々伝わるサラダの調理法について熱く説明するシーンだけでも見る価値あり。
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I
I knew this was good when my mom stopped grading her papers to watch it with my grandmother and I.
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M
That purple dress was disintegrating. White and red one that villainess wears is gorgeous
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I
Not much plot to follow, still pretty to look at. The musical numbers are softer, but very effective and will resonate. She’s All That for my grandparents’ generation. That other diva who dumped Fred?She ain’t all that. You know what though? Judy is THAT girl.
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B
Comes alive when the music and dance numbers arrive but a bit stale in-between.
1 -
B
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A
Lindo, lindo, lindo. Esses filmes antigos são tão bons, são tão tranquilos. Esse filme é perfeito: as músicas, os figurinos e os atores são ótimos.
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L
I was bewitched by the colors and the dancing and Irving Berlin’s songs even though I’m straight as hell
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P
i’m so sorry, but if i’m choosing between peter lawford and fred astaire OH no contest !! like, i’m being so serious when i say that decision would’ve been the easiest of my life, ESPECIALLY with the way johnny was written !! get me in there !! put me in !! I VOLUNTEER !! PLEASE
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E
The dancing and singing was so fun to watch, Judy Garland and Fred Astaire were wonderful, the outfits and clothing were magnificent, (especially Judy’s green dress!) and to top it off there was the most extra, flamboyant waiter ever. This movie was ever so charming!
1 -
B
a movie with garland and astaire, how could I hate it????
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S
Hobo Judy Garland ✅ Slow motion Fred Astaire ❌ The waiter’s salad pantomime ⭐️⭐️⭐️⭐️⭐️
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C
O final, como em muitos desses filmes, é apressado demais, porém que danças, e parece que a cada 10 minutos tinha um número novo. Somente alguém como o Fred Astaire pra fazer a parte em slow motion funcionar.
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C
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Cchampe barton 4 月 6, 2026
A feast for the eyes reminiscent of The Red Shoes, though not quite as much to savor. And a bit too long. But such detail and thought put into costuming and set decoration; I wish more movies today would forego realism to pursue this kind of heightened, technicolor extravagance. the dance numbers are exuberant, the story a little less so. something about the oversimplicity of love in these old movies just never lands for me.. also… ann miller kinda steeeaals…
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CConnorVeighey 4 月 5, 2026
One of 4 acceptable musicals. Great tunes, legendary dances, classic performances and I miss Judy Garland every day
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S
I love the wholesomeness and happy vibes a Golden Age film like, Easter Parade gives.
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EElla 4 月 5, 2026
I only really half watched this while crafting but it had a lot of amazing dance numbers and fun, but I’m pissed that she ended up with the wrong guy. I’m tired of old movies always making the endgame couple a douchebag man and a lovely woman, when the lovable sweet best friend is right there. Just because it feels like the main characters should end up together doesn’t mean they have to.
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M
Good music, nice Technicolor , very good movie for Easter
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B
The plot is well-worn, but that’s to be expected. Though Garland and Astaire are as charming as ever, the songs are mostly middling at best.
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M
The lack of plot is getting me
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R
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M
The amount of pure rage I felt when that man took that pink bow off his hat. IF YOU DONT COLOR COORDINATE WITH JUDY GARLAND RIGHT NOW ISTG.
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T
Not my favourite movie of Judy’s but still has very good dancing and music!
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M
Easter Parade is a delightful film while with dazzling musical number it lacks in lyrics but makes up for it with Astaire and Garland as a dynamic power duo! It’s an enjoyable Easter film nonetheless even if the plot is really hard to follow or grasp. 10/10.
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G
Único filme que Judy Garland e Fred Astaire estrelaram juntos, “Desfile de Páscoa” foi produzido por Arthur Freed e contou com músicas de Irving Berlin. Abrimos com “Happy Easter” e “Drum Crazy”, onde Don compra presentes pra sua namorada, Nadine (Ann Miller), e toca todos os tambores de uma loja. Em “It Only Happens When I Dance with You”, ele tenta convencê-la a não aceitar estrelar um musical sozinha e Nadine se apaixona por Johnny (Peter Lawford). Enquanto bebia, Don…
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A
judy judy judy
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F
This film has a marvellous coziness about it, and is eminently suitable for family traditions. It’s also got one or two crackerjack sequences, and if you love Garland, you’ll get your fill of her. Beyond that, this film feels like a testament to what the Freed Unit (which cranked out a legendary string of wildly successful musicals between the 1940s and 1960s) could achieve even with weak material. But I do want to talk about the weak material. Plotwise… well,…
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the hat shop number is still adorable and i spent way too much time looking at the dresses in the background. old musicals really understood that extras also deserved to look interesting. ⋆.˚ 🌼
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this is exactly the kind of movie i put on when i want absolutely no stress. pretty costumes, impossible sets and judy garland looking lovely in every color. very simple, very effective. ❀ ☁️
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Z
OSCAR 1949: Academy Award für Johnny GREEN und Roger EDENS
- Synopsis
- On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
- Director
- Charles Walters
- Writer
- Albert Hackett, Frances Goodrich, Sidney Sheldon, Guy Bolton
- Studio
- Metro-Goldwyn-Mayer
- Country
- USA
- Language
- English, French, Italian
- Year
- 1948
- Runtime
- 103 mins
- USA30 Jun 1948
- USA08 Jul 1948
- Brazil16 Aug 1948
- Sweden25 Oct 1948
- Denmark22 Apr 1949
- Netherlands08 Sep 1949
- Japan05 Feb 1950
- Finland12 May 1950
- Austria04 Jul 1950
- France22 Sep 1950
- Italy18 May 1951
- Netherlands13 Jul 2005
- Germany29 Mar 1970
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