Detroit 2017

影评 (96)

1. M

   matt lynch 2026年8月23日

   Strange days

   148
2. J

   Josh Lewis 2026年8月23日

   did not anticipate this being the liberal version of the michael bay benghazi movie but here we are

   322 13
3. T

   Todd Gaines 2026年8月23日

   Kathryn Bigelow’s Detroit works best when the focus is on the events at the Algiers Motel. In these scenes, Detroit becomes a horror movie, a home invasion thriller and survive the night story of pure Manson Family-esque holy terror. Will Poulter wins the Creep of 2017 award as one of the most unlikable characters in recent memory as the White Devil Redneck Racist Policeman. Poulter has to play his character this way, because the story will not have the same impact on the audience. After the tragic events at the motel unfold, Detroit gets lost in its own screenplay. There’s so many questions left unanswered. Especially, the why. Why did the inexcusable horrible tragical events at the motel really occur?…

   152 19
4. B

   Brian 2026年8月23日

   Ooof… Look, I’m really not the person to talk about the major issues of this film, so I’ll keep this brief (you can read what some smarter people wrote about it here, here, and here). Kathryn Bigelow is still a technically exceptional filmmaker who can make a damn gripping movie, but Mark Boal’s script depicts the whole situation as a horror film with almost no context of how it got to that point (yes the animation at the beginning helps a bit, but it is not enough). Worst of all, Detroit presents the situation in the motel as “these police officers are horrible” instead of “what happened to these people was horrible,” which is, I think, an important distinction. It…

   172 1
5. E

   Evan 2026年8月23日

   Detroit is one of the scariest films I’ve ever seen. This film reminded me of Funny Games and Passion of the Christ. Will Poulter’s character is more evil than Michael Myers, Jason, and Freddy Kruger. Fuck.

   631 11
6. M

   Mike D'Angelo 2026年8月23日

   42/100 Simulations of protracted violence are tough for me to endure. For one thing, I take zero pleasure in watching any creature suffer, no matter how strenuously the movie may work to incite bloodlust. (I can cheer a quick death, but not prolonged agony.) I also maintain— and this subject comes up so frequently that I should really write a lengthy essay about it at some point—that chronicling the torment of innocent, helpless victims is fundamentally anti-dramatic. In any case, torture porn: not my thing. Very occasionally, the ordeal will seem justifiable, perhaps because the victim is at least symbolically deserving (Audition), or because the violent act in question permanently ruptures cinematic spacetime in a way that just wouldn’t be…

   128 5
7. K

   Kevin Y 2026年8月23日

   It’s easy to try to do too much with a historical film. As a filmmaker, you might feel the need to cast a wide net over the events in question, going down a laundry list of important dates in an effort to do due diligence to history. I prefer the approach taken by Detroit, which zeroes in on the Algiers Motel and stays with it for over an hour. The film certainly provides context for the tensions that flare in that motel, opening the film with an excellent prologue that places you right in the heat of the Detroit riots. However, Bigelow’s concerns do not lie with the riots as a whole; rather, she and Boal are interested in how…

   222 13
8. S

   SilentDawn 2026年8月23日

   65 Senseless provocation, although more in the idea surrounding such brutality; not whether we should show these images, but questioning what they truly provide for audiences. The nation is long past utilizing re-creation for the sake of sensation. Nothing contained within Detroit’s two hours and twenty-three minute run-time provides any further introspection or advancement in depiction of racial tension. In the best way, Bigelow’s film reminds me of late-historical Spielberg joints akin to Amistad or Munich; portrayals caught between the flurry of feeling and the necessity of broader contextual coherence. You’d think with Bigelow behind the camera that the film wouldn’t begin with a strange animated educational re-cap regarding America’s deep-seated injustices and anxiety, but it does. You’d also think…

   191 4
9. R

   Rafael "Mister Movie" Jovine 2026年8月23日

   Action! – Female 4 Front: The Bigelow’s Kinetic Alphas And our journey and marathon conclude with a film I’ve been wanting to watch lately. A film with, to put it mildly, mixed reviews. When it was first released, many people were critical of it, while others loved it. And now that I’ve seen it, I can say that I understand both sides. Indeed, much of the style that Bigelow has been perfecting for nearly a decade is present. Again, with the handheld camera makes you feel like you’re right in the middle of the action, almost like a documentary. Will Poulter is outstanding as the story’s villain, owing to his coldness and wickedness, making it clear that underneath the lambent…

   135 7
10. K

    kmarus 2026年8月23日

    I’m from Detroit. I’ve lived in and around the city for the majority of my life. This movie has nothing to say about this city, the uprising of ’67 or, most damningly, what it’s like to be black in America. Detroit (the movie) is the cinematic equivalent of Ramsay Bolton from Game of Thrones: it luxuriates interminably in the depths of human depravity without ever arriving at a meaningful conclusion. Maybe the hopelessness I felt watching Detroit was intentional. It certainly doesn’t feel like we’ve made any progress in becoming a more empathetic and just society since ’67. Still, what’s the point? For a black audience member, I don’t see how there’s anything to be found here that with which…

    698 14
11. D

    davidehrlich 2026年8月23日

    Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of systemic racism as it is with its past. The years between now and then have made it impossible to isolate the two — names like Tamir Rice and Philando Castile have disallowed us from deluding ourselves into thinking what’s done is done. The more things change, the more they stay the same. Nevertheless, there’s something broadly instructive about a major director choosing this moment to make a movie about this episode in the fraught history of American race relations. With…

    178 2
12. A

    aghiasofia 2026年8月17日

    Bigelow è grande regista di guerra non solo nelle scene corali, ma anche nella rappresentazione di ciò che si agita nei singoli corpi e nelle singole coscienze nei contesti di guerra. Le riprese dei volti all’interno del motel dell’orrore sono intensissime. Bello e crudo.

13. R

    Riley 2026年8月16日

    All the actors did an amazing job, but well done Will Poulter. Seriously a stand out performance.

    1
14. C

    Chad Stavely 2026年8月15日

    Certainly not the strongest Bigelow outing. I’m not going to try and convince anyone that her films always have a lot of depth, but Detroit is about as surface level as it gets. The movie declares “racism is bad!” from start to finish. Not a bad thing, I just think there’s more nuance to this event that could have been explored. Performances are great throughout.

15. L

    leon 2026年8月15日

    all of this happened because of will pourter’s eyebrows

16. S

    Simen Khan 2026年8月14日

    Detroit er en film av den sorten som uansett hvor lang den er, så føles den lengre. Filmen er i all hovedsak tredelt og og andre akt føles dobbelt så lang ut som det den egentlig var. Ikke fordi den var kjedelig, men fordi den er kvalmende, frustrerende og vond. Jeg sitter her og stresser og irriterer meg om en annen. Eksepsjonell filmatisering av ufyseligheter. Er fåtall ganger (blant annet i det begredelige musikkvalget ved rulleteksten) faller Bigelow/Boal i fellen…

    2
17. J

    Juan Alexandre 2026年8月14日

    Cara como eu gosto dos filmes e da direção da Kathryn Bigelow!

    1
18. L

    Lou 2026年8月13日

    À bas l’État policier.

19. L

    LukasWienes 2026年8月12日

    Detroit fehlt über weite Teile leider einfach die Wut über das System, das diese Verbrechen zulässt. Bigelow-typisch ist der Film kompetent aufgezogen, doch er ist auch spürbar zu lang. Die erste halbe Stunde führt notdürftig Figuren ein, die nicht genug an Tiefe gewinnen, während die letzte Dreiviertelstunde sich irgendwo zwischen Gerichtsdrama und Musik-Biopic verliert, ohne den richtigen Absprung zu schaffen. Hier ist der Film funktional, doch eben nicht mitreißend oder frustrierend genug. Sein Herzstück ist die fast einstündige Sequenz im…

20. B

    bookslayer 2026年8月12日

    Disengaged after 30 mins. I’ve tried watching this film over the past month and just cannot get past the 35ish min mark. I don’t find the directing or storytelling compelling and don’t have the desire to watch more. I’m gonna finally call it quits and go onto her next film. Kathryn Bigelow Ranked

    6
21. Z

    Zach O 2026年8月12日

    1312

22. H

    hannah foley 2026年8月12日

    this was really disgusting.

    1
23. V

    vdCallum 2026年8月11日

    A brutal depiction of a terrible event that makes a fairly difficult watch due to how unrelenting it is

    1
24. M

    Michael Harter 2026年8月11日

    John Boyega ist der Uwe und auch dabei. Eindringlich. Heftige Themen und Situationen in denen man nie sein möchte. Wieder ein kleines Stück amerikanische Geschichte, das ich, zumindest diesen expliziten Vorfall, nicht auf dem Radar hatte. Der Cast ist durchweg gut, die Figuren haben Gravitas. Einzig wie oben genannt John Boyega ist halt auch da. Keine Ahnung warum, seine Figur spielt keine Rolle in den Ereignissen, ändert nichts an der ganzen Geschichte und er bekommt auch nichts zu tun. Lass…

25. M

    mcseanmc77 2026年8月10日

    underrated asf

26. K

    kauedantasz 2026年8月10日

    um pouco longo demais, mas muito bom

27. O

    oohblackdiamond 2026年8月9日

    It has its flaws, but I found this very effective. It got me. I’ll never watch it again.

28. J

    Jay Trotter 2026年8月8日

    I’ve heard people say this movie is a liberal’s wet dream. The liberals who pussed out on Defund The Police? Liberals still fly Blue Lives Matter flags when no one’s looking. But okay, personally, I think we need more movies like this. Movies that expose law enforcement for the sociopathic power-hungry murderous bitches that they are. Seeing an Oscar winning director portraying cops as out-of-control lunatic scum for an EXTENDED period of time with no sympathetic character reasoning whatsoever (which…

    1
29. K

    Kacey 😽 2026年8月8日

    Everything in the motel was terrifying. Every few minutes I was given a new reason to hold my breath in nervous anticipation. There’s truly nothing scarier than a white man on a power trip. I might have structured the story a little differently, since the third act lost quite a bit of steam, but it was mostly really strong with high tension all the way through.

30. K

    kwindz 2026年8月7日

    on ne ressort pas indemne de ce film qui compile à peu près tout ce qu’il y a de pire dans l’humanité: les US et la police. Mise en scène de fou, Kathryn bigelow est très forte pour nous immerger dans les tensions de la ville à l’époque, et les trois arcs narratifs s’enchainent parfaitement, on ne s’ennuie jamais et on en apprend pas mal sur les rouages d’un système qui pue

31. O

    odriscd2 2026年8月7日

    I always think Kathryn Bigelow movies are too long and too graphic and then remember she was married to James Cameron.

32. Y

    Yetcha 2026年8月6日

    J’attendais beaucoup de ce film, c’est quand même Bigelow!!! Au final, il faut avouer que je reste un peu sur ma faim. Je m’attendais à voir relatés plus d’événements et de “petites” histoires. Ici le choix a été fait d’aller à fond sur une histoire et c’est peut-être pour cela que j’en ressors “déçu”. Attention, le film est très bon, très bien réalisé, les acteurs sont excellents. La tension et la mise en avant de cette haine raciale déplacée, outrancière…

33. J

    Joaquín Stahlschmidt 2026年8月6日

    La secuencia del hotel es una muestra de CÓMO se debe filmar.

    1
34. V

    Vladimir 2026年8月5日

    Perturbant et impressionnant, Bigelow signe (encore!) un film majeur, qui cela dit, peut être discuté.

    1
35. E

    Ethan Long 2026年8月5日

    This is so fucking fucked yo man what the fuck 71/100

36. D

    Didier May 2026年8月4日

    229/365 Visto en Prime Video

37. N

    no1hpnerd 2026年8月4日

    I hated will poulters charater so much it made me wanna throw my phone away .this just shows how good of an actor he is. But seriously what happened to these people were horrible.. i have no words.

38. B

    beccabar 2026年8月3日

    ACAB forever and always

    1
39. Ꮳ

    Ꮳ¡ᏣᏓ𑄜ᥢ𐒢 2026年8月3日

    A cada segundo do filme aparecia um rosto conhecido Fodastico e boa visão

40. G

    GiovanniBruno 2026年8月2日

    A masterpiece that everyone should watch. The performances are terrifyingly good, the screenplay is flawless, and the direction is absolutely impeccable. A film that grabs you by the throat until the very last minute and leaves you speechless. Un capolavoro che tutti dovrebbero guardare. Gli attori sono paurosi, la sceneggiatura è perfetta e la regia assolutamente impeccabile. Un film che ti tiene per la gola fino alla fine e che ti lascia senza parole.

41. S

    shinilisi 2026年7月31日

    On sent la tenssion du debut a la fin, les acteurs sont tres bons

42. B

    benjapereira14 2026年7月31日

    Buenísima. Excelente recurso el cámara en mano y los zooms que meten. Tremenda historia también

43. S

    Shaiful Kashem 2026年7月31日

    A-

44. A

    Abrahão Souza 2026年7月31日

    Talvez o maior problema deste filme seja não saber a hora de terminar e ser bem prolixo no terceiro ato. Mas é fato que a forma como a Kathryn aborda a brutalidade em seus filmes é fascinante. É uma violência crua, sem estilização. Aqui, tudo relacionado ao segmento do hotel é sensacional. É tão visceral que em muitos trechos se torna um terror. Terror social no país onde o capitalismo deu certo.

45. G

    GyroBadillo02 2026年7月30日

    John Boyega el potencial que tienes como actor,star wars te quito muchas oportunidades. Pues no siempre las recreaciones son la respuesta ,cual fue el propósito de recrear algo como esto a detalle ? Morbo ? Pornografia de violencia ? Medio de mal gusto hay mejores formas de visualizar este tipo de temas pero como siempre la directora que justifico la tortura en el ejército cree que tiene las respuestas pero no,no veo la visión ni el propósito de la pelicula

46. G

    GiRabelo 2026年7月29日

    Filmão dirigido por Kathryn Bigelow (“A hora mais escura” e “Guerra ao terror”). Os abusos dos policiais da cidade contra a população negra geram revoltas e saques em 1967. Os fatos são reais e contados da forma cruel como verdadeiramente aconteceram, baseados em testemunhos e documentos históricos. Imperdível.

47. O

    oGabrielzin 2026年7月28日

    É simplesmente revoltante.

48. D

    Darth Rogue 2026年7月28日

    Revoltante demais! É a América do medo! É ver o passado sempre se repetir. E como sempre, Bigelow, a diva, arrasando!

49. ‮

    ‮سَيف‬ 2026年7月28日

    هواي دورت افلام عن اعمال الشغب الي صارت بلستينات مالكيت ولا شفت واحد احلا من هاذ من قصه واحداث وشخصيات ونهايه للعلم القصه حقيقيه لهاذ سبب طلع فلم بهل جوده

50. T

    tripletthreat 2026年7月28日

    Historical adaptation horror film. As you’re watching it’s absolutely gripping and shocking. Then you read some discourse and it becomes questionable and criticized for not being thought provoking. I didn’t know the story before; so for purely learning about this awful event…it sufficed. The murder porn/Game Of Thrones aspect of this movie is so well done you almost want to forgive it.

51. T

    TembokCina 2026年7月28日

    wah sih parah banget pengadilan di Amerika, better call saul

52. R

    Rogi 2026年7月28日

    …

53. R

    Rinflos 2026年7月26日

    No le muestren esta pelicula a Samuel Jackson que le va a dar un bobazo.

54. P

    pieczarka09 2026年7月26日

    Ostre gówno

    1
55. A

    Alorates 2026年7月26日

    “just survive the night” fuck man

    1
56. R

    Rudaaa 2026年7月25日

    O filme tem falhas, a principal delas talvez seja faltar sensibilidade em algumas cenas pra passar a mensagem em nuances, sem precisar escancarar o que quer ser dito na tela, há também alguns personagens caricatos de mais, que com um leve esforço em retratar seu lado humano, que talvez demorando um pouco mais para tomar decisões tão drásticas, ou sentindo mais os impactos dessas decisões, poderiam se tornar um pouco mais palatáveis, mas que sem isso, acabam virando um retrato…

    1
57. A

    Andy Classic Movies 2026年7月25日

    Why is everything so violent? -Kaitlyn, you did agree to an R-rated docudrama about the 1967 Detroit Riots. It’s not Last Man Standing, y’know? Did you ever hear the tale of the Battle of Algeirs? No, not that 60s art house piece you see at Barnes and Noble and in One Battle After Another. I mean 59 years ago, Detroit, Michigan, United States of America. I’m not one to pick up Blu-Rays of anything pertaining to Megan Ellison, but since…

    1
58. 0

    0094 2026年7月23日

    I might’ve missed the point, but why didn’t they just say where the gun was and who the shooter was???

59. Z

    zacharakis 2026年7月22日

    (🏠). Griping, horrific movie. You feel the full rush of that night.

60. N

    nigel 2026年7月20日

    because wolves disguised as sheep patrol their streets

    1
61. M

    mike_muldoon 2026年7月19日

    Don’t know how true the story is because Kathryn Bigelow is a propagandist but it shows cop being absolute psychos so in imagine it’s not far off

62. L

    Luana Bueno 2026年7月19日

    as vezes a gente precisa parar de dançar o quadradinho de 8 e pensar um pouquinho (assisti esse logo depois de assistir magic mike)

63. A

    awatif_08 2026年7月18日

    This is so disappointing idk how

64. M

    may 2026年7月18日

    polisi sialan

65. G

    Gabriel García 2026年7月18日

    Tiene detalles de ritmo, pero definitivamente un tema importante, nada ha cambiado. Cada acto pudiera ser un episodio de una serie, tal vez debió ser contado de esa manera.

66. L

    Louise Do Canto 2026年7月18日

    I just finished Hannah Murray’s memoir and felt the need to rewatch this and almost immediately remembered how devastating it is. Incredible acting. Harrowing story.

67. M

    Machiaveleuh 2026年7月18日

    Redondant, lourd dans sa narration malgré un propos plus qu’intéressant.

68. R

    Ruvs Kyniu 2026年7月17日

    -El mejor papel de la carrera de Boyega -un historia intolerable pero se sobrevive gracias a la direccion de Bigelow -aun asi su espesor puede sofocar

69. A

    Aaron Diaz 2026年7月16日

    I recommend watching it during daytime so you don’t go to bed all mad.

70. J

    Joalaff Oliveira 2026年7月16日

    .

71. R

    Roberto Camara 2026年7月16日

    eu entendo as razões de esticar o terror no hotel por mais de 1 hora. o interesse é claro de provocar desconforto em pessoas brancas por fazê-las se depararem com uma violência obscena, tendo que lidar com ela durante um bom tempo. é escruciante, sem dúvidas. mas meu problema com Detroit é que eu não acho que a Bigelow achou o tom correto de evitar que esse objetivo de desconforto se tornasse uma exploração da violência à pessoas negras. são…

72. V

    Val 2026年7月16日

    Brilliant acting, crazy cases like this are not talked enough within the Civil Rights movement. Acting was so good from Will he had me hating him in a way I did no think possible

73. M

    matecarp 2026年7月14日

    técnicamente es un documental igual che entretenida pero largueli

74. C

    chuan12345 2026年7月14日

    iseng nyari dan ni seru beut, intense nya dapet

75. A

    AgusDamia. 2026年7月13日

    Larga como sorete de víbora, densa como pedo de gordo y oscura como los dramatics. Fuera del chiste muy buen thriller policial de Bigelow, sinceramente una señora muy infravalorada cada una de sus películas son espléndidas.

76. L

    Luigie Mena 2026年7月13日

    “I’m just gonna assume you’re all criminals.” It’s a surprisingly impactful and energetic powderkeg of a film. There’s something great about the sets and locations, with their dirty, ugly, boring authenticity. Tied to this is the great minor cast, with the yellow teeth, and the plain faces; the sort of ordinariness of them all, that goes along with Boal’s elegantly simple script where it feels anything can happen at any time. Boyega is dynamite, his raw, bare constraint as an…

77. T

    Tobi 2026年7月12日

    bro expected my man to sing as if he wasn’t pleading for his life 2 days ago while being beaten and threatened to death

78. G

    guicmartins 2026年7月12日

    Totalmente sem tom…filme angustiante

79. K

    kom_vechte 2026年7月12日

    hele weg naar huis niet kunnen stoppen met huilen

80. T

    Thyrenios 2026年7月11日

    Basically historic misery porn. There is absolutely value in that but I am not sure if I am even the right audience for that. It’s just horrible to watch and I am not taking any new or valuable lesson with me when the credits roll. Great performances though – that ‘lying in your face about being oblivious to what cruel things I enjoy doing’ racism of Will Poulter is honestly scarily well presented. The whole look is amazing as well, I am sucker for a nice period piece of the 20th century. The cars, the clothes, the buildings.

81. L

    Lucas Tchaikovsky 2026年7月11日

    pesado vey

82. C

    ColumGadao 2026年7月3日

    Watched for Jack Reynor, then stayed Will Poulter is a really convincing racist scumbag

83. M

    Marion 2026年4月12日

    Was uncomfortable the whole movie but that was the point anyway. Everyone did amazing.

84. V

    Vincent727 2025年10月26日

    🖥️这可能是我看过的最hopeless的电影了。为何这世界总会发生这样的不公。我不相信佛祖安拉上帝能够保佑好人。我只能希望真的有恶魔存在，能够给那些恶人应有的惩戒。

85. 🌸

    🌸 Frin 🌸 2025年9月3日

    تنش در صحنه‌های بازجویی در هتل به قدری زیاد بود که نفسم در سینه حبس شده بود. فیلم با بی‌رحمی تمام، وحشت و بی‌عدالتی یک شب طولانی را به تصویر می‌کشد. واقع‌گرایی فیلم‌برداری باعث می‌شد حس کنم خودم هم در آن طبقه گیر افتاده‌ام. نگاهی بسیار خشم‌آلود و ضروری به فصلی تاریک از تاریخ که دردش هنوز هم حس می‌شود.

86. M

    Mist 🌬️ 2022年3月25日

    An incredibly intense and often very claustrophobic experience that made me feel completely trapped right along with the characters. I loved the grounded atmosphere and the overall sense of injustice and fear that was captured throughout the whole story. It was powerful and direct.

87. T

    Tenma ☕︎ 2021年10月16日

    実際の暴動事件を再現したドラマで、緊張感がずっと途切れない作りになっている。理不尽な暴力の描写は正直きつくて、観るのに覚悟がいる作品だった。 演技陣は全員迫真の演技で、閉塞感のある空間の演出も上手い。エンタメとして楽しむというより、歴史の暗部と向き合うための映画という感じ。重いけど目を逸らしてはいけない内容だと思う。

88. A

    Azabu 🏌🏻 2021年8月12日

    An incredibly intense and often very claustrophobic experience that made me feel completely trapped right along with the characters throughout the story. I loved the grounded atmosphere and the overall sense of injustice and fear that was captured in every single scene. It was a very powerful and direct Bit of filmmaking that I found effective.

89. B

    Bruno Andrade 2020年5月7日

    ‘L’AmeriKano’ (‘state of siege’) offers us yet another opportunity to explain (and better understand) why we oppose bad films—and, above all, why we oppose bad “left-wing” films; to reflect on certain seemingly purely statistical data—namely, a sort of “regularity” whereby a bad film is linked to mechanisms of “authoritarian” expression (tending, that is, to leave no critical space for the viewer), and on the “regularity” with which a bad film presents itself, in terms of meaning (or “content”), as marked…

    51 10
90. ˚

    ˚ ༘♡ ⋆｡˚ Kim Borah ˚ ༘♡ ⋆｡˚ 2020年5月2日

    사랑해서 시작했지만 서로를 가장 아프게 할 수밖에 없는 관계의 그 지독한 모순을 너무나도 사실적으로 그려냈네요. 좁은 거실에서 터져 나오는 그 격렬한 말다툼 장면은 배우들의 숨소리 하나까지도 연기가 아닌 진짜 고통처럼 느껴져 가슴이 찢어질 것 같았습니다. 미움과 원망 밑에 여전히 깔려 있는 그 애틋한 배려의 흔적들이 이 이별을 더욱 슬프게 만들더라고요. 신발 끈을 묶어주는 그 마지막 뒷모습에서 사랑의 형태가 바뀌었을 뿐 진심은 여전하다는 걸 깨닫게 된 참으로 시린 시간이었습니다.

91. M

    Manu Castro 2019年3月1日

    Polvorín social. No te pierdas la reseña completa en La Sala Oscura

92. C

    Carl Patterson 2018年4月15日

    These kinds of films are always more traumatic because you know that they were at least based on true events. It did seem really long at 2 hours 20 minutes. I’m sure it could have been cut down slightly. But as soon as the police and the army enter the Algiers Motel it starts to move the story along.

93. L

    Lu34s 2017年10月20日

    Véritable uppercut, Bigelow nous immerge avec un réaliste certain au cœur de ces émeutes, soulevant une zone d’ombre de l’histoire des USA.

94. I

    Isa_line 2017年9月29日

    bigelow est vrmt multipotente lol

95. T

    The Brighton Film Club 2017年8月28日

    It seems premature to start talking up potential Oscar winners for next year but Kathryn Bigelow’s Detroit is bound to be in the running for the prestigious prize. Bigelow is not a Director to do things by halves, picking weighty political subjects and taking her time to unspool and dissect the background, action and resolution to these stories that may only be known to the casual viewer as news headlines. Her documentarian lens and eye for a set piece makes…

96. J

    Jeremy Jahns 2017年7月31日

    Rating: Worth Buying on Blu-Ray Review: http://www.youtube.com/watch?v=dGz8WrQPcfo