48 Hrs. 1982

影评 (15)

1. T

   Todd Gaines 2026年8月23日

   The cop and the convict, that’s the relationship explored in Walter Hill’s 48 Hrs. Nick Nolte mumbles. Eddie Murphy laughs with hysteria. They make one the most enjoyable “buddy cop” pairs in cinematic history. Nolte might use some colorful language, but he’s only playing the part of the tough cop. I believe his character has a good heart, and I adore how Nolte & Murphy’s relationship develops throughout the film. In the end, you can’t help but smile. James Remar and Sonny Landham are so good at being bad. I wanted more scenes with the baddies. As much as I praise Mr Landham for his role as Billy Sole in Predator, I believe his turn as Billy Bear is the highlight…

   234 18
2. C

   Ceez 2026年8月23日

   Holy shit this movie is racist. Like super racist. All that being said, Eddie shrugs it off and gives a star making performance.

   144
3. T

   theo 2026年8月23日

   literally all of eddie murphy’s dialogue in this movie is him complaining about being horny

   168
4. M

   matt lynch 2026年8月23日

   A constant, raucous, irresistible vibe in a movie in which there is not much action, materially very little actually transpires, and the villain barely appears.

   411 1
5. E

   Ethan Colburn 2026年8月23日

   Eddie Murphy taking charge in the confederate bar is an all-time heat check.

   906 5
6. W

   Will Sloan 2026年8月23日

   Eddie Murphy in the redneck bar… a star is born. This movie twice plays a song called “The Boys Are Back in Town” that is not the Thin Lizzy song.

   340 2
7. J

   Josh Lewis 2026年8月23日

   Walter Hill once again teams up with uber-producers Joel Silver and Lawrence Gordon for one of the biggest commercial hits of his career and inadvertently invents what we now know as the decade plus box office dominating genre of macho 80s “buddy cop” film. Originally conceived as a 70s-style San Francisco neo-noir for Eastwood (with a possible pairing of he and Richard Pryor), this eventually landed in the hands Nick Nolte as the rough blond-haired Dirty Harry style cop Jack Cates and then 20-year-old SNL star Eddie Murphy who makes his astonishingly charismatic big screen debut as the smart-ass, fast-talking, sexually frustrated career criminal Reggie Hammond who Cates paroles and partners up with for a “long fucking night” of driving…

   198 1
8. T

   Timcop 2026年8月23日

   Sample dialogue- Eddie Murphy: “We have to find Luther and get my money.” Nick Nolte: “Oh Christ, I ::unintelligible::….goddammit.” Eddie Murphy: “Hey man, I don’t want to go back to jail.” Nick Nolte: “Aw hell, grab me a frazzlgadsfd ::incoherent grizzled mumbling::”

   187 1
9. C

   Cinemonster 2026年8月23日

   Director Walter Hill is primarily know for three things: 1) action 2) an active camera and 3) testosterone. No film of his plays up all three and balances them quite like 48hrs. Add to that the comic powerhouse that is Eddie Murphy’s film debut with an equal foil that is Nick Nolte’s lone wolf cop and you get a high-octane and energetic neo-buddy-cop film that delivers from the amazing Hill-centric cast to James Horner’s fantastic score. The Roger Spottiswoode/Walter Hill story of a cop that has 48 hours to use a convict to solve a prison escape hits the ground running. Hill’s film starts it’s action thrust from minute one. Scenes are kinetic, the narrative moves and we get just…

   133 13
10. R

    Rafael "Mister Movie" Jovine 2026年8月23日

    Action! – The Unlikely Rumble: Hill v Hyams So, like I said at the beginning, prepare for some offsets in this fight. Although Hill still has the lead, Hyams is no longer playing games and is gaining ground. And, while I understand why many people enjoy it and see it as a genre classic, there’s something about it that prevents me from connecting in the same way that others do. The now-famous bar scene is enjoyable, but I’m not sure what all the fuss is about. Having said that, I liked it more this time, especially the interplay between our two protagonists and the action. Walter Hill has definitely learnt a thing or two from his early work, and much…

    179 12
11. T

    theriverjordan 2026年8月23日

    The original 80s buddy cop film; Walter Hill’s “48 Hrs” started the genre off with equal portions of comedy and rage. Before Eddie Murphy landed in a mire of derivative projects that appropriated his blackness for humor more than for social commentary — there was “48 Hrs.” Director Walter Hill doesn’t go for the cheap race gag that instead turns racist. Murphy commands the film by wielding words – and the occasional action – like a hammer against all small-minded bigots. It’s not a question of whether he will get one over on all the guys. He has always been flying in the air — ten feet above their heads. “48 Hrs” casts Murphy as a convict on loan to…

    214 34
12. B

    braden 2026年8月23日

    “I want y’all to know something – there’s a new sheriff in town, and his name is Reggie Hammond” 48 Hrs. is a lifeless comedy-action cop movie that fails to deliver in either category. Eddie Murphy is the sole highlight of the film, but isn’t introduced until nearly half an hour into the 90 minute runtime and is given minimal opportunity to use his comedic talents. The racism is also really uncomfortable at points, even in the movie’s context. Nick Nolte’s character; a white cop, uses the n-word and other slurs repeatedly, and although the character is supposed to be racist he never really learns or develops enough that it feels resolved, leaving the lead role feeling super unlikable and, regardless of the filmmakers’ intention, just feels kind of hateful. Compared to similar movies it isn’t especially boring, but it’s directed fairly poorly and leaves a lot to be desired.

    158
13. A

    Andre Gonzales 2023年8月21日

    Back to the old school. Love this movie. This is when cop movies started to have some comedy in it.

14. J

    JPV852 2021年7月2日

    Entertaining buddy action-comedy that features a good antagonistic relationship between Nolte and Murphy. The plot isn’t the strongest but the action/fight scenes were alright. **3.25/5**

15. J

    John Chard 2019年4月22日

    You switch from an armed robber to a pimp, you’re all set.

    A hard as nails cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down an escaped convict cop killer.

    The mismatched buddy buddy formula exploded onto the screen here in a ball of violence, profanity and pin sharp one liners. It also launched Eddie Murphy into 1980s stardom. Directed by Walter Hill and starring Nick Nolte alongside Murphy as part of an electrifying black and white double act, it’s unrelenting in pace and bad attitude. It could have been so different though, with the likes of Stallone, Reynolds, Pryor and Hines attached at various times for lead parts, it now is written in folklore that Murphy got the break and grasped it with both hands (he was actually fired at one point mind!). Thankfully the problems behind the scenes were resolved to give us a classic of its type.

    A big success for Paramount it paved the way for more choice same formula pictures in the decade, but few were able to be so course and daring with the racial divide explosions. Murphy is outstanding, quick as an A.K. 47 in vocal delivery and with visual comedic ticks in full effect, he plays off of the also excellent gruff rough and tough Nolte superbly. Unsurprisingly the plot trajectory is simple enough, but such is the writing and performances (James Remar, Sonny Landham and David Patrick Kelly in support) it’s one hell of a live wire ride from start to finish.

    In amongst the verbal and action carnage you find plenty of 80s pop culture, with a blunderbuss sound track and a score from James Horner that pings around the Los Angeles locales (he would rework it for Arnie starrer Commando in 1985). This points to a time where now it is perceived as being tactless and a relic, and yet it instils realism as it captures the zeitgeist of the era. So not one for the easily offended then, but for nostalgics and those interested in the expansion of the action comedy formula, then this is a must see that still delivers high octane entertainment. 8/10