Synopsis
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Reviews (168)
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H
In the wake of American Sniper, I thought it would be prudent to reaffirm that Eastwood can do neutrality. I passionately consider Letters from Iwo Jima to be one of the best war films of all time; with the refreshing viewpoint and heart-rending sensitivity being the tip of the iceberg. It is intrinsically even-handed, movingly reasserting the notion that the enemies are not the foot-soldiers but the puppets masters who, out of nobility or vanity, expect their beliefs to be willfully encompassed by innocents. All this thought-provoking pathos and profundity is heavily diluted in American Sniper. It’s there, but it is astronomically inferior to Eastwood’s magnum opus of great spirit and egalitarianism. Letters From Iwo Jima is more important now then ever, it seems.
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G
It was better than its companion film, mostly because it lacks the preachy American ethos and much better character studies. The focus is solely on the island, through the preparation of their defence, and their ultimate loss. Decent action, great performances, but the pacing was a little off, dragged in the second half. Clint Eastwood ranked
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N
That feel when war is bad and it also happens to be the one and only constant in human history
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C
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F
They were expendable. Cinema and its paradoxes, a movie in which death hangs over everything, but whose ghosts in action are bound to forever endure.
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KKiyoshiKurosawa 8 月 23, 2026
I think the greatest characteristic of Clint Eastwood’s films is that they revive the highly developed “form“ of early Hollywood cinema (say, from the 1940s) without ever relying on nostalgic elements. His talent is his firm conviction that cinema is storytelling as well as his confidence that with any story, however he tells it, he can capture the heart of the audience. As a result, he has continually tackled various types of stories, and never tells the same story twice. Also, despite his avoidance of any superficial novelty, oddly enough, his films look like no other before it. Therefore, his films always feel like something entirely new beyond just the mere level of storytelling. I would say that right now…
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D
Letters from Iwo Jima is instinctively my favourite Clint Eastwood directed film. It’s certainly the most evocative. It improves upon every aspect of Flags of Our Fathers, taking the most profound elements and expanding them, whilst having fewer annoyances to let things down. It lacks subtly and is too melodramatic and expositional to be a perfect film, but Letters from Iwo Jima is a masterful piece of cinema. The film opens with a reminder that this is a film of the dead and the deserted, it instantly imbues a sense of history. The skies are constantly grey and the film quickly becomes a colourless haze. No one wins in war, so it is often only films about those on the…
81 2 -
L
waited for the right time. Clint’s best of the 21st century. was hoping it would mean the world to me which is why I saved it for so long, but it hit even harder than I expected. have never seen a film shot in colour look so devoid of it. witnessing the ghosts’ stories takes a toll. have no words for how emotional this is really.
215 1 -
C
one of the great war films precisely because it refuses to reduce its conflict to a couple of cheap action setpieces — the battle for iwo jima was slow, grueling, protracted, and clint knows to spend that time on the human beings instead of the bullets — i think it’s really telling that this is among the few american WW2 pictures that portrays war crimes without narratively justifying them as ‘necessary evils’. every death here is unnecessary, contingent, and lamentable — regardless of nation or ideology, clint wants us to see all shades of the war, both the insanity and dignity.
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F
Haunted caves and the forgotten men who still inhabit them. A slow march of doom that radicalizes the Fuller idea that there’s no heroism even in surviving by just postponing death a while longer. An achievement of place, the island as this large symbolic grave at same time very empty and resonant. The film is spare, minimal, very physical, yet packed with mythmaking particularly when it comes to the idea of defeat (Shigehiko Hasumi once compared Watanabe’s character to a confederate official out of a Ford western). It has two clear modes: one tactile recognizing of approaching death, another larger design when devotion to country is equated with same (and it is worth remembering both Eastwood’s Iwo Jima movies are very much Iraq war movies). It also fulfills Eastwood’s career long desire of making a film that is just ghosts and it does so admirably.
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T
Clint took Spielberg’s money, tricked him and the audience into thinking he was making a Saving Private Ryan-esque No-man-left-behind O-say-can-you-see (literal) flag-waving propaganda piece, used 90% of it and made an anti-propaganda movie that criticizes all those things, and used the remaining 10% to make a personal, sorrowful, deeply moving character study on the Japanese “invaders” whom were simply young men forced to leave their families behind to die for people who believed they were doing what was right; just like us. All in the tender year of 2006. Clint has a bigger set of balls than literally any director alive.
1,128 27 -
H
Letters from Iwo Jima begins in a state of solemn reflection. An examination of the brutality once exchanged at this iconic island. The remains of the battle are flipped through sombrely and in no time we are thrust back to their origins — 1945, right in the thick of the coal-black soil. This particular battle has been explored before, but what makes Letters from Iwo Jima distinctive is its perspective and the films affiliation with it. The Japanese soldiers aren’t relative, but absolute. They aren’t hidden in the shadows like most war epics, but brought to light and sympathetically investigated in depth. From the coarse beaches of 1945 to the remains of present day, Letters from Iwo Jima remembers this…
265 10 -
O
Director Clint Eastwood does the unthinkable here for a Hollywood movie and films the Japanese perspective of the battle of Iwo Jima with an all Japanese cast speaking in Japanese. And it’s all the better for it giving it the authenticity it needs.
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J
No te cambia la vida pero está bastante bien.
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R
extremely grounded and characters that feel real. pacing is somewhat of a slog but I suppose that may be the point considering history if Iwo Jima. Solid war film.
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S
Un film di guerra atipico, che la racconta dal punto di vista di quelli che normalmente fanno i cattivi (i giapponesi), con un ottimo Ken Watanabe.
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E
esperaba más…
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Sstolenpeaches2 8 月 21, 2026
Much better than Flags of our Fathers. I still wouldn’t call this a perfect movie, but what this is going for continues to be important. These films are a great example of war movies actually being able to be anti-war movies.
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L
Mais uma vez Clint Eastwood imprimindo a fantasmagoria na própria imagem, dai, diferentemente de ‘Hereafter’, esse filme esmirila a história com um apelo ao real que impele esses fantasmas não pro futuro, mas de volta ao passado. O que quer que isso signifique.
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O
Dingo dingue…
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Y
Not a cheery one
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R
Très bon film de guerre et le fait que nous regardons le film sous le point de vu des japonais est très pertinent. Toutefois j’ai vu le film en VF (pardonne moi rege)
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N
me sorprendio
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M
As cartas que mudaram vidas
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P
Evidentemente el mensaje es todo lo bueno y antibelicista que podría ser, pero la película como tal es tremendamente aburrida y gris, literalmente. Muestra la crueldad y el “fuego amigo” de la guerra con una frialdad que es lo mejor de la película, pero sus momentos de grandeza moral y resignación patriótica se pierden en una duración prolongada, repleta de detalles que finalmente no acaban sumando a la trama y personajes que solo acarician la superficie de todo lo interesantes que podrían ser, como el general protagonista. Así que bien, pero tardaré alguna década en volver a verla.
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H
Always heard about this but never pulled the trigger and watched it. Glad I finally did. Breath of fresh air having a ww2 film from a Japanese perspective.
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Aarturvilhena 8 月 20, 2026
Pesado. Bom ter uma perspectiva do outro lado
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J
Obviously, the better, more mature of the duology. All respect to Eastwood.
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D
Boomer WW2 slop
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M
Letters from Iwo Jima فیلمنامهٔ Letters from Iwo Jima برای من نسبت به Flags of Our Fathers بسیار موفقتر است، مخصوصاً در شخصیتپردازی. شخصیت ژنرال کوروبایاشی و سایگو از شخصیتهای قابلتوجه فیلم هستند و نسبت به بسیاری از شخصیتهای فیلم قبلی، انسانیتر و باورپذیرتر نوشته شدهاند. البته شخصیتهای فرعی همچنان بیشتر تیپ هستند تا شخصیتهایی عمیق و چندلایه و بعضی از دیالوگهای سربازها هم برای من چندان جذاب نبودند. بنابراین شخصیتپردازی فیلم عالی نیست، اما نسبت به Flags of Our…
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C
The constant american cock glazing through the film is crazy but still a beautiful movie militarisation it’s actually peak japs used to be cool
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NNathaniel Fast 8 月 19, 2026
A great story showing both the best and worst of humanity in war
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J
Amo las movies de guerra, JAPOOOON
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C
U Klinta velika muda
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A
Súbanle el brillo a eso
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P
“This is still Japan.” Clint é sensível, inteligente e corajoso o suficiente não só por fazer um filme hollywoodiano sobre a Segunda Guerra na perspectiva dos japoneses, mas principalmente por não centralizar esse filme no ato da guerra em si, e sim, nos seres humanos que infelizmente participaram desse ato. Incrível e de partir o coração.
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L
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D
a cena dele lendo a carta do americano pra eles é absurda
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1
BAAANZAI
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C
Eastwood makes a bad habit of slow pacing. The colour filter on this hurt my eyes.
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G
Didn’t understand a single word.
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S
영화를 볼 때 사회적 배경 혹은 특정 문화에 대해 영화라는 매체가 지니고 있는 형식에 대해 마지막으로 영화속 주인공에 대한 편견을 가지고 본다. 이 영화는 이야기한 3가지 편견을 모두 부수려 한다. 앞선 2가지는 꽤 익숙하다고 느껴지지만 마지막 경우만큼은 영화를 이해하고 몰입하게 만드는 더 중요한 역할이기에 종종 잘못된 시도가 영화를 난해하게 만든다고 생각하는데 여기서만큼은 그런 어색함을 느끼지 못했다. 영화 속 미군 혹은 일본군이나 특정 장교 또는 병사를 보면서 그들을 독단적이거나 계산적인 사람 혹은 선과 악의 편으로 갈라놓게 되면 이 영화는 그것을 금세…
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Y
Un superbe film sur la bétise de la guerre. Il montre un fois de plus que les hommes sont les mêmes partout et cet abord aussi juste par le côté japonais est inédit de la part d’un réalisateur autre qu’asiatique. Encore bravo à monsieur Clint qui nous sert là le second volet de son dyptique plus orienté sur les combats que le premier mais aussi plus cru et dur. Le bushido (la voie du samouraï) est très présent et l’embrigademment, la
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Y
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T
Énorme coup de cœur. Je ne pensais pas que Clint Eastwood était capable de ça, c’est magnifique, un chef d’œuvre très touchant.
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J
Es muy difícil hacer que una película de un conflicto bélico no me guste, pero esta lo logro, para ser unas de las batallas mas sangrientas de la segunda guerra mundial tiene muy pocas escenas de acción, si bien el mensaje de la película es humanizar a los soldados japoneses dando a entender que la mayoría eran trabajadores o campesinos sin ningún tipo de odio alguno que los mandaron a matarse, creo que la película lo hace de manera lenta y aburrida lo cual hace que el film se haga totalmente largo
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C
Fascinante, uno queda petrificado con lo que era el lado japonés durante la segunda guerra mundial, lideres que estaba dispuesta a mandar a sus hombres a la guerra con el mensaje de que no volverán jamás, ya que deberan morir por su patria. Una batalla que representó uno de los ultimos suspiros de los japoneses por dar pelea.
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K
Christopher Nolan could never.
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T
Increíble nose q decir
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M
Um bom retrato da linha defensiva do império japonês na II Guerra Mundial alimentado por um patriotismo exacerbado irracional colocado na sua população de forma mecânica. O filme faz um bom trabalho a não romantizar a guerra demonstrando a escassez de recursos e uma moral desalentada suportada por uma ideia de sacrifício e suicídio honroso por parte japonesa.
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A
Increíble actuación, la verdad que sorprende gratamente y tiene una duración increíble
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P
hermano quepeliculon me ha encantado todo el como todo se ve súper gris que desesperación buah en el momento en el que una de las cuevas está por perderse y pasa eso bua no se todo
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S
Gosto de como o filme trata de dimensões mais pessoais envolvendo a guerra, isso revela outro lado mais traumático desse tipo de evento. Gosto de como o filme trabalha com as cores.
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P
Absolute Cinema.
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D
One of the best representations of the nonsensical disorder & moral challenges that soldiers face in war. The bleak imagery & gut-wrenching screenplay really drive home the thematic elements this movie is going for.
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Y
Cuando la mayoría de las personas piensan en Iwo Jima, no saben ubicarla en el mapa o piensan en la icónica fotografía de los soldados americanos levantando la bandera homónima sobre el monte Suribachi. No piensan en jovenes desesperados y atrapados en una isla casi desierta mientras esperan a una muerte casi segura, sufriendo silenciosamente por el deseo de regresar a casa y ver a sus familias. Generalmente cuando se habla del frente del pacífico de la segunda guerra mundial…
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C
Wow… very powerful movie
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G
Letters from Iwo Jima es una película sobre hombres que ya están viviendo como muertos. Desde que llegan a la isla, la guerra se siente una espera inevitable. Las cuevas, el aislamiento y ese paisaje volcánico casi desprovisto de vida convierten a Iwo Jima en una suerte de prisión de la que no existe salida, donde cada día simplemente se acerca un poco más el final. Clint retrata la guerra con poca épica y casi ningún espacio para el heroísmo…
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C
Clint Eastwood really wowed me here. It’s always impressive to me when directors create movies in a langue foreign to them. And to successful create one of the best anti war movies ever is even more impressive. Surprising amount of empathy for the common Japanese person here.
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C
Muy buena película bélica. Un enfoque menos americanizado de la guerra del Pacífico. La imagen, la música y los diálogos están cuidadosamente escogidos.
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MMorgan 8 月 16, 2026
I finished Flags of Our Fathers, and said, “They say the other one is even better?” It didn’t take long to put in the Blu-Ray. My heart is with Flags. But this, no doubt, is the better movie. A powerful and harrowing experience – I don’t use that word lightly, either. A testament to Clint’s capabilities as a director. I cannot believe I put off these two as long as I did. I loved both of them.
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J
Listonosz mial duzo roboty po tym filmie
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E
“Do what is right because it is right” Como película de guerra, hace una de las representaciones mas auténticas sobre la batalla de Iwo Jima y el teatro del pacífico, aunque la trama sea ficticia gran parte de lo que ocurre fue real solo que bajo otros nombres y caras.
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A
The goats of killing themselves
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N
充满人性的“好”士兵保卫田园牧歌般的家园，一切的错都是邪恶的帝国总部，但就是这些所谓的个人伟大的献身精神构成了军国主义。
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J
When ur trying to defend the island but your soldiers keep killing themselves
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L
Un film poignant sur la seconde guerre mondiale vue par les japonais
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J
Ein japanischer Anti-Kriegsfilm, gedreht und produziert von einem der bekanntesten amerikanischen und conservative Regisseuren seiner Zeit, der im selben Jahr einen amerikanischen Anti-Kriegsfilm über amerikanische Propaganda gemacht hat, und das 5 Jahre nach 9/11? Kannst du dir nicht ausdenken.
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A
De las mejores peliculas belicas que he visto
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S
Mr Clint
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D
Reflexiva
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M
C’est épique parce que l’île a aucune valeur sinon ça serait le film d’un échec
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S
Great and emotional
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B
non so come mi sento a riguardo un po’ mi stavano sulle palle un po’ volevo piangere
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J
Breathtaking movie, and easily Clint’s best work from the 21st century
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N
what a heartbreaking movie
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L
Necesitamos más directores como Clint Eastwood o Mel Gibson, capaces de que les aprueben presupuestos gringos a películas básicamente foráneas-y de paso que no sean MAGA-. Honestamente no me emocionó para nada esta película jaja pero pues le doy su mérito siendo un buen trabajo direccional y actoral, incluso en cuestión cinematografica.
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C
the guy who couldnt kill the dog was cuuuute
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L
Backlog Roulette 120 There’s a clear reason why this was included in the Clint Eastwood 10-pack and Flags of our Fathers isn’t and it’s because it’s so good you don’t need FooF as a companion film and u can’t say vice versa on that. Also every time I see a piece of media re: Japan in WWII I wonder how the people felt about the emperor after all was said and done. And also how he escaped punishment for war crimes/crimes against humanity.
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H
Le meilleur du dyptique.
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R
Pero como va a tener el protagonista esposa e hija si parece que acaba de terminar la ESO. Los japoneses hacen magia negra. Decente pelicula.
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C
É interessante saber sobre a outra perspectiva da guerra.
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T
“Los soldados cavamos. Cavamos todo el día. Cavamos el hoyo en el que nos debemos atrincherar. ¿Acaso estoy cavando mi propia tumba?” – Cabo Saigo a su esposa.
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M
Não é o tipo de filme que geralmente me atrai, mas não dá pra negar que ele é muito bem feito, além de haver muito sentimento(medo, angústias, saudade, solidão), coisa que geralmente não exploram muito nos homens.
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F
东木的片是有某种劲～沉浸感十足！跟着巨辩看看片。
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R
“Dans une guerre il n’y a ni vainqueur ni vaincu, c’est la bêtise humaine qui Triomphe.” – Mazouzi Hacène Beau film
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C
You grow up thinking of “the enemy” like NPC targets in a video game, but watching this movie trapped in those pitch-black tunnels with these guys is bone-chilling. they aren’t monster soldiers. they’re literally just scared kids who want to go home, write to their moms, or see their pets again. As an Indian, helps more to get the INDO-PAK dogfight, as it showcased the pscyh exchange of two war parties. Seeing them forced to sit in the dirt and…
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P
Passionnant. Adieux soldats
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L
8，旗帜和家书，东木硫磺岛战争叙事的一体两面，世界电影史上绝少有这种完全站在敌人视角拍摄的战争，跟本方视角衬托对应，大概也就只有美国人和美国电影能够做到了。其实电影里面家书的概念并不新，冈本喜八1971年拍的《血战冲绳岛》里面就穿插表现了大量日本士兵的家信、遗书的段落，东木的思路就还是重点放在残酷战争底下的个体的尊严和处境，而不是仅仅把敌人拍成脸谱化的杀戮机器，东木特别能辩证地看待战争善恶美丑，加濑亮费尽心机投降当了俘虏但结果却被美国大兵用枪崩了，没有哪一方在战争面前是独善其身的，整体比旗帜还是要略强一点。
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G
As a mirror film of ‘Flags of Our Fathers’ it works quite perfectly showcasing the stupidity and horrors of war, no matter for which side.
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F
Hay que darle todo el crédito a nuestro querido viejo Clint, porque debe ser de los pocos que puede pararse frente a un estudio, tomar la plata, e ir contra la corriente de la tradicional ‘War Movie’ americana, mostrando una misma batalla bajo ambas y distintas perspectivas. Mientras con Flag of our Fathers apela a lo que es el heroísmo bajo el constante cuestionamiento del ser, merecer o directamente fabricar/manipular, Letters from Iwo Jima apunta tanto al honor y el coraje, bajo rasgos de humanidad entre la mismísima mierda de un combate.
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D
Maybe it’s just that this is the companion movie for Flags of our Fathers, but I like how it’s very willing to portray the pride and honor the Japanese soldiers had, both in admirable ways and to their faults. It was interesting seeing things we’d seen previously from the Japanese perspective as well. Overall I think I liked Flags of our Fathers a tiny bit more even though I think the characters in this were better and more memorable. I…
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L
loucura saber que de fato esse conflito aconteceu
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L
Me personally? Wouldn’t catch me on that island
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E
a filmografia do clint eastwood é um bagulho absurdo, a cada filme q vejo eu fico sem entender como foi esse veio safado q dirigiu cada um deles. esse filme tem peso sentimental que é padrao do véio, mas é um peso real que realmente mostra como qualquer um de nós estaria no meio da guerra. por isso achei o personagens saigo muito foda, a cada choro por companheiro ou carta q escrevia pra esposa mesmo sabendo q ela nao receberia ele me ganhava cada vez mais. pouquíssimos cineastas americanos fariam oq o esse véio safado fez. genio da bola.
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E
Japon askerlerinin başarısız olduklarında utanıp kendilerini öldürme fikrini hiç anlamamışımdur,bu filmdede ayrı sinir etti.Kaybedecekleri kesin evet ama böyle yaparak kendilerini daha da güçsüzleştiriyorlar.Modern bir savaş için ilkel yöntemler.
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T
The film manages to turn individual stories into a serious critique of militarism, nationalism, and the concept of heroic death, while refusing to turn war into an entertaining spectacle. I appreciate the perspective and message, but it didn’t hit me deeply enough nor did it seem particularly complex.
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I
jujur pacingnya bikin mati gaya
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N
Every story has two sides so of course I followed up Flags of Our Fathers with Letters from Iwo Jima. Of the two films, this one was the more brutal for me. You watch everything quickly fall apart at multiple levels from first wave defenses collapsing, disagreements between officers leading to calamitous losses, and most disturbingly how some divisions do what they believe honor requires of them when they think they have failed. It’s also rare to see such an…
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JJonnyA 8 月 9, 2026
Astounded by the contrasts of what type of movie this is to its sibling film. Kept wandering what this movie was building towards, no happy endings, no catharsis, it’s just people in the face of absolute doom, and one man’s determination to not die. I just haven’t seen a war movie that establishes more we are outnumber and out gunned the movie is just literally watching them lose slowly. It’s so sad. Kinda blown away by it.
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A
Toda esse atmosfera somada a esse filtro, traz uma sensação de que todos estão fadados a uma eminente morte em troca de nada, a um mérito e honra vazio.
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A
Que gran director es Clint Eastwood. Logra retratar la dureza y el drama de la guerra con toda la crueldad del ser humano y a la vez el lado más íntimo y personal del mismo. Además la puesta en escena y la fotografía son brutales.
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T
Gran película como todas las de Clint Eastwood.
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Y
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Á
Demasiado harakiri
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T
Filme desgraçado
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T
Surprisingly good. I have a love/hate relationship with Clint Eastwood’s movies—they usually fluctuate wildly in terms of quality and overall sincerity, sometimes being genuine masterpieces and other times being director-for-hire slop. Letters from Iwo Jima, obviously, is one of the former. An earnest—though sometimes schmaltzy—exploration of war and the propaganda that drives it. There’s no shirtless testosterone-fueled macho men running around the battlefield in this one, just skinny conscripts desperately trying to survive. Could be a pretty decent companion piece to Terrence Malick’s Thin Red Line.
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MMariana 8 月 8, 2026
Fazia tempo que protelava assistir esse filme, mas 90% das vezes que assisto filme de guerra, eu gosto bastante. Segunda guerra mundial tem conteudo infinito para ser explorado para a produção de filmes. Inclusive, muito bom ver atores que hoje em dia são super renomados nesse filme atuando como novatos
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S
‘Your convictions or your country’s convictions?”Are they not the same?’ Adesso mi manca il film gemello Flags of our fathers Visto da solo durante libro di Isabel Allende
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K
You are quite a soldier. No, just a simple baker. Such a heartbreaking film. It really makes the human cost of war impossible to look past.
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S
Really liked it, tells so much about how the japanese saw and lived the ww2.
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J
Rewatch. For those who didn’t know yet: Japanese soldiers are human beings, too. Apart from that, this could have been a WWI, WWII, German, French or English war movie. I don’t see much that is specifically Japanese here. Very good acting, especially Ken Watanabe, nice camera work and fine battle scenes. The attempt to humanize the “enemy” is probably the film’s biggest strength. On the other side: overlong and at times boring, especially in the first half.
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I
Está película bélica es un drama impresionante, me encanta el desenvolvimiento de la historia y el final es bonito. Mi personaje favorito es el general Kuribayashi.
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Only the dead saw the end of the war
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A
Une heure de trop, néanmoins pas inintéressant
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J
A fantastic film that outshines its companion piece while also complementing it. A great character study, while also capturing the grand scale of industrialized warfare.
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M
Eastwood querido sabes cómo hacer que tus películas lleguen al corazón de una persona, IS CINEMA
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B
So much of the love for this film is for the ability for Clint Eastwood/the American myth-making machine to have respect and empathy the other side of a war. And that is admirable. But what takes it across the line is Eastwood’s disinterest in engaging American exceptionalism even when it’s there for the taking. It’s the unifying mother’s letter to the dead American soldier that puts into perspective that both sides are losing lives (in this battle) for little purpose…
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B
Très beau film très bien réalisé du côté des Japonais pendant la résistance de l’île
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P
Einer von Eastwoods besten Filmen. Gerade im Tandem mit “Flags of our fathers”, der die andere Seite des Konflikts zeigte. Dabei ist dieser hier noch emotionaler und kraftvoller.
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G
He entrat esperant la típica peli bèl·lica, melodramàtica i ultrapatriota feta per americans tirant-se floretes a ells mateixos i resulta que Clint Eastwood ha rodat aquesta peli en japonès i mostrant la batalla d’Iwo Jima des del costat japonès. Des d’un primer moment ja es preveu que serà dura, una fotografía crua amb colors desaturats i una música que no és l’alegria de la huerta que diguem assenten la base d’una història que, tot i sabent-ne el resultat, déu n’hi…
1 -
A
una genialidad. De las pocas peliculas q me han dejado con un nudo en la garganta Es mucho mejor que la version desde el punto de vista americano (Banderas de nuestros padres) por el mismo director. Muy realista y detallada
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R
Don’t show this to the Japanese Jk it’s alright just looking at it through its content and the writing but god it looked terrible on screen. I mean how can you make a dark cave and rocks and sand look good? Didn’t help that everyone looked in a terrible state and had plain uniforms.
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J
Excelente
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M
em suma soldados: a superiores: SE MATA Uma perspectiva distinta sobre a Segunda Guerra, que pinta a perspectiva dos jovens japoneses que tiveram as vidas jogadas fora por uma guerra inútil e um império opressor.
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P
Não tem muito oq falar, é simplesmente um filme fantástico que me fez não ter vontade de olhar o celular. Louco pra ver o filme irmão dele.
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J
Clint EastGOAT
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𝐏
Simplesmente um dos melhores filmes que já vi sobre a Segunda Guerra, interessante demais ver como o Clint Eastwood traz dois filmes sobre as duas visões da mesma batalha em Iwo Jima, com esse filme e o Flag of our Fathers … Achei esse daqui bem melhor que o outro e deu pra perceber que tiveram muito mais cuidado com o filme, a cena dos soldados se explodindo com as granadas ou os soldados americanos matando os prisioneiros de guerra japoneses foram algumas das cenas mais perturbadoras que já vi, um dos melhores filmes anti-propaganda com certeza!
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T
A good and rightfully depressing movie about the situation on Iwo Jima. Very historically accurate as far as I am aware. Would recommend! Especially because you don’t see the other side of the conflict that much.
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S
Clint was BOLD with this one
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M
Letters from Iwo Jima (2006) — ★★★★½ (8.5/10) Directed by Clint Eastwood, this stands as one of the most significant war films of the 2000s, and the stronger half of Eastwood’s Iwo Jima diptych. The film recounts the Battle of Iwo Jima from the perspective of Japanese soldiers, framed through the letters they write from a place many of them know will be their grave — a choice that sets it apart, since this is an American production that deliberately…
1 -
J
Clint Eastwood shoulda played Kuribayashi himself
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G
filme impecavel que mostra que do outro lado da guerra também existiam pessoas comuns tentando sobreviver. clint eastwood abandona o heroismo e entrega um retrato melancolico, humano e doloroso sobre o custo da guerra sob a visao japonesa um filme que emociona justamente porque se recusa a transformar seus personagens em símbolos, chorei inclusive!
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T
The Japanese honor is SO different from any other I’ve seen and Eastwood shows it brilliantly in this The soldier being discharged from their highest military order for not killing a dog….. The flashback scenes are so well done especially the scenes of the General and the Olympian in the US getting along so cordially with their American friends I also loved that it wasn’t just Japanese letters from Iwo Jima, the American soldier taken after being shot but treated…
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J
Quiten ese filtro de mrda
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E
Interesante película antibelicista, cuya principal idea es mostrar a los soldados de ambos bandos como iguales, superando la educación basada en el odio al enemigo. Lo más negativo de la película es el ritmo, que es bastante lento en general y hace que, a pesar de ser interesante en concepto, se haga un poco pesada de ver.
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R
Saigo may you live a long happy life 😢
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R
8/10
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P
ke peliculon……. . . da qe pensar del poco valor que tiene la guerra y lo futil que es y la tragedia de las personas que pelean en ella, y es la misma tragedia para la persona que la separan de su familia contra de su voluntad y el soldado que es incapaz de ver las mentiras y los errores de su nacion y poder ver y ser consciente de lo humano de estas personas qje solo son marionetas de…
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W
Yea yea good movie and all
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L
Me la he visto en idioma original por ti lo q sea Clint Eastwood.
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D
Com sobriedade, o filme analisa o conflito pelo o que ele é: cinza, desprovido de tudo e com a única certeza sendo a destruição desnecessária.
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C
yallah nishi nangis bgt gue pas lu meningsoy
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H
im crying,,
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L
Thank you clit Eastwood
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M
Ce film m’a pas particulièrement touché. Mais je le reconnais quand même de très bonnes qualités. Ça va être beaucoup plus court que d’habitude car il a rien d’exceptionnel mais aussi rien de mauvais. C’est littéralement la définition d’un 3,5. C’est un bon film c’est tout. C’est assez original pour une fois on est du côté des Japonais, toujours cette réflexion d’humanisme, de patriotisme. “Est-ce que ça vaut le coup de se sacrifier au combat en grand patriote plutôt que…
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C
One of the best anti-war films. Every death feels pointless, unnecessary, and remorseful. A war movie that isn’t centered around action and heroism, but suffering and humanity.
1 -
I
Qué lástima que Clint Eastwood haya dirigido una película tan patética
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A
no comments either, it’s just well written and well showed.
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S
Probably one of the best war movies I’ve seen. It’s also probably the only one I’ve seen that truly resembles an anti-war movie, this is character-driven and deeply emotional. TLDR goated Eastwood.
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V
1911 is the American katana
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J
I watched this maybe 20 years ago and hadn’t checked it out since. It was better than I remember. Not Clint’s best directorial effort but it might be in the top 5.
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_
Incrível como o filme mostra a honra dos japoneses defendendo a última fronteira mesmo sabendo da derrota inevitável, lembrando demais a essência dos samurais e toda a cultura de honra do Japão. O desenvolvimento dos personagens é absurdo e a atuação do elenco inteiro é de outro nível.
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A
Loved it. I’m a sucker for Clint Eastwood’s poetic POV of history.
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G
Muuuuito doido. Ver pelo lado dos japa a guerra é legal demais. Clint Eastwood mandou demais nesse.
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P
bizarro que a moral da historia eh algo do tipo “se os japoneses nao tivessem mt ocupados se matando ou matando uns aos outros talvez eles tivessem alguma chance de segurar essa ilha por mais uma semana ou duas” a escolha de fazer a guerra do pacifico dessaturada de cores igual o spielberg fez no front europeu tb da indicios da possivel má vontade que o vô clint tava de dirigir esse filme
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J
Que animal del cine Clint Eastwood. Que película emotiva. No puede ser el aura que tienen los ponja, son increíbles.
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L
Pas cool les américains
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I
La guerra contada del otro lado, Clint Eastwood hizo un retrato fiel, triste y humano de lo que fue una derrota, dando profundidad a cada personaje y convirtiendo lo que fue testimonio vivo de cartas japonesa es un obra maestra. La mejor película bélica de este siglo. (8.1/10)
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ᴘ
Nunca había visto tantas cartas llenas de depresión
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T
Incredibly refreshing to watch a movie that portrays this period in WW2 from a Japanese POV. It’s a harrowing and deeply human look at the perils of war and the hopelessness of it all. Clint nailed it. Do what is right because it is right.
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M
Lettres d’Iwo Jima commence de manière assez différente de Mémoires de nos pères : on découvre d’abord, des décennies après la bataille, les restes de soldats retrouvés par des chercheurs avant de revenir sur l’île, quelques semaines avant l’affrontement. Les lettres deviennent alors le narrateur du récit, donnant son titre au film, mais aussi une dimension intime à cette guerre racontée depuis le point de vue japonais. Eastwood cherche avant tout à humaniser ces soldats avant de les envoyer au massacre.…
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L
One of the bleakest and best war film i’ve seen. You don’t make a movie about war, you make a movie about people. Clint gets that. Great character studies that give all the different perspectives in an army. Not Clint’s best pacing, but still a very powerful war film.
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J
Honestly, the fact that the Japanese soldiers actually speak in Japanese and you have to read the subtitles is pretty cool, but I won’t lie that it did hinder my viewing experience (especially since the person in from of me would block the subtitles have the time).
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A
Great movie
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J
The Allied side knew the Battle of Iwo Jima as a ferocious fight to the death by suicidally desperate Imperial Japanese troops who were defending their homeland on this volcanic staging base between the sacred soil of Kyushu and their recent total defeat by the Americans in the Mariana Islands Campaign. By this late point in the War the Americans had some familiarity with the ruthless lengths to which the Nips were willing to go to effect as much collateral…
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E
savaşı diğer taraftan göstermesi filmi daha insani yapıyor
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C
Bom.
- Synopsis
- The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
- Director
- Clint Eastwood
- Writer
- Iris Yamashita
- Studio
- Warner Bros. Pictures, DreamWorks Pictures, Malpaso Productions, Amblin Entertainment
- Country
- USA
- Language
- Japanese, English
- Year
- 2006
- Runtime
- 141 mins
- Japan15 Nov 2006
- USA10 Dec 2006
- Germany11 Feb 2007
- Argentina13 Feb 2007
- Serbia03 Mar 2007
- USA20 Dec 2006
- Japan09 Dec 2006
- USA02 Feb 2007
- Netherlands15 Feb 2007
- Brazil16 Feb 2007
- Taiwan19 Feb 2007
- Belgium21 Feb 2007
- Bolivia22 Feb 2007
- UK23 Feb 2007
- United Arab Emirates23 Feb 2007
- Philippines28 Feb 2007
- Hong Kong01 Mar 2007
- Serbia08 Mar 2007
- Lithuania09 Mar 2007
- Russia15 Mar 2007
- Kuwait28 Mar 2007
- Indonesia25 Apr 2007
- Switzerland08 Jun 2007
- India19 Oct 2007
- Czechia01 Mar 2007
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