Synopsis
Trailers
Reviews (70)
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J
before the proletariat storm versailles anyone wanna admit they got a crush on me 🥺👉🏼👈🏼
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K
love this gritty, gay marie antoinette!!! i adore the sofia coppola version too, but farewell, my queen is a perfect antidote/companion. it ditches the head-in-the-clouds lavishness of coppola’s film and trades it for claustrophobic frenzy over the span of four dramatic days — which sometimes feel as if they unfold over real time. jacquot masterfully shows the air of formality starting to wear off in dire times but also the stubbornness and duty and pride of the people whose lives are being turned upside down. lea seydoux is one of my favorite cinematic presences and she’s so magnetic in every scene, playing the queen’s reader. she’s sharp, secretive, inquisitive, and charming. and it’s through her eyes we see the demise of…
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R
Diane Kruger como Maria Antonieta, Virginie Ledoyen como a paixão proibida da rainha e Léa Seydoux é a leitora / admiradora da realeza, submissa como só uma pessoa devota e apaixonada consegue ser. O roteiro retrata o período subsequente a “Queda da Bastilha”, da Revolução se aproximando de Versailles onde estava Maria Antonieta e o rei, os acontecimentos são retratados pelo olhar da leitora da rainha. O medo se instalando no Palácio, a fuga da nobreza e o desespero de Maria Antonieta por perder sua paixão e as suas jóias.
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L
I wish Coppola’s version had been gay. The production design and filming style was kind of understated and I really wish they had gone the extra mile to make it more overwhelmingly reminiscent of the era, but the story is pretty interesting and Diane Kruger is a seriously beautiful queen.
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S
I thought this one is okay.
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L
queerbaited by a movie set during the french revolution…
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F
doomed yuri i wish it was sidonie’s and antoinette’s story god i love diane kruger
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L
let them eat 😺
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N
ai mulher eu já entendi que tu ama a rainha
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F
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S
Mmm yeah, oui oui baguette?
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K
Kár, hogy ilyen unalmas.. pedig Diane Kruger és Virginie Ledoyen😍
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G
super odd movie, I didn’t dislike it but I have to give it 2 stars because I had absolutely no idea what the point of this movie was until the last fifteen minutes and that’s really not encouraging. I think it was trying to showcase the love triangle going on but imo sidonie’s romantic attraction for the queen was not strongly enough portrayed, and while watching I was unsure if I was supposed to be reading it beyond just servitude…
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C
ANCIENT IN AUGUST DAY 6 More on the order of something like Downfall than something like Marie Antoinette. It captured the sort of everything falling apart nature of the thing well.
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C
Versailles, 14 Juillet 1789 ou la chute des privilèges. et au final, seule l’Histoire reste, les gens balayés par la tempête du changement
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S
Versailles no Bara já havia me dito a verdade: Maria Antonieta era sapatão. Eu acho que a sinopse, posteres e material promocional desse filme vendem algo que ele não é, uma história queer, e o queer bait é imperdoável.
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Y
Could have been better let them eat pussy☹️🤧🤧 felt the intimacy tho
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J
beyond the one flaw (the fictionalization of a single aspect that really is blown out of proportion) it’s a fantastic portrayal of the events following the storming of the bastille, viewed from the ground up. tense and immersive, certain dramatizations are easily forgiven for the strength of its vision. i haven’t read the source, the novel, but from what i’ve read of it the film seems a great improvement upon it.
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B
O lado mais genuíno dos arrependimentos de Maria Antonieta Uns dos fatos históricos mais marcantes tanto para o mundo como principalmente para o velho continente europeu, foi a Revolução Francesa. E aqui de fato, a direção de Benoît Jacquot almeja trazer os caprichos mais falhos para os telespectadores verificar que até mesmo poderosos da elite possuem suas limitações internas com a complexidade emocional que dificilmente possa ser reestabelcido à normalidade novamente. O desfecho do casal francês de governantes reais todos…
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A
I expected a more historical film.. I’m mad she embroidered the flower but the embroiderer got the gold coins instead
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Malísima, no entendí nada
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I
I need to rw this like PROPERLY and take my time watching it but oh my god.. “Did you ever feel attracted to a woman to the point of suffering terribly when she’s not there?” Okay doomed for life i guess
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B
Are the French just naturally touchy people?
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L
inimigo atemporal: amizade homoerotica
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O requisito pra esse filme era ser linda, né? Slk, só tem tchutchuca nele. Achei q faltou mais lesbianismo aq, pois ao msm tempo q tem bastante, n tem nd mt explícito, bora lá né frança
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lea seydoux, the set, and costumes are gorgeous! the 1700s were arguably more gay than what was going on here but i’ll take what i can get.
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J
The time leading up to the French Revolution through the eyes of the Marie Antoinette’s loyal commoner reader played by Lea Seydoux is a typically lavish costume drama from Benoit Jacquot. Not really concerned with the political issues of the time, the film still stays well clear of devolving into melodrama and instead delivers a strong character piece. Both Seydoux and Diane Kruger (Antoinette) deliver strong performances at the heart of the piece as the woman who would be nobody and the queen both see their lives come to abrupt changes.
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Really? Sidonie projects in Marie Antoinette the illusion of a deep connection. However, the queen lives in a bubble of futility and self-centredness. 🙄
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P
even education will not save someone from submitting to fortune and detriment
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A
An effective enough look at the inside of Versailles following the storming of the Bastille, and the crumbling of the monarchy. Kirsten Dunst’s performance in Sofia Coppola’s Marie Antoinette is so iconic at this point that it’s almost strange to see someone else in the role. Diane Kruger sells it well enough as a more mature Marie, and I appreciate the complexity she brought here along with the queer reading of her relationship with Gabrielle. I have an aversion to…
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M
The script is pretty accurate towards the events even if the relationship isn’t. Stunning cinematography. “Let them eat cake” acts as a double entendre here.
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I
Вайб «Бункера», но гораздо сложнее. Нечеловеческая гордость, любовная лихорадка и вздорность королевы; принимаемое за наивность благородство Сидони; «стоический цинизм» Моро; неразрешённый саспенс последних минут эффективно вплетаются в общую панораму нежданной-негаданной политической и моральной катастрофы
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N
Je m’attendais à une histoire d’amour “interdite” entre deux lesbiennes… Bah je suis déçu
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R
Tudo que Sidonie precisava era de amor próprio e três tapas na cara pra tomar vergonha
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M
Un enchaînement de scènes magnifiques qui peinent à être reliées par un scénario très insignifiant.
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G
A commanding, transitional performance by Seydoux, some work-of-art tableaux, but at times it does play like Jacquot’s well-dressed wet dream
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S
Just one depressed bisexual and her tote bag living through the final days of the French monarchy in Versailles.
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J
the tension was definitely there, oh yeah
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B
I think movies are very funny when the plot is “hey btw what if this historical figure was just a little gay?”
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Y
I’ve never been so baited
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R
kept waiting for the movie to start
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S
mw dio asco, PERO DE VDD ASCO
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L
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The French Revolution is happening but I’m just here looking at Marie Antoinette.
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P
The end was lowk good tbh.
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J
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kinda ass but not a good ass
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P
Je crois que le film était censé montrer l’homosexualité de Marie-Antoinette, mais malheureusement, il l’a fait de manière choquante plutôt qu’originale. L’intrigue, qui aurait dû être principale, semble être reléguée au second plan. L’action s’interrompt brusquement. C’est un film moyen. Les créateurs tenaient un peu trop à l’histoire lesbienne, et au lieu d’un film historique, il s’est transformé en un film sur les lesbiennes. Au moins, les costumes sont plutôt réussis.
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R
Pity…..
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Je l’ai bien aimé. On voit bien le travail appliqué sur les costumes et il y a une bonne immersion dans le XVIIIe siècle (selon moi). De plus, j’aime bien les histoires queer qui se passent durant des périodes historiques. Cependant, il ne faut pas oublier que le film se base d’une rumeur démentie qui racontait que la reine aurait eu des relations avec ses amies proches. Ça reste donc une FICTION historique (c’est bien de le préciser parce qu’on…
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C
happy pride.
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R
i expected so much more
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M
what even was the point of making this
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L
Está peli no me aporto más que saber que desde todas las perspectivas ser María Antonieta fue un calvario
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a mix of queer baiting and male gaze. i thought I would enjoy it because of the cast (especially for Léa Seydoux and Diane Kruger) but I’m really disappointed. the acting is ass, the relationship between Gabrielle and Marie was so off and very VERY underwhelming. There’s not that much of tension throughout the movie between Marie and Sidonie ? and even with Gabrielle. The whole movie is OFF. it wasn’t “realistic” enough and I really felt that a man…
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大制作。剧情比较平淡人设意外地带感，更多是偏历史向，lesbian含量比较低。不知道服化道是不是有考究至少看起来是真的在努力把这段历史重现好。很美啊！想看阿黛尔的生活了
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SFORBICIATW
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H
wasn’t smart enough for this one. kept grasping at something to grasp onto. didn’t understand the main character, didn’t pick up on any substance to the promised lesbianism, was barely able to sympathize with any of the Versailles freaks
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mtn que je sais que c’est benoit jacquot beurk
- Synopsis
- A look at the relationship between Marie Antoinette and one of her readers during the final days of the French Revolution.
- Director
- Benoît Jacquot
- Writer
- Benoît Jacquot, Gilles Taurand
- Studio
- Les Films du Lendemain, GMT Productions
- Country
- France, Spain
- Language
- French, English, German, Italian
- Year
- 2012
- Runtime
- 100 mins
- France21 Mar 2012
- Spain04 May 2012
- Germany30 May 2012
- Greece28 Jun 2012
- USA13 Jul 2012
- Czechia04 May 2013
- South Korea05 Dec 2013
- Japan22 Oct 2012
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