Synopsis
Trailers
Reviews (122)
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TIFF15 Film #1 Reason for Pick – Cannes Grand Jury Prize winner Hungarian director László Nemes inaugural film captures not only the Grand Jury, but also the François Chalais Award, FIPRESCI Prize, and Vulcain Prize for the Technical Artist, and it’s not hard to see why. A concentration camp film, but set from the perspective of Saul, a Jewish conscripted ‘special keeper of secrets’ worker, of which there are shockingly many. An event triggers Saul, who knows his time is limited, to devote his remaining life to one act of simple dignity. When I say the film is from Saul’s perspective, it is not simply narratively, as there is precious little narrative, I rather mean that the camera ‘becomes’ Saul,…
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M
What a miserable, MISERABLE, must-watch experience. My Last Review: | To Live and Die in L.A |
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L
technically efficient yet exploitative in the bad way, a holocaust interactive thrill ride experience posing as a prestige picture, no one really matters, the victims are unimportant, they’re just obstacles between the protagonist’s checkpoints. pseudo redemption for a man that helped to murder thousands of innocents for the sake of survival but have his redemption come in the sake of not helping saving other people’s lives but in burying a body. he wanders by the faceless, meaningless victims because they do not matter, only nemes’ aggressive posturing formalism matters, this is where empathy and humanity goes to die. i feel so much pain for the victims of this unfathomable atrocity, it fucking hurts to know that so many people died…
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A
Reducing the victims of the holocaust to blurry naked bodies being dragged across the floor is always going to leave a bad taste in my mouth. Then finding out a majority of the extras were homeless people being paid a dollar or less a day made me even more furious. How dare you, Laszlo Nemes, making a film based on one of the ugliest points in human history and building it up from the exploitation of the homeless is despicable. Mind you this is also the man who condemned Jonathan Glazer for advocating for Palestine…
155 4 -
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a harrowing, visceral journey that will stay with me for the rest of my life
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H
Movies based on real events ranked 1001 movies you must see before you die (Ranked) Oscar Winners (Ranked) (2016) (Best International Feature) My first Hungarian film. (Yes I know I need to watch some Bela Tarr films) With how every scene is filmed in this it’s hard not to be so drawn in and feel so personal about it. If you’ve seen this then you’ll be aware that by far the most striking thing about this film is it’s massively unique cinematography, it’s use of a handheld camera worked so well in immediately immersing you into Sauls horrible world inside of a concentration camp. Obviously what comes with all of that is a mass amount of closeups on all of…
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C
The latest recipient of the Academy Award for Best Foreign Language Film, Son of Saul (Saul fia) is an incredibly powerful, relentlessly grim & downright disturbing cinema that takes a leaflet out of mankind’s darkest period and weaves an original, absorbing & deeply affecting story around it, all depicted in a manner that only magnifies the haunting horrors of the Holocaust. The story takes place inside the Auschwitz concentration camp during World War II and covers a day or two in the life of a Hungarian-Jewish prisoner who, along with a selected few, is tasked with the disposal of the corpses of gas chamber victims. The plot follows his dangerous & desperate attempt to provide a proper Jewish burial to the body of…
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We observe Auschwitz-Birkenau in the only way we could bear: at the corners of the frame, where screams are heard but not seen and the bodies being dragged pass by as white, abstract flashes. Or perhaps the method makes things worse by inflaming our cursed imaginations. Either way, applying this extreme cinematic technique to incomprehensible history made for a monumental viewing experience, a way of relocating mass atrocity to a personal level. By blurring all else and confining us to one man’s experience, Son of Saul zeroes in on humanity in the singular, reminding us how every single life that was snuffed out distinctly mattered. After the picture is over and we take a breath, pausing to consider the bigger history that encompasses Saul’s story, the large-scale loss of the Holocaust feels all the more catastrophic. Full review here.
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E
Not only the best film that I saw at the Cannes Film Festival, but one of the greatest films ever made… and I’ve been trying to cut down on my hyperbole lately, so trust me when I say that Son of Saul is truly a contemporary masterwork, from it’s lead performance to it’s immense tracking shots to it’s impeccable sound design. And it’s a goddamn directorial debut… how
564 14 -
T
A holttestekre a “Stück” (darab) szót használják a nácik végig a film során. Nem tudok mást írni az alkotásról, magáért beszél.
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Y
What a claque! La mise en perspective terrible par le réalisateur est incroyable, on ne voit que l’acteur principal, le fond est souvent flou, quand on ne voit pas l’acteur c’est à travers ses yeux qu’on voit. J’ai vu la version française, rien n’était sous-titré et cela ajoutais une sensation de désorientation et de terreur du fait de ne rien comprendre. On est dedans, dans les camps de concentration, on vit le quotidien des prisonnier,
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J
The perspective thing didn’t really work for me. A Man Escaped (1956) did it better.
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S
Toplama kamplarının atmosferini çok güzel vermişler baya beğendim. Filmin sonu ayrı yürek burktu.
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A
A hellish assault of sense impressions that strives for a new language in depicting the Holocaust until The Zone of Interest is here.
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E
100% obligatoria
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R
It is that good. The camera movement is so so good, it makes the whole experience so much more terrifying. The ending was peak.
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W
Have you ever wanted to know what it was like to be inside a Nazi death camp? Like, really, properly inside its inner sanctum, surrounded by dead bodies, cleaning up the blood, inhabiting the perspective of someone whose remaining days are sharply running out and for whom this nightmare world is the last thing they will ever see? From an anthropological angle, such a thing is of course extremely valuable. How could it possibly feel to be in a situation…
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R
Horrifyingly beautiful. The only way I can describe this. Most World War I/II movies tend to be up in your face with “Let’s show the gory parts happening here.” Son of Saul opts for a story that shows these truths only out of the focus of the lens and focuses solely on the one protagonist. As for the story, it is a bit cryptic at times but it feels almost intentional, like it’s meant to be metaphor about finding something…
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J
Un film nécessaire
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A
как по мне фильм с крутым сюжетом,но который плохо реализовали, будто можно было и лучше. главного героя жалко, буквально считал что случайный мальчик это его сын, да и сам он весь такой жалкий на вид
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C
I don’t know if I ever got used to the camerawork in this film. It seems to me as though a lot of the things others really rate about this film were the things that I struggled with.
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A
الجانب التقني من الفيلم من ناحية إخراج وتصوير و aspect ratio شيء أنا قدّرته، لكن هو نفسه كان عائق بيني وبين التواصل مع التجربة بشكل كامل. يعني عندك بطل مش عارف عن خلفيته الشخصية أي شيء، وفوقها بتقضّي معظم الفيلم وانت شايف قفاه وكل الأهوال اللي حوله blurred غير أنه الكاميرا اهتزازية بشكل مبالغ فيه. فاهم المغزى من الاختيار الفني ده لكن ده مش معناه أني قدرت أبلعه. على الجانب التمثيلي البطل أبدع، والمخرج لازلو نيميس في تجربته الإخراجية الأولى…
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S
Pas eu d’émotions
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G
otra película de guerra más? si, pero más cruda y fuerte que cualquiera. sentís que estás metido en Auschwitz con los gritos y el caos que hay en cada escena como pasa en el comienzo. el detalle de los ruidos de metal de fondo es una locura como está pensado y expresa sin palabras ni actuación una frialdad enorme con solo ver la cara de saulcito (tipazo) . como dije antes parece una mas de guerra y hay mucho mejores,…
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C
Hombre de pocas palabras
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R
The character was on focus but the real story was always in the blur. Probably the most gruesome war horror I have ever seen
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A
Há algo de muito “calculado” em Son of Saul, adjetivo que parece muito injusto para qualquer obra da sétima arte. Todavia, o cálculo aqui extrapola o campo do planejamento e execução de planos e sequências; avança para a própria razão de existir do longa, sua visão de mundo e perspectiva, sua resposta (ou falta dela) à longa discussão a respeito da representação do Holocausto. É um filme que se exime de críticas, se cerca de justificativas, com tal afinco que…
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A
يجب عليك أن لا تكون موجوداً هذا كل شيء، الإعتراف بأننا لا شيء ذالك هو الألم، البير كامو
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G
In his analysis of Children of Men, Slavoj Žižek constructs the argument that the film is to be viewed at an oblique angle – that is, to hyper-fixate on the immediate action of a given scene would only act as a disservice to the greater construction of the world. Son of Saul distorts this methodology into something even more interesting: that the immediate is at odds with the whole; that the monstrousness of the scene can only be tolerated if out…
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IImNotSoSure 8 月 9, 2026
Possiblement l’un des (ou le !) derniers films que je vois tard à L’Entrepôt… pas sur que ce soit le meilleur des choix mais bon ✌🏻
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M
Ez 1000000-szer megríkatott, amikor arra gondoltam, min kellett keresztülmenniük az őseimnek, hogy mindez Magyarországon is megtörtént😭😭
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უტოპესი და უმძიმესი ფილმი იყო.პლიუს ამას საოცრებაა რო რეჟისორისთვისაც და მთავარი როლის შემსრულებლისაც სადებიუტო ფილმი იყო,თან უბრალო ამბავიც არ აურჩევიათ ჰოლოკოსტის სახით. მართლაც რომ ბრავო👐
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L
I can resonate with detractors reaction to this film as the very draw of the film, the way it is shot, at face value can seem very dehumanizing but I’d argue that is the point. This isn’t done in a way that is malicious or trivializing the death and cruelty that occured during one of humanity’s darkest periods but in a way that connects you to Saul himself. The film is shot in these very close tracking shots that very…
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M
filmer les camps c’est déjà questionnable mais alors le faire de cette façon..
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J
10 évvel az első megnézés után is földhöz vág és megsemmisít. Újra és újra előjön bennem az értetlenség, hogy történhetett ez meg a nem olyan távoli múltunkban. És a szörnyetegek mindig is köztünk éltek és élnek ma is?
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J
Que fuerte…
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Y
What a claque! La mise en perspective terrible par le réalisateur est incroyable, on ne voit que l’acteur principal, le fond est souvent flou, quand on ne voit pas l’acteur c’est à travers ses yeux qu’on voit. J’ai vu la version française, rien n’était sous-titré et cela ajoutais une sensation de désorientation et de terreur du fait de ne rien comprendre. On est dedans, dans les camps de concentration, on vit le quotidien des prisonnier, enfin, du prisonnier, c’est horriblement bien rendu. Un grand film à voir obligatoirement.
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K
oozing of absolute brilliance and mastery from start to finish. absolutely sublime.
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T
Pouah le film c’était hard hein… carrément j’ai pris ma journée pour faire ma review (je l’ai vu ce matin)
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AAndrew 8 月 5, 2026
I know this movie is super serious, but every time I see this poster I think of the crying raccoon meme. Anyways, yeah, this movie is not my thing. The first-person shot is not a kind of visual I can deal with for 2 minutes, yet alone 2 hours. Its high concept exposes more tropes than subverts them. Like, every single person is SO MEAN…mostly just to show what it takes in order to survive. Unnecessary. Did not find it emotionally engaging at all, when it should have been arresting.
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I
I try to always say something about every movie I’ve watched. It’s hard to find words for this one. Even rating it feels wrong
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SSubcloud 8 月 4, 2026
「荒謬」 但「一廂情願的荒謬」比起「命運的荒謬」 似乎「命運的荒謬」更似一個安撫者。 問題是「一廂情願的荒謬」最初背後的動機是《大尉叛逃記》Captain Volkonogov Escaped (2022)？
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M
Traumatisant. Traumatisé. Horrible en tout point, dur à regarder jusqu’au bout. Témoignage esthétique très puissant.
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J
This film provided the missing piece to my understanding of why Arendt argues that the Nazis couldn’t have exterminated so many Jews without internal cooperation
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M
Uma experiência bastante satisfatória, com bons momentos e uma execução competente. Mesmo com algumas pequenas falhas, consegue manter o interesse até o final. Vale muito a pena assistir.
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T
That direction made everything even more agonising to watch.
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C
Una vez mas, mi radar de películas indie extranjeras grabadas en un idioma del cual no entiendo ni el alfabeto, vuelve a no fallarme. Que peliculón y la verdad es que el húngaro suena bastante musical a partir de la primera hora de peli
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R
“You don’t need a rabbi for that” One of the most innovative films I’ve seen in a long time that hits like a hammer – unrelentingly dark and with stunning, emotive performances throughout, it’s impossible to look away from. Utterly captivating.
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S
Résumé : Ce film montre le sort tragique des Sonderkommandos juifs à Auschwitz, contraints de travailler dans les chambres à gaz et les crématoires et de Saul qui tente malgré tout d’offrir un sépulture à son « fils » Ressentit : Les images horribles et les plans installent un climat de tension. En étant objectif c’est un super film mais il m’a manqué ce quelque chose que la Liste de Schindler avait. Je n’ai pas ressentit la pression et la peine de Saul… J’ai aimé mais sans plus Définitivement à revoir !
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D
Egy életre megjegyeztem Röhrig Géza tarkóját.
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C
Está bien porque te cuenta la historia de los campos de concentración desde otro punto de vista, pero es muy lenta y se hace bastante pesada.
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M
اون فرم و دوربینِ نزدیک به شخصیت با عمق میدان کم، خفقان رو میسازه. ولی حتی یک لحظه هم مسئله ی شخصیت، مسئله ی مخاطب نمیشه.
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J
The framing, composition, and aspect ratio, rather than being gimmicks, keep this film grounded in human experience and far removed from the misery exploitation and award-seeking of most contemporary Holocaust films.
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ا
I really don’t like this much at all. You’re supposed to at least respect it or be moved by it because of the material; but I am extremely exhausted with the Shoah topic. This film’s best moments are when they briefly divert from the horrible cinematography that’s stuck on Saul. I can’t do this stuck-camera thing and everything lost in bokeh… not my type of photography.
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L
pq il a pas crié ce trouduc
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🔴
one Holocaust’s survivor said this movie was the closest to what she experienced, and this is all you need to know before watching it
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A
aduh pak saya liatnya ngeri jujur
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X
wow this film has a special space in my heart 🥺
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F
La direction artistique est bonne mais l’histoire racontée ne nous permet pas d’être immergée et touchées par les horreurs commises, nous les voyons mais ne les ressentons pas de la meilleure des manières (cinématographiquement).
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R
Transporté dans l’horreur du camp à travers le regard de saul, cherchant à sauver le peu de dignité/humanité qu’il lui reste via la personnification d’un enfant. Le faux rabbin volant nous arnaque en même temps que le personnage, espérant voir un peu de tendresse au milieu de tout ça.
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E
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EEm 7 月 28, 2026
Grinding suffocating upsetting. Watching this film in conjunction with reading Zalman Gradowski’s buried manuscripts from Auschwitz set off such a violent episode of derealization that trying to put it into words seems totally futile, even insulting. Such nightmarish things happen in this world—the very concept of “bad” falls short, is entirely inadequate; the living do not deserve the light of the moon—I’m not sure we shouldn’t all be in a constant state of sheer horror and desolation
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B
Haven’t felt this much anxiety while watching a movie in a very long time. Saul… ur stressing me out.
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E
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M
La cámara está muy chula es así como agobiante y capta tope de bien la esencia de auswitszch El final no lo entiendo del todo pero mola
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Judíos type shi
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Zzeze 7 月 25, 2026
bu filme beş yıldız verenler mal mı
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L
Quel film ! Pour l’instant, c’est l’un des seuls films que j’ai vus, avec La Zone d’intérêt, qui révèle la réelle cruauté du génocide sans jamais tomber dans le pathos. Tout est pensé avec une précision remarquable. L’idée de construire le film autour de longs plans-séquences très proches du personnage principal, tandis que l’horreur reste reléguée dans le flou de l’arrière-plan, est d’une pertinence incroyable. Les corps sont bien là, mais jamais exhibés. Nous sommes immergés dans cette cruauté sans…
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N
Douloureux et important de le voir mais un peu désemparé par la forme… J’ai été frappé par les premières quinze-vingt minutes, puis le dispositif si particulier commence à épuiser, ça en devient caricatural. On n’arrive pas non plus à ressentir toute l’empathie voulue pour Saul, je crois que c’est lié à la difficulté de bien cerner ses actes et sa manière d’interagir avec son environnement ; ça m’a fortement dérangé de le voir persister dans des comportements égoïstes et vides de sens alors le génocide est flouté et laissé en arrière-plan
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Jjaqueline_rigo 7 月 24, 2026
the way they keep the camera locked on his face the ENTIRE time?? that’s it, that’s cinema. brutal and claustrophobic in the best possible way and i genuinely kept forgetting to breathe. heavy heavy watch but i physically could not look away. that lead performance understood the assignment and then some.
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M
Gelisah banget nontonnyaa…
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X
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S
Iba a deshacerme en halagos pero resulta que el director es rollo turbosionista 5000 o sea que tampoco me apetece mucho.
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ㅤ
It’s hard to put into words my opinion on this film. It has made me feel a turmoil of emotions and most points had me tempted to start biting my nails; it does a great job conveying the dread of the Holocaust, it forces you to use your mental imagery most of the times in cooperation of the amazing sound composition. It is, most definetely, a 10/10 film and it shows how the Sonderkommando were also victms. It is astonishing…
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A
#78/78 International Feature Oscar With this I have finished watching all the winners of the Best International Feature (Foreign Language Film) Oscar. By keeping the camera constantly on the protagonist, while keeping the background action out of focus and the background sound clearly audible, director has heightened the horror of the happenings.
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L
— Encore un de la wishlist de prépa sur l’humanité — Je pense un des film les + durs humainement parlant que je connaisse. Le mec est vraiment seul de chez seul dans sa quête (à l’inverse de 1917), et l’horreur des camps est vraisemblablement transposée au delà de l’écran. J’ai pas forcément passé un bon moment mais je recommande quand même. Tout compte fait, le format carré/vertical entre imax et youtube short apporte une esthétique spéciale au film.
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L
C’est terrifiant de se dire que c’était le quotidien de plusieurs milliers de personnes
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A
most in touch holocaust movie I have ever seen. Nemes creates an immersive experience for his audience utilizing the uncommon aspect ratio of 1.33, a perfect square, which truly captivates the fear, numbness, and pure humanity in the sonderkommander, Saul. (is this good larping?) – had to watch for my history class and now i’m procrastinating writing the essay
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R
“Cher László Nemes, Votre film, Le Fils de Saul, est un monstre. Un monstre nécessaire, cohérent, bénéfique, innocent. Le résultat d’un pari esthétique et narratif extraordinairement risqué. Comment un film ayant pour objet le Béhémoth bien réel que fut la machine d’extermination nazie dans l’enclos d’Auschwitz-Birkenau en 1944 ne serait-il pas un monstre au regard des histoires que nous sommes habitués, chaque semaine, à découvrir dans les cinémas sous le nom de « fictions » ? Votre film est-il autre…
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F
“𝘠𝘰𝘶 𝘧𝘢𝘪𝘭𝘦𝘥 𝘵𝘩𝘦 𝘭𝘪𝘷𝘪𝘯𝘨 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘥𝘦𝘢𝘥. 𝘞𝘦 𝘢𝘳𝘦 𝘥𝘦𝘢𝘥 𝘢𝘭𝘳𝘦𝘢𝘥𝘺.” I didn’t really thought of the language of the movie, all characters talking to each other, it surprised me that they all spoke different languages, it gives what it deserves, reality. The blurry background, even thought we know exactly what is happening. I just loved the camera work. Made it feel more real, raw and incredibely claustrophobic, confined and like we were taken as well.
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TTwixlem 7 月 20, 2026
A la coucou avec papa
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M
Nell’inferno della riduzione totale, la forma più alta di resistenza You failed the living for the dead.
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M
我以為我會很喜歡，結果沒有很進入狀況。
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N
Enfin un film qui ne cherche pas à esthétiser l’horreur de la guerre et des camps, où tout se passe dans un flou constant, en arrière-plan et dans une ambiance sonore macabre
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D
A film that gets less impactful the longer you watch it. I found myself emotionally burnt out after the first 30 minutes but that feeling withers away as the film reduces the victims of this atrocity to camera fodder for László pontificate over. Just blurry naked bodies and abused nameless (and often faceless) figures to be exploited by his lens. It’s not surprising to hear he paid a local homeless people pennies to be his extras, nor is it surprising that he ended up smearing Jonathan Glazer with the stalwart Zionist tactic of absolutely baseless antisemitism claims for simply acknowledging Israel’s current genocide.
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T
Really harrowing and realistic.
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D
Good god. If you’re wanting a harsh and haunting look into the events of the Holocaust, this one is one I would recommend. Terrifying, intimate and highly horrific. The first ten minutes contains some of the most graphic scenes of mass execution I’ve ever seen yet it wasn’t the focal point of the shot. During the entire film, like 98% of it, is a close-up, extremely long shot of our main character as if it were glued to his face.…
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C
Wat een tragische film. Zo bijzonder dat perspectief, het voelt alsof ik de hele film met de hoofdpersoon Saul meeloop. Doet me denken aan de film come and see
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P
ouing
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J
That’s the hardest thing I’ve ever had to watch. Every single person should have to watch that.
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S
This was so heavy, feels like I’ve been hit by the bus… IRGC doing the same horrifying things to the protesters in Iran and the massacres that they have then all these years made this even a worse experience for me…
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A
incredible story. fascinating cinematography
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F
Y’a mm pas de mot pour décrire ce film qui est époustouflant et choquant à la fois la manière de filmer est inhabituelle mais on arrive à suivre , le film est flou et c’est fait exprès on vis réellement ce qu on vécut ces personne est c franchement horrible mais c’est le meilleur film sur le génocide juif qui existe et je conseille à tout le monde de le regarder au moins une fois car c est quelque chose…
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A
its about that one guy on your team who is trying to sabotage your plans because of personal agenda. and then he smiles about it.
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E
Son of Saul is a film of dehumanisation, a reckless, almost nameless protagonist setting out in an odd quest to bury a nameless boy amid nameless corpses. Saul is beyond humanity, his soul shattered and faith gone, numbed to all the atrocities around him, with his humanity only regained through death in innocence and faith. This is a film that takes inspiration from its inherit Jewishness in context and thematic elements while paying great tribute to the nameless victims of…
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S
bagus sih, lumayan ngeliatin juga org yahudi diapain. kurang suka krn ceritany kaya cuma mau nguburin sodarany dan nyari si rabbi rabbi itu jir
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L
There is no other film like this
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𝓣
Nawet sama nie wiem, taki średni
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E
Claustrophobic gruesome take on the horrors of Auswitz from a weird first/third peron view
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V
J’ai aimé le fond mais pas du tout la mise en forme du film. Très sombre, les dialogues étaient incompréhensibles… La fin était intéressante et l’histoire d’un point de vue témoignage était très bien sinon
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C
A scorching introspection on identity and how sacred it is at a time when it was the most difficult to mantain.
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M
ENG / SPA Impeccable direction, matched by equally outstanding cinematography and production design. Humanity searches for one last breath of dignity, and we’re there to witness it. ———– Una dirección impecable, con un trabajo de cámara y arte que no se quedan atrás. La humanidad busca un último aliento de dignidad, y nosotros estamos ahí presenciando.
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TThibaut Massart 6 月 10, 2026
Notes pour ne pas oublier: – Que dire… Quelle claque… C’est magistral. – L’exercice d’arriver à montrer l’horreur des camps de la manière la plus brutale/frontale tout en laissant de la place au hors champ est assez fabuleux. – Je ne suis pas du tout un grand connaisseur de la secondaire mondiale et ce film arrive à me dépeindre une nouvelle couche d’horreur à cette sombre période (les Sonderkommando). – La fin te roule bien dessus comme si de toute façon, tout n’était pas déjà assez atroce.
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K
Haunting. Wonderfully shot. Beautiful acting.
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A
watched it for school weirdly interesting
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K
acho q nunca fiquei tão preso dentro de um filme a câmera praticamente não deixa vc respirar vc fica perto demais do personagem, ouvindo tudo, vendo tudo pelo canto da imagem e sem saber direito oq tá acontecendo ao redor e eu gostei muito dessa escolha não é um filme q eu diria q gostei de assistir pq seria uma palavra estranha pra usar aqui mas foi uma experiência muito forte tem coisas q eu preferia não ter visto e outras q nem aparecem direito e mesmo assim ficam na cabeça
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C
Una manera totalmente distinta y particular de tratar un hecho histórico atroz. Desplaza la descripción del hecho histórico en sí para abrir paso a conseguir recrear las sensaciones de hacinamiento, angustia y terror que lo caracterizaban.
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Á
mi abuela la quería ver y se durmió a mitad
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A
Consigo ver o porque as pessoas gostam, mas pra mim não funcionou.
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P
Très perturbant d’avoir un film qui ne montre pas frontalement l’horreur mais la fait deviner.
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──ℰ. 8 月 3, 2024
We are not spectators, because we “enter” the story, and we still won’t understand Saul.
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Z
who’s the father
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H
i was walked, not willingly, through a landscape of hell and i was left stranded at the end not knowing if i should abandon everything or pin my hopes on the last dredges of imagination
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Kkhellstrom 8 月 2, 2022
Imported from Plex. Plex plays: 1.
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0
László Nemes fonde Le Fils de Saul sur un geste à la fois esthétique et moral : réduire ce que le cinéma prétend montrer afin de rendre sensible ce qui excède toute représentation. La caméra reste attachée à Saul, non pour transformer l’extermination en expérience immersive, mais pour contester au spectateur la position confortable de celui qui embrasserait l’horreur d’un regard souverain. Ce premier long métrage annonce déjà l’obsession de Sunset pour les mondes historiques perçus depuis un champ de…
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E
ในค่าย Auschwitz ชายชาวยิวเชื้อสาย Hungarian ชื่อ Saul (รับบทโดย Géza Röhrig) ทำงานเป็น Sonderkommando ผู้เก็บกวาดทำความสะอาดหลังการรมแก๊สมรณะเสร็จสิ้น แต่มีครั้งหนึ่งเด็กชายยังไม่สิ้นใจตาย ดิ้นรนเฮือกสุดท้ายก่อนหมดลม ทั้งๆที่ก็ไม่ใช่ลูกแท้ๆของตนเอง แต่เขากลับอยากทำพิธีศพกลบฝังให้ไปสู่สุขคติ, การันตีด้วยรางวัล Grand Prix จากเทศกาลหนังเมือง Cannes และ Best Foreign Language Film จาก Oscar, Golden Globe, BAFTA raremeat.blog/son-of-saul-2015/
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CCarl Patterson 1 月 7, 2017
Very personal and claustrophobic with it being in academy 4:3 ratio. Also the fact that for nearly all the film the camera was either on Saul or just behind him. Also like a Legend of Zelda video game. Even the focus was on him and what he could see in his field of view. I don’t know how they could drag naked “pieces” around like that. The commanders would try to hurry the Jews by saying that their soup would be getting cold. It was only at the end when that boy appeared at the barn door that the subject moved from Saul to the boy.
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L
Cette immersion dans les fameux camps est d’une réalité terrifiante surtout grâce à la mise en scène absolument magnifique de László Nemes.
- Synopsis
- In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper Jewish burial.
- Director
- László Nemes
- Writer
- László Nemes, Clara Royer
- Studio
- Laokoon Filmgroup
- Country
- Hungary
- Language
- Hungarian, German, Greek (modern), Hebrew (modern)
- Year
- 2015
- Runtime
- 107 mins
- France15 May 2015
- Ukraine12 Jul 2015
- Poland25 Jul 2015
- Bosnia and Herzegovina19 Aug 2015
- USA04 Sep 2015
- Canada10 Sep 2015
- Germany03 Oct 2015
- Canada05 Oct 2015
- USA06 Oct 2015
- Canada07 Oct 2015
- USA09 Oct 2015
- UK10 Oct 2015
- Belgium16 Oct 2015
- USA22 Oct 2015
- USA23 Oct 2015
- Netherlands31 Oct 2015
- Greece07 Nov 2015
- UK08 Nov 2015
- USA08 Nov 2015
- USA09 Nov 2015
- Sweden11 Nov 2015
- Canada04 Dec 2015
- USA02 Jan 2016
- Iceland25 Feb 2016
- China17 Apr 2016
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