Synopsis
Trailers
Reviews (177)
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93 Not exactly shocked that this is proving to be divisive considering its subject matter, but let’s be real here – the first act is designed to rustle any and all feathers, and it’s inevitable that bloggers at Cannes fell for its Wile E. Coyote trap. Just about every composition is loaded with contextual triggers: directional arrows on the grocery store floor, social media feeds of misinformation and aesthetically pleasing infographics, smashed storefronts, masks slipping on and off during protests and socially distanced gatherings, the ubiquitous presence of blue light, a ceaseless stream of pain and suffering and outrage on the news etc. Even so, Eddington merely sets the stage with its COVID narrative complications. The movie eventually becomes a…
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Out-of-touch white dude makes a movie mocking the “out of touch” white folks who protested after the murder of George Floyd. I’m in need of a shower to wash the holier-than-thou centrist stink off. Such a brave revelation to drop a “both sides are so crazy” film in 2025, because you’re not currently capable of anything besides lazy provocation. Eddington is a sometimes funny but always shallow Rolodex of images and themes from 2020, somehow spread out over a disgustingly indulgent 150 minutes. Aster doesn’t seem to have the guts or the knowledge to approach any of the issues he presents at more than a kindergarten level. With that being said, he’s quite comfortable smugly saying “look how silly both…
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Seeing lots of reactions/hot takes to this movie in the same way Civil War was derided: “these filmmakers are irresponsible.” To portray these events, these hot-button issues, without first declaring your true intent, or without exposing your political shortcomings, is, to some, unforgivable. I doubt Aster has perfect politics. He’s not looking at 2020 with a goal to evenly skewer every political ideology. He’s viewing 2020, more specifically a mindset that exploded in 2020, through his own lens. He’s an artist. I personally thought some of the jokes were in poor taste. I felt gross––which is the point. Aster is provoking us, which is sorely lacking from so much art today. It’s mean-spirited, ugly, and hilarious. But it’s also deeply…
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Turns fully into the vertigo of the COVID/BLM years in a way designed to leave absolutely everyone feeling terrible and more insane. I loved it. Aster makes a film that unsparingly aims to render what it feels like to be alive in the present, which is to say a baffling experience mediated entirely by screens that produces total alienation. What this movie does better than anything is portray this ubiquitous sense that there is some unspecified DOOM out there with our names written on it. It it the virus or is it the cure? Regardless of your politics everyone has some version of this, and we’re all convinced that everyone else is lying to us about the nature of this…
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Grossly irresponsible to make a film that attempts to examine the intensely vitriolic state of American politics amidst the earliest months of COVID and not mention how Trump, or the MAGA-sphere, directly amplified and exacerbated so many of those very issues. But at least we can laugh about the youths caring very loudly about George Floyd’s murder. And we can roll our eyes at the women who succumb to right-wing conspiracies as a coping mechanism to deal with trauma that exists just to make them difficult to stomach. I found every part of this uninteresting and, maybe even worse, unintelligent. No interest in digging into the nuances that exist within this reality, no attempt at reconciling with these experiences, just nonstop upping the ante in the bizarrely cruel and misguided ways Aster seems to be gravitating towards more with each new film.
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The first truly modern American Western, or at least the first one that has the nowness required to mention Pop Crave by name, Ari Aster’s “Eddington” is also the first major Hollywood movie that’s been willing to see the COVID pandemic for the hellacious paradigm shift that it was — as the moment when years of technologically engineered polarization tore a forever hole in the social fabric of a country that was already coming apart at the seams. Few other filmmakers would have the chutzpah required to make a “No Country for Old Men” riff that hinges on mask mandates and the murder of George Floyd, and we should probably all be grateful that none of them have tried. But…
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It used to be that every white male wanted to write the next great American novel and now it’s every white male filmmaker wants to make the next great “provocative” movie, and it’s tiring.
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Me gusta todo lo que pasa ,sobretodo como explota todo en el tercer acto
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J
Ein Film für Menschen, die es nie schaffen werden, aus ihrer edgy Reddit/Twitter-Bubble zu entkommen. Ein als Satire getarnter Aktivismusfilm, dem das gleiche Dilemma wie One Battle after another trifft. Zumeist absolut nervtötend, langweilig und einzig und allein auf das Ego des Regisseurs aufbauend inszeniert. Das letzte Jahr war wirklich keine Glanzleistung für so manch hochanerkannten Filmemacher.
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Yo creí que eddington era el carnalito de paddington pero me terminé topando con 2 horas y media de basura blanca. A este punto sinceramente ya no distingo si las películas duran mucho o yo ya tengo poca capacidad de atención, lo cual me preocupa mucho,,,, el caso es que…. Sentí que la película es más larga de lo que debería. Me gusta mucho la crítica ya por la mitad de la película, por qué el principio neta se sentía…
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Blacks Lives Matter
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America’s disease festers.
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What the hell, this is just targets
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Ari Aster y sus finales felices
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Aster is an expert at tapping into one of cinemas greatest truths: it’s extremely funny watching Joaquin Phoenix panic and suffer
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This is your second strike Ari
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Ragebaiting joe with Katy perry’s fireworks is insane! Lmao. The film is so dense idk what to say, I guess it’s beyond my comprehension. Like I get it but it’s too much. But that’s why I love it. It’s satirical. It’s funny in a lot of way. And definitely bleak. following Joe’s not believing covid is kinda hard for me, thank God there’s not so much of it. One of its main conflict is this corporate is building a data…
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Lowkey my favorite part was the tasteful interior decor and design.
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I wonder how Ari Aster feels about Hasan Piker and the Democratic Socialists of the Left
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Enjoyed this movie . Everyone making crazy decisions with devastating consequences
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I kind of forgot how insane COVID and 2020 were socially
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Enjoyed this a lot more on a rewatch. Unfortunately Aster’s weakest entry, but loved how he showed you both sides, dials it up to 100, and lets you interpret it how you will.
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ne anlatıyor amına koyayım bu filmde anlayan bana anlatsın
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Idk a few gunshots startled me enough to make me look up from my phone a little
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An intense psychodrama that grapples with the turmoil and phenomena of the Covid-19 era (without, however, being limited to them). It is razor-sharp, incredibly cynical, and delivers a brutal finale. The cinematography and acting performances are, of course, superb! Unfortunately, the film loses its way a bit in terms of runtime and focus – though the sense of frenetic confusion was most likely intentional, it was also tiring.
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Absolutely fucking bananas but such a fun watch. Like every other film he’s done where you’re wondering what on earth is going on, but you are actually enjoying it
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Yea, the people were wrong about this one. But I also sided with Joaquin Phoenix the whole time.
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This is Ari Asters best work, I believe time we be kind to this one. As much as it was hated on and how it bombed, I think this is one of the most important movies released in recent memory. And it only gets more relevant and important as the days pass.
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woah
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Nnajalater 8 月 22, 2026
i do trust phoenix to see a mysterious figure standing on the roof of a house and freak out
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De las más infravaloradas de 2025
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fue corte un mal sueño medio febril esto pasa en yankeelandia nomas igual buen nombre solidgoldmagikarp para una empresa de IA
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Mentally unwell Joaquin Phoenix rage baiting me for 2 hours
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Joe cross for mayor
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una locura la cultura estado-unidense, el COVID andando y ellos disparo y disparo
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a horseless western in three acts. i need to talk to a trusted adult after this.
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I understand why my grandma would NEVER watch world war 2 movies now, I did NOT feel like experiencing that all again…
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The infinitely more interesting and complex “crazy world we live in” movie of 2025. ONE BATTLE feels like a bumper sticker. This feels like a novel. Also, HBO Max fucking sucks to watch movies on.
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I wonder how many people watched this and completely missed what happened in the third act. Given the data center plot point, I also wonder how this movie would have been received if it came out a year later than it did.
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First half of the movie feels like covid woke david lynch, second half felt like breaking bad rambo
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I was waiting for when the bulls on the poster would make an appearance. I enjoyed this film. The way it was shot and edited was really up my alley and the performances and the oddball feel and the satirical tone all worked for me. And there were a ton of left turns taken in the plot which were so bizarre but never took me out of the film, just made me more curious about what was happening. That being…
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I think there’s a good movie buried deeply somewhere in here but it was somewhat painful to get through.
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Esse filme só funciona voce percebendo que é uma sátira (propositalmente) exagerada! Poderia ser mais curto e o final pra mim o Aster quis dar um “Tarantinizada” achei que destoou. Um dos mais fracos do diretor mas ainda assim, entretém e diverte até na real.
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Yurp
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Horrible de fome y larga, Pedrito y Joaquín Phoenix carrean la película con todas sus fuerzas, sobre todo Joaco que actúa muy bien y se pierde en el personaje, la secuencia final es cine, increíble, aún así me aburrí mucho, no puedo creer que es el mismo que hizo Midsommar y Hereditary, entiendo la sátira que quiere hacer a la cultura woke y toas esas weas pero estira mucho el chicle como si el espectador fuera tonto o no sé, Muy linda la imagen si, que decir.
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A sprawling movie that tries to say a lot but says nothing of importance at all
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Half star bump on a rewatch
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I do love those whip pans with cars Unfortunately that ‘solidgoldmagikarp’ does not work for me
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The first time I saw Ari Aster’s Eddington I might not have been in the right frame of mind. So I might have judged it too harshly the first time around. I saw a rave review from a friend that inspired me to revisit it and I can’t remember my previous objections to the film since I only rated it 3/5 without a review. It is something of a slow starter as it proceeds to get more interesting in the…
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white riot! I wanna a riot! white riot! a riot of my own! Ah, os bons tempos da pandemia de covid. É uma sátira que funciona (ou não) para todos os lados. Da negação da gravidade da pandemia, aos gurus picaretas líderes de seitas, passando pelos militantes performativos das redes até aos conspiracionistas da vacina, 5G, indústria farmacêutica, projeto blue beam etcetera etcetera etcetera. É a sensação de passar duas horas e meia rolando o feed do finado Twitter testemunhando…
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Americans are crazy
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insane from start to finish for the entire 3 hours
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A maximalist version of 2020.
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Awful
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One of the most ambitious films I have ever seen. Taking this topic so fresh in everyone’s mind and making it into a film like this is something that you kind of have to give respect to. However that doesn’t mean that I (or anybody) have to like it. I see what the plan was here, I just don’t really love the execution of that plan. The first third of this film is very slow and it started to become…
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First and second half are two different movies
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First act was a brutal watch and that’s gotta b intentional but sheesh. Absurd ending Everyone thinks their cause is worth fighting for but in the end the data center wins
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Bbigsherm22 8 月 21, 2026
beau is afraid with racists
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Un poco rara la peli y parece q estaba bien y hablaba de cosas guays pero se extrema y al final solo son tiros y más tiros
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I saw the movie after I had gotten the poster of it, lol
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Kind of a mess of a movie. A hodgepodge of pandemic era ideas that don’t quite make a cohesive story. All the characters are awful. Some shots are great like the kid shooting a gun in the street while filming with his phone but it just doesn’t add up to anything
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Au secours… je ne veux pas vivre dans une société pareille !!
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STORY/SCRIPT ORIGINALITY: 5/5 CINEMATOGRAPHY/EDITING [DIRECTING]: 4/5 CHARACTER DEVELOPMENT [PLOT]: 3/5 MUSIC, SOUND, & SCORE: 3.5/5 ACTING [MAIN CAST]: 4/5 REWATCHABILITY & ENJOYMENT: 2.5/5 PERSONAL RATING: 3/5 25/35 This film irritated me because it perfectly encapsulates the country we live in. Seeing that reflected back through film was unsettling.
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So Joaquin Phoenix is being chased by ANITFA secret agents that rode in on a private jet, whips out a literal LMG, like in Fortnite, runs out of ammo and switch’s to an assault rifle, moving like an action hero, AND YOU STILL DON’T CLOCK THE SATIRE!!!!‼️❌❌💥💥👹👺❓❓⁉️🆘🏥👨🦰 Like bro this is a great movie, and I think had it been released another five years removed from the topics it covers, you’s might consider this what it is. A fantastic movie. I hope this achieves cult status.
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Por supuesto que Ari Aster ha escrito esto. Nadie más podría escribir una trama tan retorcida, con un desenlace tan complicado, y entonces dejarte los cabos medio atados para que vayas terminando de procesar lo que acabas de ver mientras pasan los créditos finales en un plano fijo. No sé siquiera qué comentar de la película para no destriparla. Creo que voy a dejarlo en que está tan bien montado todo que he estado la cantidad suficiente de confuso y…
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Honestly the first 90 minutes just felt like super on-the-nose political commentary that felt played out and uninteresting, but the final hour completely turned this story in a direction I was not expecting, and by the time the credits rolled I was actually pleasantly surprised. It doesn’t really change my opinion on that first half though, and I feel like some of the side characters such as Pedro Pascal and Emma Stone could have been fleshed out just a little…
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One of the more wild movies I’ve seen recently. Joaquin was fantastic. One of the better social commentary’s of the last few years. Some genuinely crazy moments. Still wrapping my head around all of it but damn this was fun
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Girl I guess?
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yes many of us were pretending to be woke for female attention in high school
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genial
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A pretty great satirical depiction of 2020, you really feel like you’re in quarantine again. Ahead of its time with the data center stuff. Would be interesting to watch again a few years from now. Hopefully we’ve made more [political] progress by then…
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esto es real hijo, en estados unidos son todos retrasados mentales
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It’s them damn phones I’ll tell ya
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that was really weird -0.5 for making me listen to a tom grennan song +0.5 for pedro pascal, joaquin phoenix and emma stone 😛😛😛😛😛
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So it turns out I got Covid after my friend I saw last Saturday texted me saying she was sick and then later in the evening sent her positive test. Guess I’m gonna continue my sick days of this past week of watching all the movies I bought but haven’t gotten to yet and figured this is the most appropriate one to start with. 🫠 Can’t believe my streak of never getting it finally ends.
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no ones talking about the datacenter lmao
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Alive but at what cost… Def what you can expect from an A24 movie. Stay until the end for a full frontal nude of Joaquin Phoenix.
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The last hour was so painfully good
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the type of movie that makes you think. you can only understand this if you know american culture and politics well, fortunately (and unfortunately) i do and i can tell this movie not only understands but also predicted how tired americans are of establishment politicians, it’s just peak and it’s also uncomfortable! that’s why this wasn’t nominated for nothing and one battle after another was, you can tell which movie actually told some raw uncomfortable truth. just a genius movie overall
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todo filme do ari aster pra mim eh a mesma coisa, choca, subverte alguns valores e tal mas se vc olha o geral do negócio….. eai??? .. satirazinha bem qualquer coisa
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In theory I would have enjoyed this bc it’s a lot like the South Park specials. But it just didn’t make me laugh really. Maybe I need to watch it again….. Also I cannot believe this movie made me see Jacob Frey’s dumbass face I canttttttt.
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Que bagulho confuso. O filme tenta abordar uns 5 temas diferentes e não se aprofunda ou torna interessante nenhum deles. Tem covid-19, black lives matter, treta política, treta entre família, seita de maluco e do nada o protagonista vira um assassino sniper aleatório. Pra completar, no final vira a porra de um filme de ação sem pé nem cabeça. As únicas coisas boas são o Joaquim Phoenix – mas também, tá em 99% do filme, se fosse ruim pelo amor…
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roate el sielo butterfly jimenez 💔😞🥀
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What the damn hell.
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i could not remember pedro pascal’s name and it annoyed me
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Ok, finalmente vi este Western Moderno de la mano del que supo ser un genio del terror y del género el cual se va alejando cada vez más, el gran Ari Aster. Dividió al público tachándolo de irresponsable, tibio pero no estoy nada de acuerdo, te muestra lo peor de cada mundo (la izquierda y la derecha, claramente más lo feo de la derecha) es bastante centrista dentro de todo, como 2020 rompió la sociedad estadounidense y del mundo en…
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I don’t think this is a great movie, but it hits upon two very important points: every American secretly longs to commit acts of mass violence and capital always wins. Joe Cross gets to have his rampage through town and the data center ultimately gets built. I think this movie could have been much more focused and it could get its points across in a more precise manner. It does get quite a bit muddy. However, I don’t think any other movie has captured the American Century of Humiliation quite like this yet.
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Nnicole 8 月 21, 2026
okforget everything else about this movie. was the cgi SUPPOSED??? to be THAT bad seriously i need to know also it took me like 6 months to finish this shit
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what is this, covid neo noir western? im in. cast and director are solid and story is fun too
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Thank god 2020 wasn’t real
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É um filme muito estranho politicamente, mas é uma boa comédia de erros, entendo a recepção ter sido mista.
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A Ari Aster le salió bien una película, luego puso a su primo a escribir los guiones.
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y’know ari aster predicted all this
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This was fun
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Nel deatmatch che abbiamo fatto confrontando il titolo con One Battle After Another, ammetto di aver intravisto in questo capolavoro qualche gradino in più , in termini politici e metacinematografici. Questo titolo chiude la possibilità , toglie ogni deresponsabilizzazione allo spettatore. Mentre l’altro apre, lascia uno spiraglio. Messi a confronto, sono un po’ l’uno il sequel dell’altro a mio avviso, ed è come se i due film comunicassero senza volerlo tra di loro. In one battle after another la centralità…
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Heime
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Good not great. But it’s interesting. It’s always fun watching Joaquin Phoenix act. Shows how crazy everybody went during Covid. Definitely a modern western as the preview suggested.
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Encarcelaron a un negro injustamente🐣
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A jam-packed exploration of community and self amidst social upheaval. Sure, there is a lot to unpack, and given the subject matter, it’s ripe for polarizing opinion. Observing the politics and rhetoric with some degree of neutrality elevates the film’s effectiveness in conveying, at least to me, its intended meaning. The film’s opening and closing images of “SolidGoldMagikarp” highlight the disconnection between each other and within ourselves. As the aptly named tech corporation suggests, our communal structures are out of…
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How do you even survive that. Any of them.
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i’ve gotta ponder on this
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JJoy 8 月 21, 2026
woahhhh wait hold on just a minute
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Guy makes movie based on real world events. You could not even FATHOM how irresponsible that is.
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second half of this movie felt like a fever dream
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They really nailed IOS Joe cross has to be my least favorite movie character ever. I keep thinking about unlikeable characters that are still likable by way of the performance or writing. I don’t want to say the performance was bad… but that voice… so whiny and childish but in this really specific way almost as if he was hiding a real person inside of himself. It felt contrived and not real, not a real voice, not confident and lived…
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ahhh no es mala eh bastante bien para ser de acción/western pero no es un género que se sienta tan genuino como en las otras pelis de Ari Aster, la primera media hora con contexto covid es innecesario, una paja encima la peli tuvo la re contra mala suerte de estrenarse en el mismo año que One battle another after, ambas parecen basarse en el mismo libro (o sea vineland) solo que la de Anderson tiene “aura” como dirían los…
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O ponto principal é a direção do Ari Aster, que cria um faroeste moderno com um clima de filme de terror psicológico muito forte. Joaquin Phoenix está excelente, um absurdo não ter tido reconhecimento. Sobre a tama é muito difícil dizer, é como se mostrasse os exageros da esquerda, culpando o primeiro que encontrar na frente, mas ao mesmo tempo os acusados (Joaquin Phoenix) tá fazendo exatamente o que eles dizeram. No final a galera do Black Lives Matter viraram teoristas??????? Preciso pesquisar mais sobre esse filme.
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🤠
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Just didn’t quite come all the way together
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I haven’t gasped like this from a movie in a while — also the Katy Perry needle drop really got me
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Timely, paranoid and wonky. My least favorite from Aster so far but I still enjoyed it quite a bit.
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loucura
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I love the way that everyone kind of had a point but also kind of sucked (all to varying degrees).
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Everyone was so annoying in this movie. Omg just shut up
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Super film sur la typographie et le métier de maréchal ferrant
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9.3/10
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am i missing something
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This is exactly what it felt like to watch the news in 2020. And also now I guess.
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“Thank you super duper very much”
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Forgot to review but this sure was cuckoo
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it’s so good that i’ll never watch it again. i felt claustrophobic in my own body and didn’t know what to expect in litterally every single scene. i went in thinking it was just a comedy…
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te amo ari
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Centrists be like
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A comedy? The humour was completely lost on me but: Affecting in it’s tour of 2020 and for effectively capturing the disorientation of that time. Weird and almost refreshing (?) to see COVID-era scenes that once felt so inescapable and familiar, and now nearly memory holed – or at least hardly discussed – only a few years later. The portrayal of the naive leftists/BLM teens, while not necessarily inaccurate, felt surface level and played for laughs (Brian’s dad at dinner…
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B
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Bbrinocarlo 8 月 20, 2026
The comedy event of 2025.
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Very good camera angles Very good continuous drama and shootouts at the end
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A very audacious movie. It takes a real weirdo’s eye (complementary) to take 2020 and assemble it on screen, and who better than Ari Aster? It kind of seemed to be saying that everyone was crazy, which saves it some hard conversations but also robs it of its fangs. I’d kind of appreciate it more if it had gone full tilt into one side’s headspace—but I thought it was very impressive how it never felt particularly preachy or judgmental, which…
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M
Watched the first half of this last night before going to sleep and woke up to 2020 nightmares. I’m pretty sure the same thing will happen tonight. I did not know mr Ari had made all these movies wow
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Far and away Aster’s best movie and on the shortlist for defining movies of the 20s
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movie dumb af… acting was good.
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Long winded with ultimately very muddled substance.
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When I have kids one day and they ask what the 2020’s were like I think I’ll just show them Eddington. The film perfectly captures what it’s like living in a time that completely broke the minds of thousands of Americans by accurately depicting the dangers of online echo chambers, performative activism, and social medias effect on mental health. I think it does severely go off the rails in the final act in the patented Ari Aster way but it…
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Pretty good
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I was willing to hear it out despite the lack of seriousness it had with some of the subjects it broached. I felt a set up, and I was mistaken on the direction it was going the moment the sheriff shot Pedro pascal. That was exciting. But once it turned into a one person shoots the other dealio, where everyone dies no matter what, I just got pissed off.
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I would describe myself as a pretty big Ari Aster Fan at this point i love his horror movies, i love beau (even though it has allot of problems) this movie really connected with me, he went out there with his weird creativity, but didnt completely got lost in the sauce ( see beau ) it was funny, it was satirical, personal, political i love that we experience this story from the view of the conservative anti mask psychopath, its…
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Too many ingredients in the kitchen
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Critica totale e spietata alla società americana e occidentale, al fomento dei social le radicalizzazioni e i complottisti in cui non si salva nessuno. Film molto scomodo, dove non ci sono schieramenti chiari e stabiliti. Mette a nudo l’ipocrisia e l’ignoranza, non solo della classe politica, ma di tutta la società. Ti lascia un senso di vuoto ma anche di rabbia e voglia di rivalsa sociale. Film visto in dibattito con Una Battaglia Dopo l’Altra, simile per tematiche ma diametralmente opposto per come vengono affrontati.
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PTSD triggered
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Wtf
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yeah, if you don’t fuck off on this one – you’re making a huge mistake. great movie
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K
En feberdrøm der en god samling merkelige idéer fra 2020-tallet plutselig er blitt sanne
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EEllaDR 8 月 20, 2026
All the polemic subjects together in one movie: Covid restrictions, mask-no-mask, mental health care, data center buildings, BLM, white supremacy, police violence, conspiracy theories, Antifa, Indigenous people, social pressure, news manipulation, bipartisan.. have I mentioned homelessness? And, of course, each one’s personal agenda around it! Total mess!
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No vea la que sa liao en un momento chica
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L
this gave me the same level of anxiety and pissed-off-ness as marty supreme, i can take a movie that leaves u on the end of ur seat and i can also respect the beautifyl portrayal of a western through a much more modern lense, love the cast BUT this plot was bullshit😭 i have so many mixed feelings, if the director was aiming for absurdity at all, he got there
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Yeah, second viewing and still not entirely sure how I feel, which I guess isn’t a ringing endorsement. It’s too long, and I’m still not entirely sure what it’s trying to say, but the last third is pretty thrilling and prescient, and good God does this just make me feel dread about the state of America in 2026.
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J
I hated every character
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K
Gets old by like ten minutes in
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M
yea idk, feel like this didn’t know what it wanted to be “its like a bad car crash that i couldn’t look away from” -Joe Guariano
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E
I still think Ari Aster hasn’t done wrong I just need to finish beau is afraid
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T
I can’t take any more of this “both sides are bad” crap. I have so many more things to say but I don’t want to waste any more time on this horse shit
1 -
L
Ari aster asked Austin Butler to drop the Elvis voice and he just assumed this character. All improv no script.
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B
I rolled my eyes so much during this movie. Goofy and boring as hell movie. Making fun of protesters is a weird choice and gives “all sides are bad”. Lowkey copaganda movie. Pedro pascal and Joaquin phoenix are SO fine in this movie for some reason. This stupid ass movie does nothing but piss me off. Emma stone you could literally do no wrong in my eyes. Why would I waste my time on this movie idk.
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A
w/Dale. Aging like a fine wine though there are still several parts that don’t click for me.
1 -
K
I am a big fan of this movie. For precisely the reasons everyone claims to not like it as a matter of fact. This is not a stanceless movie, it just isn’t in bed with a specific ultra-rigid ideology. The film is more or less how the COVID era changed us as a society, shrinking down all of COVID America into an off the map town called Eddington. All this absurdity, all this hysteria, all this divide, only to distract us from the fact that we are about to get absolutely fucked by AI data centers. It’s quite poetic.
3 1 -
L
Masks, guns and conspiracy videos, what a covid capsule. What bothers me most of all though is that they ignore obvious ballistic evidence that the sheriff shot the pueblo inspector when he went all Rambo towards the end. The scene of him getting slapped was priceless though. We need more blatantly opportunistic politician and influencer characters in cinema, like the skirt chasing boy and the Janus-faced mother in law. And more deeply sincere mumbo jumbo. But also come clarity, maybe.
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A
Watched this at home on streaming. Somewhat mixed feelings about this one. I generally like films that go off the rails but for some reason this one almost felt like too much. Still enjoyed it.
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C
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A
HOLY MOLY this movie blew my mind lowkey (no pun intended). In typical ari aster fashion, its slow descent into unhinged and terrifying chaos really just has a way of getting to you. Great movie and would watch again
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L
Ебануто йобнутое ебантяйство
- Synopsis
- In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.
- Director
- Ari Aster
- Writer
- Ari Aster
- Studio
- A24, Square Peg, 828 Productions, IPR.VC
- Country
- USA, Finland
- Language
- English
- Year
- 2025
- Runtime
- 148 mins
- France16 May 2025
- Australia12 Jun 2025
- Ukraine19 Jun 2025
- Australia05 Jul 2025
- USA10 Jul 2025
- Canada16 Jul 2025
- Denmark17 Jul 2025
- Poland26 Jul 2025
- New Zealand03 Aug 2025
- Australia09 Aug 2025
- Hong Kong17 Aug 2025
- Turkey17 Sep 2025
- Japan30 Oct 2025
- Taiwan08 Nov 2025
- Israel30 Dec 2025
- France16 Jul 2025
- USA18 Jul 2025
- South Africa25 Jul 2025
- Denmark31 Jul 2025
- Sweden08 Aug 2025
- Mexico14 Aug 2025
- New Zealand21 Aug 2025
- UK22 Aug 2025
- Poland05 Sep 2025
- Chile11 Sep 2025
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